Subject: I have found a DVD that I think you would enjoy
|2001 - A Space Odyssey|
Actors: Keir Dullea, Gary Lockwood, William Sylvester, Daniel Richter, Leonard Rossiter
Genres: Art House & International, Science Fiction & Fantasy
When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtuall... more »
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Amanda D. (sophiesperspective)
Reviewed on 2/13/2013...
"What do "Brighty of the Grand Canyon" and "Napoleon Dynamite" have in common?"
Made in 1968 this movie is hailed for its stunning effects and groundbreaking outer space sequences - a true classic. Don't let that dupe you into seeing the movie. If you were to look in the dictionary beside "pointless," "lame," and "waste of time" this movie should be pictured. For the time, yes the features and colors and sequences were quite amazing, now, in 2007, it is nothing extra-ordinary at all. The almost 2 1/2 hour movie could be effectively done in 1/2 hr to a full hour. After watching the movie I was left scratching my head going "I'm so confused."
So, to answer the question - "What do Brighty of the Grand Canyon and Napoleon Dynamite have in common?" They are both more interesting than this movie. The book Brighty is very good - the movie plods along as slow as a donkey. Dynamite at least has cheesy humor. 2001 can't even offer that. I never thought I would say this, but I would rather watch Napoleon Dynamite again than this movie ... in addition to the "humor" it also is about an hour shorter in length. The only good thing that I see coming out of this movie (besides the then stunning effects) was inspiration for space vehicles for George Lucas' Star Wars. It is apparent he was influenced by this movie. I think that also might be why, 9 years later, Star Wars was a sleeper hit. Not only did it have stunning effects (!) it also had a plot, and it was interesting.
I'm told that 2001 was made from a book. The book must not be very thick if they accurately interpreted it. It must be more interesting than the movie though, and hopefully it will help clarify what I saw. I will probably check it out of library sometime. Does anyone know if the book is more interesting than the movie?
SPOILERS (if that can be said for this movie):
Essentially this movie starts at the "Dawn of Man" and shows a black monolith which (I guess) helped the apes evolve. In 1999 a black monolith is discovered on the moon - its origins are Jupiter. In 2001 a team ventures out to Jupiter to find out more about the mysterious monolith. On the way the infallible computer, HAL, messes up, kills people, and must be shut down (this has nothing to do with the main plot, however). Eventually only one guy is left who makes it to Jupiter and finds himself in a strange room where he grows old, is visited by the monolith and transformed into a giant embryo. The embryo is next seen as large as the earth gazing at earth - I presume this is supposed to be the next evolutionary step. Sounds pretty interesting, right? Basically this is not expanded on and I virtually just gave you the script. Don't waste your time watching this movie.
(Originally published on:http://sophiesmindset.blogspot.com/2007/05/what-do-brighty-of-grand-canyon-and.html)
0 of 2 member(s) found this review helpful.
Jeff P. (jeffp) from LOS GATOS, CA
Reviewed on 4/1/2010...
This is a classic of movie science fiction. Highly recommended.
And for the record, this has it right: HAL was born in Urbana IL. 2010 - an OK movie in its own right - moves the computer lab to Chicago, and that's just wrong. The University of Illinois Urbana/Champagne is the home of HAL, and always will be. :)
Learn Your Aspect Ratios
Motion Picture DP | Houston, TX United States | 10/23/2007
(5 out of 5 stars)
"In regards to the uneducated 2.35:1 zealot reviewer, as a Director of Photography, I can state unequivocally that 2001 is supposed to be in 2.20:1 aspect ratio. It was shot in 2.20:1. It was not shot in Cinemascope (or anamorphic Panavision), which is 2.35:1. It was shot with straight lenses in Super Panavision 70 (65mm negative, 70mm projection print with soundtrack). Super Panavision 70 is a 2.20:1 aspect ratio format. When you are watching a 70mm print in a theater you are watching 2.20:1, which was never as wide as the anamorphic formats. Learn your aspect ratios.
