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Ten Little Indians
Ten Little Indians
Actors: Hugh O'Brian, Shirley Eaton, Fabian, Leo Genn, Stanley Holloway
Director: George Pollock
Genres: Indie & Art House, Drama, Mystery & Suspense
PG     2006     1hr 31min

Ten Little Indians refers to the ten invitees, the familiar nursery rhyme and to Indian figurines affixed to a serving plate at the castle. After the fatal poisoning of a guest, one figurine goes eerily missing. Who's behi...  more »


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Movie Details

Actors: Hugh O'Brian, Shirley Eaton, Fabian, Leo Genn, Stanley Holloway
Director: George Pollock
Creators: Ernest Steward, Peter Boita, Oliver A. Unger, Agatha Christie, Harry Alan Towers, Dudley Nichols, Peter Yeldham
Genres: Indie & Art House, Drama, Mystery & Suspense
Sub-Genres: Indie & Art House, Drama, Mystery & Suspense
Studio: Seven Arts Pictures
Format: DVD - Black and White,Widescreen - Closed-captioned,Subtitled
DVD Release Date: 03/14/2006
Original Release Date: 01/01/1965
Theatrical Release Date: 01/01/1965
Release Year: 2006
Run Time: 1hr 31min
Screens: Black and White,Widescreen
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 0
Members Wishing: 9
MPAA Rating: PG (Parental Guidance Suggested)
Languages: English
Subtitles: English, Spanish, French

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Member Movie Reviews

Guy S. (guysmiliey) from DINOSAUR, CO
Reviewed on 3/4/2011...
This was a great who done it. Keeps you guessing until the very end.
I hear that there are other versions but this one was well done and
the actors did a great job.
I will look at ordering more of the same kind of genre.

Movie Reviews

Enjoyable version of my favorite Christie
Richard A. Ketterer | Batavia, OH USA | 07/08/2000
(3 out of 5 stars)

"First off, I'm a huge Christie fan, and Ten Little Indians is my favorite of her stories. This is a solid, enjoyable retelling of the story, though it lacks the top drawer quality of the 1939 original. The entire 39 cast was terrific. This one has some great performances, some competent ones, and some laughably bad ones. Standout in this cast are Wilfrid Hyde White as the Judge, Stanley Holloway, Daliah Lavi, Shirley Eaton, and Hugh O'Brian. Equally bad are Fabian as the playboy, and the butler, can't remember the actor's name. The butler delivers some lines as though he's sleepwalking, and overacts at other times. I don't think I'm giving too much away by saying that Fabian's performance is so over-the-top grating that's its a relief when he's the first character to drop.Other interesting developments-though still tame by today's standards, this version has considerably more sex and violence than the original, in which most of the bodies were kept offstage. In this one, most of the murders occur on camera, including one in which a character plummets to their death in a cable car, a spectacular development not in the book. Indeed, Christie's murders were usually very clean, a gun, a knife, poison. Not something as pure Hollywood as this. The fact that this death also bears no resemblance to the nursery rhyme, a key plot point in all versions of the story, doesn't seem to bother the screenwriter at all. Oh well.One other interesting change-the spinster character of the book and original movie is changed here and in the other remakes to a glamorous actress. Although Christie purists will probably be upset, I don't think it did any harm, particularly since I enjoyed Daliah Lavi's performance. All in all, this production is flawed, but still entertaining and well worth seeing, especially if your a Christie fan. Not as good as the 39 version, and much better than the God-awful 1975 and 1989 remakes."
Completely Unimaginative But Enjoyable In A Cult-Film Way
Gary F. Taylor | Biloxi, MS USA | 03/05/2002
(3 out of 5 stars)

"The 1930s Agatha Christie novel AND THEN THERE WERE NONE was a sensation: ten unconnected people are invited to an isolated resort only to discover they have been lured by a hidden psychopath intent on bumping them off one by one in retribution for crimes they have committed in their pasts. Nothing like it had been seen before, and Christie adapted the novel to the stage where it proved equally popular. A 1945 film version of the stage adaptation by director Rene Clair was also extremely successful with both critics and the public. But in the 1960s Christie sold the film rights to a number of her novels, and the result was string of low budget films starring Margaret Rutherford as Jane Marple. Christie openly despised these films, but Rutherford's enjoyable comic performances made them very popular at the box office, and a remake of AND THEN THERE WERE NONE became inevitable.Director George Pollock, who worked on Rutherford's Jane Marple films, was also responsible for AND THEN THERE WERE NONE, which was released under the work's American title TEN LITTLE INDIANS. But on this occasion Pollock bit off a great deal more than he could chew, for the plot of TEN LITTLE INDIANS cannot be reduced to a single comic turn; to be effective it requires an ensemble cast, and in spite of one or two worthy peformances Pollock's tampering with the story's details and dumbing-down of the plot renders the whole film extremely flat. The only enjoyable performance in the film is by Wilfrid Hyde-White; the rest of the cast is either impossibly over the top (Daliah Lavi), tiresomely wooden (Shirley Eaton), or embarassingly bad (Fabian.)The direction, script, cinematography, and art direction range from the merely serviceable to the absolutely unimaginative, and the absolute best that can be said for the whole thing is that it achieves a fairly consistent mediocrity.Even so, Christie's basic premise gives the film enough interest to keep you watching--and along the way something happens: the movie becomes entertaining in a cult-film sort of way. Much of this is due to the film's extremely inept effort to cultivate a "swinging sixties" tone, which combines very oddly with its utter lack of inspiration and the very weird range of performances. It all adds up to something faintly ridiculous, faintly "hooty," and that alone makes the film the whole thing oddly enjoyable. Even so, I wouldn't go out of my way for this particular film: you're better off catching this on the late-late show than actually buying it. (And you should absolutely, positively avoid still later remakes, which are truly sorry.) Save your money for the 1945 Rene Clair version--which is, by the way, now available on DVD as well as videotape."
Hugh Lombard, "Drop dead!"
bernie | Arlington, Texas | 03/19/2006
(4 out of 5 stars)

"8 people are invited to a remote mountaintop chalet by their host U.N. Owen; two people are already there as the butler and cook. Once there they find that their mysterious host has accused each of murder and commences to dispatch the guests in the order of a song of Ten Little Indians. Finding that they are cut off from the outside world they must find Mr. Owen and neutralize him before they are all dispatched.

All the clues are present; can you detect whodunit and why?

Pretty well acted version of an Agatha Christie classic. Everyone remembers the standard movie version the was made "And Then There Were None" (1945) with Barry Fitzgerald. Several other attempts were made such as "And Then There Were None" (1974) with Elke Sommer and even one movie with the original book title "Ten Little Niggers" (1949) with John Bentley.

This version with Hugh O'Brian as Hugh Lombard even keeps much of the dialog and is with adding to you Agatha Christy collection. Many of the actors are popular and will be recognizable form similar plays. The Voice of 'Mr. Owen' is Christopher Lee. The only annoying part is the constant intrusion of sixties music by Malcolm Lockyer. The good part is that the most obnoxious actor gets bumped off first.