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Discovering Masterpieces: Bartk: Concerto for Orchestra [DVD Video]
Discovering Masterpieces Bartk Concerto for Orchestra
DVD Video
Actors: Bartok, Berlin Philharmonic, Boulez
Genres: Music Video & Concerts, Special Interests, Educational, Musicals & Performing Arts
NR     2009     1hr 8min



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Movie Details

Actors: Bartok, Berlin Philharmonic, Boulez
Genres: Music Video & Concerts, Special Interests, Educational, Musicals & Performing Arts
Sub-Genres: DTS, Art & Artists, Educational, Classical
Studio: Euroarts
Format: DVD - Color
DVD Release Date: 01/01/2009
Original Release Date: 01/01/2003
Theatrical Release Date: 00/00/2003
Release Year: 2009
Run Time: 1hr 8min
Screens: Color
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 0
Members Wishing: 2
Edition: Classical
MPAA Rating: NR (Not Rated)
Languages: English, German, French, Spanish

Movie Reviews

A Helpful Introduction to and Brilliant Performance of Bartó
J Scott Morrison | Middlebury VT, USA | 11/19/2007
(5 out of 5 stars)

"In 2003 Pierre Boulez led the Berliner Philharmoniker in a performance of Bartók's 'Concerto for Orchestra' at the beautiful Mosteiro dos Jerónimos in Lisbon and camera crews recorded it. This DVD presents that performance in up-to-date video and audio, smoothly directed by Bob Coles. Accompanying it is a twenty-minute documentary about the work, with script by the film's co-producer and director, Günter Atteln. The film was co-produced by the doyen of German classical music videos, Paul Smaczny. [This performance is also seen on a complete concert DVD that I've reviewed previously: Europa Konzert From Lisbon / Pierre Boulez, Maria Joao Pires, Berliner Philharmoniker. In addition to the Bartók it contains a marvelous Mozart piano concerto with pianist Maria João Pires.]

The documentary is in English, although the interview with Boulez is, interestingly, in German with subtitles. It takes the Concerto movement by movement, describing various points of its construction (complete with views of pertinent parts of the score) such as its unique form, its metrical complications, its brilliant orchestration and the like. Interweaved with this are biographical details of Bartók's life, particularly his difficult emigration to New York during World War II and his several years in poor health and poverty there. Much is made of Serge Koussevitzky's commission of the piece. Boulez makes the point that although the commission may have initially been more in the nature of 'alms for the poor' the work turned out to be hugely successful both at its premiere in Boston and later that year in New York. And he comments that the extremely virtuosic writing for the orchestra was specifically in response to the vaunted technical abilities of American orchestras of the time, as compared to the orchestral standards in Europe.

As for the performance of the work, the Berliner Philharmoniker under Boulez play brilliantly, each of the orchestra's departments covering itself with glory, from the strings in the first and third movements as well as with that well-night impossible-to-play whirling figure in the fifth movement, the brass in the second movement chorale and the finale and, best of all, the winds in the 'play of pairs' second movement. One is not surprised, I suppose, that this performance is very nearly the equal of the classic Reiner/Chicago recording, and certainly in better sound.

I can easily imagine this DVD being used in a music appreciation class, but also believe that for those who either know and love the Concerto, or for those who don't know it very well or at all, it would be enlightening and enjoyable.

Vigorously recommended.

Scott Morrison"'s ok
Troy Nicar | Houston,Tx | 04/16/2010
(3 out of 5 stars)

"Ok here's the deal.The place they choose to record this is some huge stone church converted into a "concert hall" so the acoustics in this place could not be any worse, with a full 3 or 4 second reverb.Pretty much sounds like what it is-a cave. On top of that Mr. director figures- Hell since we are in a cave,everyone wants to see the ceiling,right? So the nitwit chooses to take pictures of the ceiling (grrr!) rather than the musicians who are playing thier a##es off trying to make this thing happen while playing in a cave.Come on guys,Bartok (especially this piece) deserves much better treatment.I must say though,I have always like Boulez's interpretation of this piece (I grew up listening to his CBS Masterworks album of it)especially his treatment of the final movement with a nice brisk tempo which keeps the excitement level high.."