Subject: I have found a DVD that I think you would enjoy
|Iraq in Fragments |
Actor: Mohammed Haithem
Director: James Longley
An opus in three parts, Iraq in Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite citie... more »
A Truly Extraordinary Film
Mattole | Lost Coast, California | 07/01/2007
(5 out of 5 stars)
"Eric is right - if you want to see an action-packed, fast-moving film about people who think and act in familiar and yet highly exciting and entertaining ways, then this is probably not the film for you. However if you want to treat yourself to a gorgeous, subtle and masterfully-rendered portrait of Iraqi life under occupation, then I highly recommend this film. As a 28-year veteran of the documentary world and a former director for National Geographic I can wholeheartedly say that this is one of the finest documentaries I have ever seen. The cinematography, music, editing and sound design are superb. The character development is deep and nuanced. I learned a great deal by watching this film, both about Iraqi culture and about the art of filmmaking. May the director James Longley live long, and may he gift us with many more of his films!"
A true documentary masterpiece
Sean Flynn | Boston, MA USA | 06/26/2007
(5 out of 5 stars)
"I have to wholeheartedly disagree with the assessment of Eric C. posted below. As a documentary filmmaker myself, I believe Iraq in Fragments is one of the great achievements of non-fiction filmmaking in the last 10 years. James Longley's poetic and visually ravishing film accomplishes in 94 short minutes what 4 years of mainstream journalism have scarcely been able to -- it provides us a rare glimpse into the lives (and perhaps more importantly, minds) of ordinary Iraqis. But it is not merely a work of observational humanism. Through these characters' eyes, the film almost prophetically reveals the larger forces at play as Iraqi society begins to tear apart at the seams following the U.S. invasion -- all without ever becoming overtly political. Though Iraq in Fragments had a great festival run, has received nearly unanimous critical praise, and was nominated for an Oscar, relatively few people had the privilege to see it in the theater, and I hope that will be corrected by this DVD release."
For a true portrait of each of the three sections of Iraq, I
Z. Freeman | Austin, TX | 08/07/2007
(5 out of 5 stars)
"Iraq in Fragments accurately describes not only the moving documentary by James Longley, but also the current political and social situation in the middle eastern country. Presented in three parts - Sunni, Shia, and Kurdish - Iraq in Fragments is a documentary set apart from the rest. Winning Best Documentary Cinematography, Best Documentary Editing, and Best Documentary Director at the 2006 Sundance Film Festival, Iraq in Fragments has the official Sundance sanction of being a little better made than the rest of the current documentaries about the war-torn country of Iraq.
Presenting Iraqis in a very human and unbiased way, Iraq in Fragments starts out with the intense portrait of a young Sunni boy named Mohammed who has been "adopted" by a garage owner who mistreats, verbally abuses, and mocks the poor child. His life is examined in detail as he goes from work to school and back again. Listening to the older Sunni men discuss the American occupation around the back door of the garage is akin to listening to American men discuss the war on a back porch next to a barbeque pit. Their opinions may simply be their opinions but they are given ample time to discuss them and the audience is given ample opportunity to digest them.
Part two is devoted to the examination of Shia Sadr followers in two cities as they prepare for elections. An extremely intimate portrayal of Shia "death squads", as they have been called in the American news, shows the Iraqi police as they arrest men for allegedly selling alcohol in a town market. How Longley managed to get the footage he has is anybody's guess. Risking life and limb for the proper shots, Longley is able to present an Iraq few may have ever seen, though several non-fiction books have mentioned the circumstances portrayed.
The final chapter focuses on the Kurdish farmers of Iraq, who welcome the American forces and celebrate the replacement of Saddam. The focus of this chapter is on a young Kurdish boy who dreams of being a doctor some day. This section of the film, entitled Kurdish Spring, is the most moving and ultimately upbeat portion of the film, and marks a good choice for the final piece of the fragmented Iraqi portrait.
Throughout the film, Longley opts for intimate stories of individuals rather than a broad portrayal of all of Iraq, and he succeeds on all accounts. This may leave some viewers slightly confused, however, as each section is not properly introduced as Sunni, Shia, or Kurdish. Iraq in Fragments is a film dedicated to the educated viewer, and those who have done their research on Iraq will surely appreciate the individually honest portraits that Longely has painted here. For well studied filmgoers, Iraq in Fragments offers the kind of inside view of a wartorn country that we have been waiting for. The story is not bogged down or enmeshed in a narrator's diaglogue, designed to sway the viewer's opinion in any direction; the footage is simply displayed as is. Longley spent upwards of two years in Iraq gathering this footage, and it was well worth the while. For a true portrait of each of the three sections of Iraq, Iraq in Fragments can't be topped."
Simple yet Artfully Complex
K. Thornton | Eastern US | 07/19/2007
(5 out of 5 stars)
""Iraq in Fragments" reflects the lives of ordinary Iraqis, their misery, hope, anger, joy, and desperation. It is divided into three parts, following at first a young apprentice in Baghdad, a Shia cleric in Sadr city, and a young brick maker in Kurdistan. The cinematography is stunning, and Longley deserves the accolades for achieving such art on a solo project. Each sequence is beautifully shot and intelligently edited, capturing with uncommon clarity the prismatic complexity and depth of this world to which so few care to listen. "Iraq in Fragments" does not impose political ideology, economic theory, or any other arm-chair speculation. It is a portrait of human beings."