Subject: I have found a DVD that I think you would enjoy
|Good Morning Vietnam/Dead Poets Society|
Studio: Buena Vista Home Video Release Date: 05/16/2008 Run time: 250 minutes
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Robin Williams on the Double.
Themis-Athena | from somewhere between California and Germany | 06/20/2008
(5 out of 5 stars)
"GOOD MORNING VIETNAM: Wakeup Call, Williams Style.
1965 was the year when, as a result of the Congressional Gulf of Tonkin Resolution, American military buildup in Vietnam began in earnest, and troop strength grew by a factor of no less than eight; from 23,000 at the beginning of the year to roughly 184,000 at the end. 1965 was also the year when a new AFN DJ arrived in Saigon, which over the course of that same year would transform itself from a sleepy French-Vietnamese colonial town into the nightmare it has since come to be in the memory of countless vets.
The new DJ in question was Adrian Cronauer; fresh from an assignment in Greece.
But while the idea for a fictionalized account of his Vietnam experience was Cronauer's own, fueled by the popularity of "M*A*S*H," the script for Barry Levinson's "Good Morning Vietnam" was ultimately penned by screenwriter Mitch Markowitz with only some input from Cronauer himself, who has since gone out of his way to underline the fictional nature of the account and stress that his true stance was not so much anti-military as "anti-stupidity." Thus, the film has to be taken with a considerable grain of salt; both as far as the portrayal of 1960s' armed forces radio and as far as the movie's plot is concerned. But that doesn't make it any less poignant; nor does it take away one iota of Robin Williams's performance as Cronauer: Indeed, the role of an irreverent, unstoppable DJ seemed tailor-made for Williams, who had burst onto the scene with his inimitable brand of lightning-quick ad-libbing ten years earlier in "Mork & Mindy" - and of course, all of Cronauer's hilarious broadcasts in this movie are ad-libbed, too.
The film follows Adrian Cronauer from his arrival in Saigon in the spring of 1965 to his forced departure about a half year later (although the real Cronauer in fact stayed for a year and was not forced out but left when his regular tour of duty was over). While a comedy, and although not trying to be anywhere near the "definitive" take on Vietnam, it does take a close look at the year when the conflict escalated and, in particular, at the resulting toll on human relations. Robin Williams earned his first of to date four well-deserved Academy Award nominations for this role (the others were for "Dead Poets Society" , "The Fisher King"  and "Good Will Hunting" , the movie for which he finally scored on Oscar night). And in his inimitable way he provides pointed comic relief not only over the microphone but also, and always with a unique ear for the situation's mood, whenever the script would otherwise threaten to veer off into melodrama; such as after his discovery that his Vietnamese friend Tuan is actually a Viet Cong fighter named Phan Duc To ("It's unbelievable. Five months in Saigon, and my best friend turns out to be a V.C. This will not look good on a résumé!!"); and in scenes that would otherwise be burdened with a bit too much cliché and/or deliberately funny writing, such as the conference after Cronauer's first broadcast, where Bruno Kirby (Lieutenant Hauk) gets to deliver such gems as "Don't say that the weather is the same all the time here, because it's not; in fact, it's two degrees cooler today than yesterday" and "I hate the fact that you people never salute me - I'm a lieutenant, and I would like salutes occasionally. That's what being a higher rank is all about." Even if Kirby himself gets to make up for these a little later in the same scene with the comment "We are not going to escalate [Vietnam into] a whole war so we can get a big name comedian" (Bob Hope who, as the men have informed him, does not "play police actions"), it takes Williams's/Cronauer's final weaving of the lieutenant's preferred abbreviations into a single sentence to truly pprovide the finishing touch.
Although "Good Morning Vietnam" is clearly first and foremost a star vehicle for Robin Williams, he is joined by an outstanding supporting cast, including inter alia, besides Bruno Kirby, Forest Whitaker as Cronauer's good-natured sidekick PFC Montesque Garlick, the ever-reliable J.T. Walsh as his second great nemesis, Sergeant Major Dickerson (whose stock character of a straight-laced white middle class guy would probably not have come off convincingly as a villain vis-à-vis anybody but Robin Williams) and, in particular, Tung Thanh Tran as Tuan and Chintara Sukapatana as his sister Trinh: Her plea with Cronauer not even to seek her friendship, let alone more, because for her such an association with a man (particularly a foreigner) is culturally unacceptable, is one of the movie's most quietly powerful scenes. Exceptional is further Peter Sova's cinematography, which convincingly captures the daily realities of a city and a country on the brink of an all-out war, and is brilliantly complimented by the editing, which in turn also uses the soundtrack - more or less a mid-1960s "greatest hits" compilation - to maximum effect; be it in framing daily military routine, the soldiers' enjoyment of Cronauer's style of broadcasting or combat action: Indeed, hardly any image could make a more powerful statement on the cruel absurdity of war than seeing a village blown up to the tune of Louis Armstrong's "It's a Wonderful World."
