Subject: I have found a DVD that I think you would enjoy
|Mountain of the Cannibal God|
Actors: Ursula Andress, Stacy Keach, Claudio Cassinelli, Antonio Marsina, Franco Fantasia
Director: Sergio Martino
Genres: Action & Adventure, Indie & Art House, Horror, Science Fiction & Fantasy
A young woman and her brother Arthur get off a plane somewhere in South America, allegedly in search of her husband. They team up with a doctor and head into the jungle, and get in more than a few fights amongst themselves... more »
Jungle Exploration: A Cannibalistic Meat-N-Greet
TastyBabySyndrome | "Daddy Dagon's Daycare" - Proud Sponsor of the Lit | 11/30/2002
(4 out of 5 stars)
"Slave of the Cannibal God, a movie that I avoided for some unknown reason for quite a long time until picking it up in a movie four-pack (and then unedited) recently, was actually something of an entertainingly gruesome trek into the depths of South American jungle (especially in its strangely uncut version), dealing with not only cannibalism but also with cultural reasons as to why a person should never kill a spider around a native on a full stomach. Although I've yet to see a format of this movie that I would call beautiful, this one isn't that bad, drifting somewhere between a stored VHS tape and an older format DVD. The movie itself revolves around the dubiously enchanting Susan Stevenson (Ursula Andress) and her strangely Germanic brother Arthur as they head for South America in search of her long lost, and presumably deceased, explorer/husband. Once there, they find the local police of little help and are instead prompted to enlist the help of the, in the words of one local official, "weird Dr. Edward Foster." After finding and speaking with him a bit - discovering that he and Arthur have a shady past together and that he does seem to have some higher brain-function disorder- he tells them that that Susan's husband had possibly not gone into the jungle itself but had instead headed to a little island which, roughly translated, houses The Mountain of the Cannibal God. He further tells them that this place is off limits because its believed to be cursed and that strange happenings do indeed go on there, some of which he knows a little too much about. Why her husband would go there, he cannot answer, but with a pout of the lips and a bit of sweet talk by a receptive wife, he's off to find the good doctor. As any good jungle exploration movie would have it, he enlists the help of some locals along the way, all of which are obviously disposable, and all of whom provide some seriously bloody bait for the eyes to digest. Between traps that kill in some not-so-nice manners, cannibals that like to play with spears and knives before grabiing a meal and going, and the atypical fleeing that all smart natives do when the going gets though, we run through them rather quickly. Still, this problem is short-lived as our little group of miscreants finds themselves a fresh supply of innocents (at a mission, of all the places) to have butchered, and even pick up another explorer - with the help of a now sexually active, utterly receptive wife - to help them along their way. Then comes the real guessing game, the one that pits questionslike: what's actually going on, what motives lie hidden in these obviously convoluted minds, how bloody can the movie get before these fools turn back, how often will clothes find themselves discarded in a place filled with so many poisonous entities, and why the wife and her brother be carrying a Geiger counter? Yes, its a thrilling answer as to why one should stay home and only dream about jungle exploration."
Cheesy, low-budget Italian shock cinema goodness!
Blade | WA, USA | 02/28/2005
(4 out of 5 stars)
"After watching other classics such as Umberto Lenzi's "Cannibal Ferox" and Ruggero Deodato's "Jungle Holocaust", I decided to give this little flick a try and I've got to admit that I wasn't disappointed whatsoever! Sergio Martino's "Mountain of the Cannibal God" (AKA "Slave of the Cannibal God") is one of the best cannibal films ever made, despite the so-so acting and some weak dialogue thrown in here and there. It stars Ursula Andress (Who was also the very first Bond girl in "Dr. No" back in 1962) as beautiful Susan, who heads to New Guinea with her brother, Arthur (Antonio Marsina) in search of her husband who has been missing for three months.
With the help of anthropologist, Dr. Edward Foster (Stacy Keach) and explorer, Monolo (Claudio Cassinelli) they venture to the island of Roka, which is also the home to the Ra Ra Me. (TRANSLATION: Mountain of the Cannibal God) What they discover is the terrifying Puka, a cannibal tribe believed to have been extinct for many years. Along the way, they fall prey to all the dangerous booby-traps and cannibals lurking in the jungle in some of the most grotesque and shocking footage ever caught on film! (Who can forget the ambush and instant decapitation scene?) But when Susan and Monolo are captured by the Puka their only hope is escape, or risk becoming a sacrifice to the Cannibal God!
In my opinion, this is a VERY underrated Italian horror film and deserves more credit than what it is given. As I stated earlier, the acting is about average and the dialogue can drag here and there, but fans of the genre and gore buffs alike will definately get a kick out of the gory makeup and effects! However, as I also mentioned in my review for "Cannibal Ferox" this is absolutely NOT a movie for the faint of heart or those who are easily offended by such material! In addition, you'll also need a strong stomach to watch the whole movie and small children (Heaven forbid) should not view this film, or they may be forever traumatized! Everyone else: EAT UP! :)"
Very tasty little snack
C. Christopher Blackshere | I am the devil's reject | 05/05/2008
(4 out of 5 stars)
"Another 70's cannibal flick, this is much better than expected. You've got the hot, scantily-clad Ursula Andress and her crew on a quest through the jungles of New Guinea. They get ambushed by some blood thirsty savages of course. This tribe looks extremely heinous. Their masks are what really stood out for me in this movie--some dirty, potato sack looking bags with holes cut out for the eyes. Freaky! When the maniacal tribe leader sees Ursula, he might develop a different kind of hunger.
