Subject: I have found a DVD that I think you would enjoy
|Kiss of Death |
Fox Film Noir
Actors: Victor Mature, Brian Donlevy, Coleen Gray, Richard Widmark, Taylor Holmes
Director: Henry Hathaway
Genres: Drama, Mystery & Suspense
Henry Hathaway's directorial skills brought a heightened sense of realism to crime dramas in this classic 1947 original that marked Richard Widmark's Oscar -nominated debut. When a small time crook (Victor Mature) gets a ... more »
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A solid classic
Lee J. Stamm | Kennewick, WA United States | 03/15/2000
(5 out of 5 stars)
"This great piece of cinema has lost none of its punch in more than 50 years. Even more starkly photographed than most "film noir." Makes you realize, if you don't already, that filmmakers and actors knew what they were doing back then, frequently producing results far superior to most of their modern counterparts."
Ladies and Gentlemen, Mr. Tommy Udo
Lee J. Stamm | 05/20/1999
(4 out of 5 stars)
"The Sylvester Stallone of his time, Victor Mature was regarded as little more than a joke until his fine performance in the crime drama "Kiss of Death." Unfortunately for Mature, a New York stage actor was making his film debut in the Henry Hathaway directed thriller, and "Kiss of Death" remains famous for having introduced Richard Widmark to film audiences. As the giggling, psychopathic Tommy Udo (is there a true film buff anywhere in the world unfamiliar with that name?), Widmark would create a character much imitated in the years that followed, though still not surpassed for cruelty. It is in this film that Widmark pushes an old lady tied into her wheelchair down a flight of stairs, maniacally cackling as she makes her way to the bottom. The scene is still quite chilling, and there isn't a moment nearly as memorable in the adequate 1995 remake with Nicolas Cage and David Caruso taking over for Widmark and Mature. The rest of this original "Kiss of Death" holds up pretty well, too."
What A Film Debut!
James L. | 04/01/2000
(4 out of 5 stars)
"Kiss of Death is a crime thriller that kept me more involved then I was expecting. Perhaps it's the fact that the Victor Mature character is pretty sympathetic. Mature (a better actor than he was given credit for) plays the internal conflicts of his character with a lot of conviction. The location filming and the straightforward direction help to add a lot of realism to the film. The supporting cast, with the exception of Colleen Gray, contribute good performances. But it's Richard Widmark, in his film debut, that leaves the strongest impression. His giggling, psychopathic killer Tommy Udo is one of the most memorable characters you'll ever see, and the wheelchair scene is justifiably famous. Kiss of Death is a gripping crime drama."
Nick Bianco- True Noir Protagonist
Vincent Tesi | Brick, New Jersey | 06/09/2000
(4 out of 5 stars)
"Henry Hathaway's 1947 noir drama Kiss of Death is one of the first films to deal with the subject of criminal informing. An informer, commonly referred among criminals as a squealer, stoolie, rat, or pigeon is often trapped in an earthy purgatory. Shunned by the underworld and suspectly viewed by law enforcement, an informer's life becomes shrouded in self doubt concerning the principles of right and wrong. In Kiss of Death, Nick Bianco's ( Victor Mature) decision to turn informer against a demented, murdering gangster named Tommy Udo (Richard Widmark) is justified by his duty as a father to provide security for his two young daughters. When Nick Bianco's testimony fails to convict Udo, Bianco's safe environment becomes disrupted and threatened by the violence that was once part of his criminal past. Widmark making his screen debut as the cackling Udo is memorable with shaven eyebrows,intimidating drawl, and dark gangster suits. Mature's performance is first rate as the ex-hood who showers his new wife (Coleen Gray ) and children with the bliss of blue collar euphoria. Hathaway's New York filming locations add to the realism of Bianco's plight. Legendary Sing Sing prison in Ossining, "The Tombs" prison cells in NYC, St. Nicholas Boxing Arena in the Bronx, and the gray streets of Greenpoint Brooklyn provide ample imagery to the noir motif. Hathaway deftly and subtlely escorts Udo and Bianco into a private bordello. Most viewers are not aware that the double entry doors manned by the tall, dark figure is a whorehouse. ( Bianco- "What's that smell?" Udo- "Perfume"-camera fades out). The one major flaw is Coleen Gray's fairy tale voice over ending. After being shot at close range, four times with a 45. automatic, why did Hathaway allow Bianco to survive? Hathaway succumbed to the false noble notion that squealers will enjoy long idyllic lives. Not so- has anyone checked on Sammy the Bull, Joe Valachi, or Henry Hill lately?"