Not to mention the fact that Kubrick went to the extraordinary effort of exposing his special effects composite shots as successive passes on the original undeveloped 65mm negative (after it being held sometimes in refrigeration for up to a year or more waiting for the next pass) so that all the composite visual elements are first generation on the original camera negative, rather than the cheaper and more common optical composite dupe negative inserts. Amazing. That is why it looks as good as it does. No optical negative generations.
A Beautiful Film...and one of the best executions of the 70mm format ever.
A true Visual Masterpiece."
Bonus Materials for this DVD set
Motion Picture DP | 08/07/2007
(5 out of 5 stars)
"I haven't seen any of this, but I thought anyone interested in this new edition might find it useful, since it's currently not in the product description.
The 2001: A Space Odyssey (Special Edition) DVD will feature the following bonus materials:
* Commentary by Keir Dullea and Gary Lockwood
* Theatrical trailer
* Channel 4 documentary: 2001: The Making of a Myth
* Standing on the Shoulders of Kubrick: The Legacy of 2001
* Vision of a Future Passed: The Prophecy of 2001
* 2001: A Space Odyssey - A Look Behind the Future
* 2001: FX and Early Conceptual Artwork
* Look: Stanley Kubrick!
* Audio-only interview with Stanley Kubrick"
Sci-Fi filmmaking was never the same after "2001"
C. ANZIULEWICZ | Spring Hill, WV USA | 08/29/2000
(5 out of 5 stars)
"In the summer of 1969, when I was all of ten years old, Mom & Dad bundled all us kids into the white Oldsmobile stationwagon and drove to the Rockville (Maryland) Drive-In to see "2001: A Space Odyssey." I didn't know much about the film, but as a budding sci-fi fan I was already champing at the bit to see it. Needless to say, "2001" rearranged my universe. I can't say I understood the movie completely at the time, but I do recall talking my parents' ears off about the film during the drive home."2001" is personally my favorite movie of all time. I've seen it more times than I can count, purchased the soundtrack several times (vinyl and tape wear out, you know), read Arthur C. Clarke's novelization several times, and read every other piece of literature about the film I've been able to get my hands on. And recently my partner Greg purchased this "Stanley Kubrick Collection" DVD from Amazon, and it was just last night that we sat down to watch it on our new 32-inch TV and in 5.1 digital sound. What a treat! First of all the print is about as pristine as anything I've ever seen; this movie probably looks better today on DVD than it did in many suburban movie theatres back in 1969. I was immediately struck my how sharp the image was, especially the clean lines of the monolith that appears mysteriously amongst our australopithicine ancestors 4.5 million years ago. While watching this film last night, Greg lamented the fact that kids today who grow up on nothing but CGI effects in science fiction movies may never have a true appreciation for the fine art of model-building; the Orion shuttle, the Discovery ship and its attendant space pods, are stunning examples of elegance in design. The Aries 1-B moon shuttle looks like it ought to have been built and flying by now. The docking sequence with the rotating space station, to the oddly appropriate strains of "The Blue Danube Waltz," look just as clean and modern as anything being filmed today.The pop cultural impact of "2001" cannot me overstated. Is it any wonder that over 30 years after the film's initial release, Richard Strauss' tone poem "Also Sprauch Zarathustra" is still associated with space travel?That having been said, my only qualm with this edition is that the sound editors involved with the DVD transfer may have taken a few too many liberties. The most glaring example is during the closing credits of the film: In the original print the "Blue Danube" reprise ends with snare drum roll and finish when we see the words "THE END." ... But in this edition the waltz continues merrily on its way long after the screen fades to black. Amazon's website notes that Stanley Kubrick approved all this audio tweaking; I guess I'm just going to have to take their word for it. Granted, the sound is very nice and crisp, the conversations are clear, the bass has a lot of extra "oomph" during Gyorgy Ligeti's atmospheric score. If you are not too much of a Kubrick purist and can overlook the tweaking of the sound, you'll have to admit that this edition of "2001" sounds damned good."2001: A Space Odyssey" was released at a time when there was still a huge sense of wonder and optimism about space travel and exploration. Alas, in the intervening years shifting economic, political and military priorities have eroded much of that wonder and optimism. I wonder if any of us will ever again be able to look up at the stars with as much hope and exhilaration as we had when "2001" first hit the screens."