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Blithe Spirit
Blithe Spirit
Actors: Rex Harrison, Constance Cummings, Kay Hammond, Margaret Rutherford, Hugh Wakefield
Director: David Lean
Genres: Indie & Art House, Comedy
NR     1998     1hr 36min

Director David Lean's delicious adaptation of Noel Coward's comedy stars Rex Harrison as celebrated novelist Charles Condomine, a newly married man haunted by his long-dead first wife. When a medium and Charles' new wife t...  more »

     
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Movie Details

Actors: Rex Harrison, Constance Cummings, Kay Hammond, Margaret Rutherford, Hugh Wakefield
Director: David Lean
Creators: Noel Coward, Ronald Neame, David Lean, Jack Harris, Anthony Havelock-Allan
Genres: Indie & Art House, Comedy
Sub-Genres: Indie & Art House, Classic Comedies
Studio: Image Entertainment
Format: DVD - Color
DVD Release Date: 11/24/1998
Original Release Date: 01/01/1945
Theatrical Release Date: 01/01/1945
Release Year: 1998
Run Time: 1hr 36min
Screens: Color
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 0
Members Wishing: 13
MPAA Rating: NR (Not Rated)
Languages: English
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Movie Reviews

What a shame! Wait for a better transfer.
Jill Kalter | Malibu, CA USA | 10/22/2001
(1 out of 5 stars)

"I purchased this DVD without ever having seen the movie, but I figured I couldn't go wrong with David Lean, Rex Harrison, and Noel Coward. Unfortunately, I didn't take DVD production values (or lack thereof) into consideration. This is probably a wonderful movie, but the DVD is unwatchable. The sound is absolutely abysmal. I wasn't able to make out Noel Coward's dialog at all. Don't bother getting this DVD; wait for a better transfer."
Classy Noel Coward Classic
Gary F. Taylor | Biloxi, MS USA | 12/14/2001
(4 out of 5 stars)

"Noel Coward's popular stage comedy BLITHE SPIRIT comes to the screen with considerable charm and notable performances from Rex Harrison, Constance Cummings, and Margaret Rutherford in this fantasy of a married man whose seance party inadverdently summons up the ghost of his first wife--who promptly moves in, turning him into an "astrial bigamist."The Coward script, which zips along with cool one liners, is well played in the best British 'throw-away' tradition, quick, light, and more than a little acid. Harrison is neatly cast as the hag-ridden husband, Cummings is particularly charming as the terse second wife, and Dame Margaret Rutherford steals the show as the slightly dotty medium who conjures up the ghost of Harrison's first wife and then can't get rid of her. Fans of cool English comedy will enjoy it considerably; others, however, may find it all a bit too restrained for their tastes."
Great Movie, Lousy DVD
cinescoper | Los Angeles, CA | 11/23/1999
(2 out of 5 stars)

"This delightful movie by David Lean deserves a much better transfer/print than the one present in this DVD. Hopefully, nah, make that "surely" this will happen some time in the future, as it almost always does. If you can't wait to own this film on DVD, go for it. But beware, the colors are either washed out, too yellow or too green, and the sound is very poor (despite the Dolby Digital Mono) and most of the dialogue is practically incomprehensible. The quality of this DVD is in fact so poor that it is completely distracting, such that you spend more time struggling to imagine what the film would look and sound like in the right version than enjoying what it is."
Perfect
Jill Kalter | 01/16/2004
(5 out of 5 stars)

"This is a review of the script, acting and direction; not of the DVD. This is vintage, brittle Coward. It will obviously not appeal to young, brash kids, who will not be able to believe that English people between the two World Wars actually spoke, thought and behaved like this. However, they did. Or some of them did. In fact, I can remember them doing it: they were just exactly like the older members of my own family. The writing is brilliant, precise and accurate. Strange as it may seem, there actually were people like Madame Arcati: eccentric English spinsters repeating the mannerisms and slang of their schooldays. The plotting is extremely clever: you continually wonder how Coward is going to keep the plates spinning in the air, and are constantly surprised at his deftness and dexterity. The lines are poised and sharp, if slightly one-note. The direction is faultless, but then this kind of play almost directs itself. I feel sorry for those who cannot appreciate the theatrical skills displayed in this performance, or the verbal and mental adroitness being displayed. Modern film technology and techniques are no substitutes."