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Dracula A.D. 1972
Dracula AD 1972
Actors: Christopher Lee, Peter Cushing, Stephanie Beacham, Christopher Neame, Michael Coles
Director: Alan Gibson
Genres: Indie & Art House, Horror, Science Fiction & Fantasy
PG     2005     1hr 36min

London's become a small town for a handful of jaded psychedelic-era hipsters. But Johnny Alucard has a groovy new way for his pals to get their kicks. A certain ritual will be the living end, he insists. And if you still w...  more »


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Movie Details

Actors: Christopher Lee, Peter Cushing, Stephanie Beacham, Christopher Neame, Michael Coles
Director: Alan Gibson
Creators: Dick Bush, James Needs, Josephine Douglas, Michael Carreras, Bram Stoker, Don Houghton
Genres: Indie & Art House, Horror, Science Fiction & Fantasy
Sub-Genres: Indie & Art House, Horror, Science Fiction & Fantasy
Studio: Warner Bros. Pictures
Format: DVD - Color,Widescreen - Closed-captioned,Subtitled
DVD Release Date: 10/04/2005
Original Release Date: 11/17/1972
Theatrical Release Date: 11/17/1972
Release Year: 2005
Run Time: 1hr 36min
Screens: Color,Widescreen
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 0
Members Wishing: 6
MPAA Rating: PG (Parental Guidance Suggested)
Languages: English
Subtitles: English, Spanish, French

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Movie Reviews

Dracula versus debauched 70s youth culture
Michael J. Mazza | Pittsburgh, PA USA | 03/31/2002
(3 out of 5 stars)

""Dracula A.D. 1972," starring Christopher Lee as the titular vampire, is one bizarre film. It starts with a prologue set in the 1800s: Lee's Dracula is shown in battle with his nemesis Van Helsing (Peter Cushing). As the title indicates, the main body of the film brings Dracula into the 1970s, where he battles Van Helsing's descendant (also played by Cushing). Also along for the horror is a young Stephanie Beacham as the second Van Helsing's lovely granddaughter.The film tries to blend traditional vampiric horror with 70s style youth culture: thus the elements of sex (discretely), drugs, and rock 'n' roll permeate the film. To early 21st century viewers, the swingin' music, outrageous mod clothes, hairdos, and wannabe hip slang ("Weird, man. Way out") of the young cast may come off as more campy than anything else, but it does make the film fun.Lee is compelling as Dracula: articulate and elegant, yet feral. Unfortunately, his screen time is sparse; his amounts to little more than a small supporting role. The real star of the film is Cushing as the 20th century Van Helsing. The classy Cushing projects real intelligence and ability as his character. He brings total conviction to every scene, and has solid chemistry with Beacham (although I think his hands come a little too close to her bosom in a couple of scenes--watch it, "Grandpa"!). "Dracula A.D. 1972" may be far from the best of the many Dracula films, but Cushing and Lee make it worthwhile."
A terribly underappreciated gem!
D. P. Hutchens | San Francisco, CA USA | 10/04/2005
(4 out of 5 stars)

"I find it amusing that many fans absolutely gush over "Taste the Blood of Dracula," yet completely dump on this one, when they're basically the same film. A group of friends, bored with their lives, decide that performing a black mass ritual that will literally raise Hell sounds like a fun new way to get kicks, and just happen to resurrect a thoroughly pissed-off Count Dracula in the process. That's the premise of both movies, and both movies carry it off nicely.

"Dracula A.D. 1972" admittedly contains some awkward moments, most notably the absurd and insulting scene in which the brilliant Prof. Van Helsing has to write the name 'Alucard' down on paper and study it before making the all-too-terribly-obvious connection to his family's arch-nemesis, but these are nit-picks. It's a beautifully-photographed, slickly-produced and generally well-acted piece, featuring both Peter Cushing and Christopher Lee at the height of their game. The '70s pop soundtrack, much-maligned, is actually quite effective and suits the movie. It's fast-paced, entertaining fun, and isn't that all any genre film really needs to be?

If you love Hammer Horror as I do, appreciate the work of the legendary Peter Cushing and Christopher Lee, and/or just have a nostalgic appreciation for movies of this very bygone era, please ignore the bad press and give this classic film a chance."
Was Mike Myers watching this when he thought up Austin?
John Smith | Parts Unknown | 02/05/2001
(4 out of 5 stars)

"Very interesting entry in the Hammer Dracula this time, they were generally running out of ideas, and decided to put the Count in a contemporary setting. But they went way overboard with the "mod" 70's hippie scenes...these are right out of "Austin Powers", and that character would have fit right in helping Van Helsing fight off Dracula. Aside from that, Cushing and Lee have typical powerful performances which carry the film. And the incredible women, like Munro sure are easy on the eyes. Dracula vs. Powers could have been the title to this, but the film moves at a good pace if you can stomach 37 year old hippies trying to act like teenagers. It is a lot less boring and slow moving than some of the other Hammer Dracula films. All in all, a film well worth watching if you love Hammer or basic cheesiness."
London Stake House.
Robert S. Clay Jr. | St. Louis, MO., USA | 06/05/2002
(3 out of 5 stars)

"Changes in directors, budgets, and vision at Hammer Studios had its effect. This is an odd entry in the Dracula series. It blends familiar gothic elements with a "modern" setting. After a pulse-pounding prologue, showing the Victorian-era Dracula impaled on a broken carriage wheel, the action fast-forwards 100 years to 1972. Bored with sex, drugs, and rock n' roll, a motley crew of aging British hippies resurrect Dracula in a de-sanctified church. Dracula decides to settle old debts by taking Van Helsing's granddaughter as his bloody bride. This is a fine opportunity to see legendary Peter Cushing and Christopher Lee perpetuate their long running battle of good vs. evil. Mist-shrouded scenes of Dracula in the ruins of the profaned church are visually effective. Lee's towering, menacing presence in the flowing black cape adds to the fun. His feral lust for the blood of young women is frankly sexual. Instead of typical Hammer heaving bosoms in Victorian bodices, we have substantial cleavage in '70s gauche courtesy of Stephanie Beacham, Caroline Munro, et al. Sex and the vampire are never far apart, regardless of the era. The penetration is of the fangs in the neck variety, but we get the idea. Peter Cushing looks emaciated and gaunt. As Van Helsing, he uses superior cunning to foil Dracula's supernatural power. Their climactic confrontation recalls the showdown from "Horror of Dracula." Some groaning humor lightens the mood. Johnny Alucard is Dracula's mod disciple. His name spelled backwards is significant. A street scene focuses briefly on a restaurant called "London Steak House." The film falls short of classic Hammer standards. Even so, Hammer Horror Heads and classic horror collectors will be pleased with this flick. ;-)"