Subject: I have found a DVD that I think you would enjoy
Actor: Jamie Fox
Genres: Drama, African American Cinema
Academy AwardŽ nominee Robert Downey Jr. and Academy AwardŽ winner Jamie Foxx star in an extraordinary and inspiring true story of how a chance meeting can change a life. The Soloist tells the poignant and ultimately soari... more »
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Member Movie Reviews
Michel D. (michelann) from WALNUT GROVE, MO
Reviewed on 8/15/2016...
Wonderful story brilliant actors in this well written story of life on the streets in LA, where all is never what it seems and life just goes on.
Judy E. (Judella) from SAINT PAUL, AR
Reviewed on 12/6/2015...
The Soloist is a nice story...sometimes sad and sometimes beautiful. But the good thing is that the sad was not unfixable.
Lion G. (lionine) from PETALUMA, CA
Reviewed on 1/6/2013...
A deep and soulful look into the life of a schizophrenic musician, and the care and friendship of a newspaper reporter, who moved from looking for a good story to becoming a deeply caring citizen.
Beautifully acted, with a particularly poignant performance by Jamie Foxx, who plays the musician.
I loved this film. It touched me deeply.
Randal A. (Movieran) from SATELLITE BCH, FL
Reviewed on 7/18/2011...
A Homeless schizophrenic Violinist is discovered by a journalist who tries to rehabilitate him. A true and well enacted story of homelessness.
No One Goes Solo
R. Kjar | Wisconsin | 07/22/2009
(4 out of 5 stars)
"This movie is primarily about the relationship between the weary journalist and the homeless artist, and Downey and Foxx give great performances. It sensitively deals with issues of charity and friendship in ways that challenge conventional ideals, and I liked the fact that in the end, Downey's character seems content to stop playing the role of "rescuer" and instead lets events play out to their natural conclusion. In fact, Foxx's character, for all the mental distress he faces, seems more grounded at times than Downey's character, and you might wonder whether the soloist refers to the cello virtuoso or the journalist who seems to learn what it means to be a friend rather than going solo through life. In that respect, it's a show that operates effectively on more than a superficial level.
Now if they could just have spent a little more time coaching Foxx on his fake cello-playing skills...alas."
It's about the music, stupid
Way Man | Baltimore, MD USA | 10/03/2009
(5 out of 5 stars)
"I think it's quite extraordinary that none of the reviews of the Soloist discuss the use of Beethoven's work in the film, which in my view reveals a shocking ignorance on the part of the critics. For example, the use of the cello part from the rondo of the second movement (the funeral march) of the 3rd symphony is brilliant, and reveals far more than just the playing skill of Ayres. Ditto the use of the Triple Concerto, various string quartets, less well-known parts of the 9th Symphony, all of which brilliantly move from the cello parts to the lager ensemble and back. It's a moving, innovative, and gorgeous use of Beethoven's work, and it makes a much larger point that the critics seem to miss entirely: Beethoven's work, most of all is about transcendence, the brotherhood of mankind, and the profound spiritual value of music. That's how the Soloist uses the composers's work to tell the story. Beethoven and music are Ayres' path to transcendence, and the way Beethoven's work is handled in the film makes this point clearly. The Soloist is worth seeing (and hearing) for the music alone.
People who see this film as a political statement miss the whole point."
Like playing a violin with 2 strings
Jean E. Pouliot | Newburyport, MA United States | 11/22/2009
(2 out of 5 stars)
""The Soloist" is a crude and inept adaptation of Steve Lopez's fine book of the same name. Looking for city stories to write about in his LA Times column, Lopez comes across Nathaniel Ayers, a former Juilliard student, now homeless, who plays beautiful classical music in an LA highway tunnel. The movie distorts Lopez's home life, making him a Downey-like loser, and moving wife and kids out of his life to simplify the plot. Ayers is a schizophrenic genius with little need for tutoring or practice. Just give him some meds, the movie seems to say, clean him up a little and plop him on stage, and all will be well. The reality (as captured in the book) is much more complex and difficult to achieve. There, Ayers was good, but very rusty and undisciplined and unreliable, making a stage comeback unlikely. In a rare but inconsistent nod to the book, the movie does not show him as a clear success.
Everything about the movie is amped up and turned up. The skid row scenes are snapshots from hell, with writhing, scamming, madmen filling very inch of the screen. In a rare bad performance, Jamie Foxx never manages to get inside Ayers's madness. He is every inch the talented, sane actor mouthing intricately scripted lines, Ayers's mad associations are lost in his rapid-ire delivery. The film confuses the viewer by inserting psychedelic, impressionistic scenes, as when a fire seems to burn outside Ayers's childhood home, that are hard to tell from the straight scenes that surround them.
It's has become a cliché to say that "the book was better than the movie" made from it. But with "The Soloist," the exaggerations of a bad-enough street life, the tampering with Lopez's family, the inability to wrestle with or even to present questions of how best to help the mentally ill, and Foxx's and Downey's surfacey treatment or their roles make "The Soloist" a must-miss movie."