You've got all your basic cannibal flick essentials--blood, gore, decapitations, nudity, violence with animals. The acting and dialogue are good enough not to hamper the story. It may not be extremely original, but hey, if it ain't broke..."
Good for the novice
Jeffrey Leach | Omaha, NE USA | 10/08/2004
(3 out of 5 stars)
"Sergio Martino's "Slave of the Cannibal God" is this director's entry in what ranks as one of the most fascinating horror sub-genres to ever grace the screen: the Italian cannibal craze. Starting in the early 1970s and peaking towards the end of the decade, a slew of depraved, ultragory shockers emerged from the minds of such Italian filmmakers as Ruggero Deodato and Umberto Lenzi. "Cannibal Holocaust," Deodato's grindhouse shocker and a film still considered to be one of the sickest ever made, marked the apogee of the cannibal film, but other directors continued to churn out more product. I could, and probably am, wrong in saying this, but by the time Umberto Lenzi released "Eaten Alive" in 1980, the cannibal genre was declining. Watching these films proves one immutable truth about the 1970s: this decade truly was a time when filmmakers would try anything to shake audiences up. It's impossible to even conceive of a film like this being made today unless you take into consideration the plethora of super cheap shot on video junk, which I don't. These are films shot on film, and they are definitely something to see. If you like horror pictures, be sure to check a few of these gutmunchers out. Especially since most of them have gone to DVD in the past couple of years.
Martino's film stars Ursula Andress (!) as Susan Stevenson, the wife of an intrepid explorer who went in search of a tribe of cannibals and never returned. Stevenson, concerned for the safety of her husband, begins to organize a search party. She hires Doctor Edward Foster (Stacy Keach!) to guide the expedition into the jungles of New Guinea. Susan brings along her shady brother Arthur (Antonio Marsina) to help in the search, and the group sets off with the requisite number of local guides. What follows is, sadly, a rather boring series of scenes consisting of the group endlessly tramping their way through the foliage. In true cannibal movie fashion, we do get to see several scenes of real life animal death spliced into the film stock, but we must wait awhile to see the human characters perish under nasty circumstances. Between the snake attacks on monkeys and other such useless rubbish, Foster and Stevenson stumble over a village in the interior where the group meets a European priest running a mission, and learns about a dangerous tribe of cannibals called the Puka or Puki. Keach has a run in with a couple of these guys, so the party heads back into the jungle for another interminable jaunt until they arrive at the cannibal mountain.
Stevenson gets what she wants when her expedition runs smack dab into a tribe of masked cannibals atop this mountain. We see that her husband is here too, although he's quite dead and covered in some sort of weird jelly substance. It turns out that the tribe worships this corpse as a deity, probably due to the fact that he carried a Geiger counter when he stumbled over the cannibals. This tribe is so impressed with the machine that they mounted it in his chest, where it still clicks and clacks away all these months later. Since Susan's hubby carried a picture of her in his wallet, the cannibals think she's a god too. They strip her clothes off and tie her up just as they did her husband. Finally, we see a bit of the violence that are these films' stock and trade: one of the tribal members attempts to have his way with Goddess Ursula and pays an extreme price for his insolence. A dwarf has his brains dashed out on a rock, the cannibals sit around for some good old-fashioned eating, and startling revelations about Stevenson's reasons for coming to the mountain emerge before the film glides to a watery end.
"Slave of the Cannibal God" is bound to disappoint hardcore followers of the cannibal sub-genre due simply to the fact that Martino restrained himself in the gore department. If you've seen "Cannibal Holocaust" and "Eaten Alive," you won't believe how tame this film is by comparison. Nothing much happens except for animal violence and the flurry of activity at the end. Sure, we see a couple of native guys buy the farm during a leg of the trek, and dinnertime at the mountain took on decidedly queasy dimensions, but it's not enough to keep us gorehounds interested. I suspect with a cast including Andress and Keach, Martino felt he should throttle back on the extreme gore. Too bad and too sad. I did take pleasure in seeing Ursula bare her heart and soul in preparation for her deification ceremony, and I enjoyed seeing Keach turn in a solid performance. I also liked the beautiful shots of the jungle and that waterfall the expedition had to climb to get to the cannibal lair. "Slave of the Cannibal God" succeeded in one central element common to this sub-genre, namely that Europeans in the jungle are only there to engage in evil acts. I thought Martino pulled off this plot point--revealed in full at the end--quite nicely. But I must doggedly return to the central premise of an Italian cannibal picture: it should contain over the top gore, and Martino's effort failed in that area big time.
Surprisingly, the DVD edition of the film contained a thirteen-minute interview with Sergio Martino. The other extra was a poster and stills gallery. Picture and audio quality were sharp for a film this old. Ultimately, I must recommend that "Slave of the Cannibal God" is a film best suited for newcomers who wish to understand the general themes involved in these movies. Then move on to Deodato's and Lenzi's pukers. Since I already saw "Cannibal Holocaust," "Cannibal Ferox," and "Eaten Alive" before Martino's effort, this film left me wanting more.