Thus, "Good Morning Vietnam" is in its own way as poignant a wakeup call as any other movie about Vietnam - or about World War II, or any other war for that matter. It deservedly netted the Political Film Society's 1988 Peace Award, in addition to Robin Williams's Oscar nomination and his Golden Globe and American Comedy awards, as well as the movie's ASCAP soundtrack award. And it certainly bears revisiting - for its overall quality, for Robin Williams's performance, and also for lessons learned and deserving never to be forgotten.
M*A*S*H (Widescreen Edition)
Patch Adams - Collector's Edition
Apocalypse Now - The Complete Dossier (Two-Disc Special Collector's Edition)
Reporting Vietnam: American Journalism 1959-1975 (Library of America)
DEAD POETS SOCIETY: "And what will your verse be in the poem of life?"
"I learned this, at least, by my experiment; that if one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours." (Henry David Thoreau, "Walden.")
Hands up folks, how many of us discovered Thoreau after having watched this movie? Really discovered I mean, regardless whether you had known he'd existed before. How many believe they know what Thoreau was talking about in that passage about "sucking the marrow out of life," cited in the movie, even if you didn't spend the next 2+ years of your life living in a self-constructed cabin on a pond in the woods? How many bought a copy of Whitman's poems ... whatever collection? (And maybe even read more than "Oh Captain! My Captain!"?) How many went on to read Emerson? Frost? Or John Keats, on whose personality Robin Williams's John Keating is probably loosely based? To many people, this movie has a powerful appeal like few others and has proven inspirational far above and beyond the effect of an ordinary movie experience. And justifiedly so, despite the fact that charismatic Neil Perry (Robert Sean Leonard), one of the story's main characters, tragically falters in the pursuit of his dreams, in the wake of apparent triumph. Because although Neil's story is one of failure, ultimately this film is a celebration of the triumph of free will, independent thinking and the growth of personality; embodied in its closing scene.
Of course, lofty goals such as these are not easily achieved. Todd Anderson (Ethan Hawke) in particular, the last scene's triumphant hero, is literally pushed to the edge of reason before he learns to overcome his inhibitions. And Thoreau warned in "Walden:" "If you have built castles in the air, your work need not be lost; That is where they should be. Now put the foundations under them." Anyone who takes this movie's message to heart (and Thoreau's, and Whitman's, and Emerson's, Frost's and Keats's) knows that success too easily won is often no success at all, and most important accomplishments are based on focus, tenacity and hard work as much as anything else. And prudence, too - dashing Charlie Dalton (Gale Hansen) pays a terrible price for his spur-of-the-moment challenges of authority; although of course you just gotta love him for refusing to sign Keatings' indictment. "Carpe diem" - live life to its fullest, but also know what you are doing. You won't enjoy this movie if you are afraid of letting both your mind and your feelings run free.
Shot on the magnificent location of Delaware's St. Andrews Academy, "Dead Poets' Society" is visually stunning, particularly in its depiction of the amazingly beautiful scenery (where the progression of the seasons mirrors the progression of the movie's story line), and as emotionally engaging as it invites you to reexamine your position in life. Robin Williams delivers another Academy Award-worthy performance (he was nominated but unfortunately didn't win). Of course, Robin Williams will to a certain extent always be Robin Williams ... "Aladdin's" Genie, "Good Morning Vietnam's" Adrian Cronauer and "Good Will Hunting's" Professor McGuire (the 1997 role which would finally earn him his long overdue Oscar) all shimmer through in his portrayal of John Keating; and if you've ever seen him give an interview you know that the man can go from hilarious and irreverent to deeply reflective in a split second even when it's not a movie camera that's rolling. Yet, the black sheep among Welton Academy's teachers assumes as distinct and memorable a personality as any other one of Williams's film characters.
Of its many Academy Award nominations (in addition to Robin Williams's nomination for best leading actor, the movie was also nominated in the best picture, best director [Peter Weir] and best original screenplay categories), "Dead Poets' Society" ultimately only won the Oscar for Tom Schulman's script. But more importantly, it has long since won it's viewers' lasting appreciation, and for a reason. - As the Poet said: "Camerado! This is no book; Who touches this, touches a man" (Walt Whitman, "So Long!"), this is no movie; who watches this, watches himself!
Good Will Hunting (Miramax Collector's Series)
A Midsummer Night's Dream (The New Folger Library Shakespeare)
Henry David Thoreau : Collected Essays and Poems (Library of America)
Whitman: Poetry and Prose (Library of America College Editions)
Robert Frost: Collected Poems, Prose, and Plays (Library of America)
John Keats: The Complete Poems (Penguin Classics)"