Subject: I have found a DVD that I think you would enjoy
|Dr Jekyll and Mr Hyde|
Actors: John Barrymore, Martha Mansfield, Charles Lane, Brandon Hurst, Cecil Clovelly
Director: John S. Robertson
Genres: Classics, Drama, Horror, Science Fiction & Fantasy
The great John Barrymore takes on the title characters in Robert Louis Stevenson's classic tale of a tormented doctor who ventures into the unknown only to find his dark side. Directed by John S. Robertson and co-starring ... more »
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Member Movie Reviews
Damian M. (ratchet)
Reviewed on 3/11/2009...
Not the first film version of the great Robert Louis Stevenson story, but one of the best. This version closely follows the 1887 play based on the story, rather than being a direct adaptation of the book itself. Dr Jekyll's fiancĂŠe's father is not the prude he is portrayed as in later film versions as he is the one who first introduces Jekyll to the "red light" district. This was done in order to convince Jekyll that indulging oneself is perfectly OK, if done in moderation. Jekyll likes it, but is afraid he will be controlled by the baser human drives creates and elixir in order to create two separate selves. And you know the rest.
KINO VS IMAGE!!!!!
larryj1 | AZ, USA | 06/05/2009
(5 out of 5 stars)
"One of the great classics of silent films. The Kino edition has better overall picture quality and more special features, but is missing over 5 minutes of footage that is on the Image edition. This footage is missing from here and there during the film. I have both editions and have to prefer the Image disc since it is more complete with only a little less quality. Completeness and originality should always be the major factor. The Kino disc features an orchestral score and the Image disc features an organ score."
The Best Version of This Much-Done Movie
brunetteshock | Quincy, MA | 10/16/2008
(5 out of 5 stars)
"John Barrymore shows us all what true acting is all about! To see the heartthrob of the 20's with his dashing good looks to suddenly turn into a pretty scary looking creature was very unexpected to me! As some previous reviewers had mentioned, they say his make-up for Mr. Hyde was "laughable". NOT TO ME! You have to see this film yourself to truly understand that, back then, without all the computer-generated gimmicks we have now, this is just TRUE exceptional horror in its day! True, Mr. Barrymore relied mostly on his eyes and the evil grin to "get across his point" as Mr. Hyde, but it works!!! I first had seen this as an afterthought movie that was thrown at the end of a horror movie collection I had purchased some years ago for my VCR player. It was in terrible condition, as I assumed it would be for such an old movie, but the darkness and the graininess of the film just added to the horror of it completely! I have seen many, many versions of Dr. Jekyll and Mr. Hyde but when I saw this version, it scared me to the core! Now I understand why John Barrymore was considered a classic actor of his time. He truly fits the bill of going from one extreme to the other, and in the end, isn't that REALLY what "acting" is all about???
HIGHLY RECOMMENDED but beware.......you will be scared!"
The Defining Version
B. Mccann | Balckpool, England | 01/15/2009
(3 out of 5 stars)
"1920 saw two further film versions of Jekyll & Hyde that could not have contrasted more; one polished, thoughtful and kept in period setting; the other a cheap, rushed derivative set in modern America to save money on sets and costumes. The economy class quickie was produced by Louis B. Mayer and featured Sheldon Lewis, best known as the Clutching Hand in many a movie serial such as The Perils of Pauline (1915). Sheldon's Hyde was described in the film's sub titles as "An Apostle of Hell" who begins his life of debauchery by snatching a passing lady's purse. Hyde's dastardly doings do get a little more ambitious, eventually earning him a date with the electric chair. But, as he fries, the trusty Thank-God-it-was-a-Dream cop out kicks in and Jekyll wakes up declaring "I believe in God! I have a soul..." The film closes with Jekyll safely escorting his fiancee to the opera
The audiences of 1920 could only be thankful for Paramount Pictures and their more seminal adaptation starring John Barrymore as both noble Jekyll and a very spider like Hyde. Screenwriter Clara Beranger expanded the romantic element by doubling Jekyll's sweetheart, Millicent, with a lust interest for Hyde; a sultry Italian temptress called Miss Gina whom Hyde shacks up in a Soho apartment and slowly sucks dry of all vigour - the spider and the fly. This externalisation allowed the sexual themes of the story to come more into the foreground and placed the hero between two woman who present different lures. On the one hand, there is the upper class virgin who is only sexually obtainable through the propriety of marriage. She is mirrored by the the lower class woman of easy virtue who exists in the dark underbelly of society; an area which a man like Jekyll would be seen to eschew, but in which Hyde positively revels.
The writer was also able to dispense with the customary Thank-God-it-was-a-Dream ending that afflicted previous screen outing and present Jekyll & Hyde as a real story. Beranger's revisionist structure actually owes more to The Picture of Dorian Gray than Stevenson's tale, particularly in the introduction of Jekyll's amoral mentor Sir George Carewe played by Brandon Hurst. The character of Miss Gina also owes some inspiration to Sibyl Vane, an actress who is seduced by Dorian Gray and later commits suicide. But Beranger's approach became the most well known interpretation of the Jekyll & Hyde story and also provided the model for the cinema's first sound take on the story in that followed in 1932, again courtesy of Paramount.