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Esther
Esther
Actors: Simone Benyamini, Mohammed Bakri, Juliano Mer, Zare Vartanian, David Cohen
Director: Amos Gitai
Genres: Indie & Art House, Drama
NR     2003     1hr 37min

Studio: Facets Multimedia Release Date: 05/30/2003

     
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Movie Details

Actors: Simone Benyamini, Mohammed Bakri, Juliano Mer, Zare Vartanian, David Cohen
Director: Amos Gitai
Creators: Henri Alekan, Amos Gitai, Sheherazade Saadi, Ruben Kornfeld, Stephan Levine
Genres: Indie & Art House, Drama
Sub-Genres: Indie & Art House, Drama
Studio: Facets
Format: DVD - Color,Widescreen - Subtitled
DVD Release Date: 04/29/2003
Theatrical Release Date: 01/01/1992
Release Year: 2003
Run Time: 1hr 37min
Screens: Color,Widescreen
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 0
Members Wishing: 2
MPAA Rating: NR (Not Rated)
Languages: Hebrew
Subtitles: English

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Movie Reviews

A masterpiece first-time fiction feature
Toshifumi Fujiwara | Tokyo, Japan | 05/11/2003
(5 out of 5 stars)

"ESTHER takes the biblical story of the book of ESTHER and places it in the ruins of former Arab and Middle-Eastern Jew area of Haifa, Wadi Salib, which was destroyed as a result of a riot in the 50's.Though the story of the film takes place in the ancient Persian empire and its capital Susa, where Jews lived in exile, and the characters are dressed in epic-like ancient costumes, the backgrounds are ruins, within which the contemporary rearlity keeps interfering as sounds (cars, sirens, airplanes, etc) as well as visually.Through this narrative strategy, the film itself makes comments on its story, and open up the metaphorical and universal reading of it. The book of Esther concerns the oppression of the Jews living in exile, so the Jews are the victims who somehow manage to survive. However, already the biblical story ends with the oppressed Jews becoming oppressors themselves. And the film ESTHER totally opens up this element of the story; exile, being oppressed and suffering are not monopolized by Jews.Teaming with master cinematographger Henri Alekan, first-time fictional feature director Amos Gitai weaves out a stunningly righ series of visual feast. The rich use of colors and the strong sun lights of Haifa turn this fairy-tale-like story into high-contrasted visuals. Alekan's bold use of colored lights, as well as the stunning costumes based on Persian minuatures color codes already create a strong contrast with the simple, monochromatic ruin landscape. And the amazing 9 minutes tracking shot at the end of the film subvert and opens up what we thought the film was about.It is a film that, most of all, makes you think. So not for the audience who were looking for a biblical epic a la Cecil B. Demille. But those who are open-minded enough and sensitive enough will find a rich visual pleasure in this masterpiece, and will also start thinking about power, oppression, conflicts et all from a different perspective than what we are used to see on, let's say CNN."
Not what you're used to
Alex | Virginia | 01/23/2009
(3 out of 5 stars)

"This isn't anything like the Esther stories that I'm used to. At first I was really confused because it was in another language, but once I got passed that I thought I was fine, but then I was thrown off by the fact that it was in a modern setting, with modern noises and sometimes with modern clothing like shoes, but with somewhat ancient looking clothes. At first I hated this production because I felt confused lost and upset. I was thinking, "What happened to the Esther story? How could they do this."

But I watched the ending and that explain so! much. Once that was watch this movie makes sense. If you can make it to that part. If not watch that, then come back to the movie and you may understand why the director did what he did."