Search - Night of the Living Dead on DVD


Night of the Living Dead
Night of the Living Dead
Director: George A. Romero
Genres: Horror
UR     2002     1hr 36min

George Romero s NIGHT OF THE LIVING DEAD is a low-budget homegrown classic that has become one of the most influential horror films of all time. Seven people secluded in a Pennsylvania farmhouse face relentless attacks by ...  more »
     
     
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Movie Details

Director: George A. Romero
Genres: Horror
Sub-Genres: Horror
Studio: Bci Eclipse
Format: DVD - Color - Closed-captioned
DVD Release Date: 02/02/2002
Release Year: 2002
Run Time: 1hr 36min
Screens: Color
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 1
Members Wishing: 0
MPAA Rating: Unrated
Languages: English

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Movie Reviews

He said "They're coming to get you Barbara," and they reall
Lawrance M. Bernabo | The Zenith City, Duluth, Minnesota | 10/28/2005
(5 out of 5 stars)

"Once upon a time a young girl and her brother traveled three hours from home to place flowers on the grave of their father. The brother started teasing his sister, telling her in a creepy voice, "They're coming to get you, Barbara." However, the joke ended up being on him because they were coming to get Barbara, only they got him first.

I first saw "Night of the Living Dead" when I came home one afternoon and discovered that the Iowa City Public Library Channel on cable was showing the film. I have to admit, I was rather surprised that this cult classic horror film would be on at a time when kids could come home and discover it on television (one of the living dead is naked and they do like to eat human flesh), but Iowa is a state that thinks caucuses are a good way of selecting presidential nominees, so what can I say? But this is a horror movie that is even scary in the daytime with all the lights on.

"The Night of the Living Dead" is a horror classic, which is rather surprising when you take into account that director George A. Romero made the film in 1968 for $114,000 without a cast of first time actors (extras who playing the zombies were paid $1 and a t-shirt that said "I was a zombie on Night of the Living Dead"). Filmed in black and white with Romero as the cinematographer, this film has a technical proficiency that is missing from other low-budget classics like "Dementia 13" and "Carnival of Souls." You can take or leave the various sequels to this film, but this one has to be on everyone's Top 10 list when it comes to horror films. Romero has upped the ante on the social satire along with the blood and guts in his next three zombie films, including the recent "Land of the Dead," but this first one remains special.

The horror comes from the situation and the simple effectiveness of the slow moving, silent zombies in their growing numbers, their arms reaching out to find human flesh to eat. Barbara (Judith O'Dea) runs to an abandoned house, where she is joined by Ben (Duane Jones). After fending off the first attack of the living dead, they discover five more people hiding in the basement: Harry Cooper (Karl Hardman), his wife, Helen (Marilyn Eastman), and their daughter (Kyra Schon), along with a young couple, Tom (Keith Wayne) and Judy (Judith Ridley). Harry wants to hide out in the basement, but refuses to be trapped down there, and the two spend more time arguing about what to do than doing anything. They listen to the radio and watch the TV, learning that the dead are rising to eat the living, and try to figure out a way of getting out of the death trap in which they find themselves. Meanwhile, the little girl in the basement is getting weaker and weaker.

The only real weakness in the film is the attempt to explain why the dead are walking around as flesh-eating ghouls (which is, I believe, redundant), which has something to do with a satellite and scientific mumbo-jumbo that really does not mean anything to the people trying to survive against the growing horde of zombies. Fortunately, the "why" does not matter in this story; just the "how" in terms of taking these creatures down. Besides, if anything clinches this one it is the end of the film, both with its final twist, and the use of grainy still photographs to show the end of the tale. Few horror movies, whatever their budgets, have an ending this memorable."