Search - Forgotten Noir, Vol. 6 (I'll Get You / Fingerprints Don't Lie) on DVD

Forgotten Noir, Vol. 6 (I'll Get You / Fingerprints Don't Lie)
Forgotten Noir Vol 6
I'll Get You / Fingerprints Don't Lie
Actors: George Raft, Sally Gray, Frederick Piper, Reginald Tate, Clifford Evans
Directors: Peter Graham Scott, Sam Newfield, Seymour Friedman
Genres: Drama, Mystery & Suspense
NR     2007     2hr 15min

Studio: Video Communications Inc. Release Date: 04/24/2007 Run time: 135 minutes Rating: Nr


Larger Image

Movie Details

Actors: George Raft, Sally Gray, Frederick Piper, Reginald Tate, Clifford Evans
Directors: Peter Graham Scott, Sam Newfield, Seymour Friedman
Creators: Ronald Kinnoch, Sigmund Neufeld, John Baines, Nicholas Phipps, Orville H. Hampton
Genres: Drama, Mystery & Suspense
Sub-Genres: Classics, Mystery & Suspense
Studio: Vci Video
Format: DVD - Black and White,Full Screen
DVD Release Date: 04/24/2007
Original Release Date: 01/16/1953
Theatrical Release Date: 01/16/1953
Release Year: 2007
Run Time: 2hr 15min
Screens: Black and White,Full Screen
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 0
Members Wishing: 5
MPAA Rating: NR (Not Rated)
Languages: English

Similar Movies

Forgotten Noir Vol 4
The Man from Cairo / Mask of the Dragon
Directors: Edoardo Anton, Ray Enright, Sam Newfield
   NR   2007   2hr 17min
Forgotten Noir Vol 5
FBI Girl / Tough Assignment
Directors: William Berke, William Beaudine
   NR   2007   2hr 23min
Forgotten Noir 2
Loan Shark / Arson Inc
Directors: Seymour Friedman, William Berke
   NR   2006   2hr 17min

Similarly Requested DVDs

My Big Fat Greek Wedding
Director: Joel Zwick
   PG   2003   1hr 35min
The West Wing The Complete First Season
   NR   2003   15hr 56min
A Prairie Home Companion
Director: Robert Altman
   PG-13   2006   1hr 45min
Julie Julia
Director: Nora Ephron
   PG-13   2009   2hr 3min
The Return of Chandu the Magician Vol 2
Director: Ray Taylor
   NR   2002   1hr 45min
Sling Blade - Director's Cut
Miramax Collector's Series
Director: Billy Bob Thornton
   UR   2005   2hr 28min
Sherlock Holmes And The Secret Weapon
Slim Case
Director: Unkn
   UR   2004   1hr 8min
The Return of Chandu the Magician Vol 1
Director: Ray Taylor
   NR   2002   1hr 47min

Movie Reviews

George Raft is just so-so. With "Fingerprints" and `Bingo...
C. O. DeRiemer | San Antonio, Texas, USA | 09/18/2008
(2 out of 5 stars)

"I'll Get You:
With I'll Get You, a low-budget British spy thriller made in 1952, George Raft has tired eyes, a middle-aged face, and he looks so stolid you'd think he'd need a double just to walk briskly down the street. As always, his flat, tough line delivery makes "I love you" come across with the same lack of emotion as "Drop that gat." So what made him a big-time star? I think at least on one level it was because he seemed without pretension...he seemed exactly what he appeared to be, not an "actor" but a guy making good at a job. It didn't hurt that he was lucky enough to land some first-rate movies in the late Thirties and early Forties. The image and reputation from those years stayed with him through the decline that set in during the middle Forties and just kept accelerating. He was stuck making some awful pictures when producers thought he could still sell enough tickets to help a quickie, low-budget movie turn a profit.

I like George Raft. For some reason I enjoy him especially in many of these B movies from the late Forties and early Fifties. You have to turn off your film appreciation switch and just sit back with your remote control at hand. Some of my favorites that leave critics aghast include Background to Danger, Johnny Angel, Mr Ace, Nocturne, Christmas Eve and even Outpost in Morocco. Raft, wearing Arab pantaloons, had courage to star in that one. Unfortunately, that leaves a number of his starring movies without many redeeming characteristics. I'll Get You is one of those. It's a dull spy movie without pacing or tension. Key scientists are being kidnapped and taken behind the Iron Curtain. One was an American. Another was grabbed in London. British Intelligence is on the case. Steve Rossi (Raft) shows up from America as a top aircraft engineer, but he disappears within minutes of his aircraft landing. He starts asking about someone named Michael Grand while British immigration is trying to find out where Rossi went. Along the way Rossi winds up looking down the wrong end of a revolver held by Joan Miller (Sally Gray), who turns out to be...wait, it also turns out that Steve is...wait...I hate spoilers. Better see the movie. It will take 78 minutes, but will seem longer.

At least you'll be able to meet Sally Gray, if you haven't already. This was her last movie. She was a good-looking woman and a competent actor who had the good fortune in the Forties to co-star in two fine British movies, Green for Danger - Criterion Collection and They Made Me a Fugitive. Both are worth having. She died in 2006, the widow of Baron Mereworth, who also was the fourth Lord Oranmore and Browne. Sounds a lot better than the long-term contract RKO offered her in 1949 if she'd only move to Hollywood.

Fingerprints Don't Lie:
A forged signature...fingerprints that are just too perfect on a murder weapon...a dead crusading mayor...a fingerprint expert who decides to find out how he was fooled into making a mistake that convicted an innocent man. And let's not forget what really makes this murder mystery memorable: A pipe organ playing melodramatic background music, augmented by a groaning chorus of singers.

Fingerprints Don't Lie is an awkward, amateurish movie. It lasts 57 minutes. It was shot on a miniscule budget. It tells us a lot about fingerprints. If you watch this dog, look for two things. First is the credit line for the director. The name is Sam Newfield. Between 1926 and 1956 he directed nearly 300 movies, and I suspect they all were as bad as this one. The other is Syra Marty. She plays Syra, a blonde artist's model. She only made three movies. She can't act. But she sure looks provocatively overbalanced in a bathing suit.
Due diligence for noir lovers: These two movies have about as much connection to the noir genre as Marjorie Main had to Ava Gardner. One is a mediocre spy movie; the other is a mediocre gangster flick. The noir connection resides only with a company's marketing department."