Search - Up at the Villa on DVD

Up at the Villa
Up at the Villa
Actors: Derek Jacobi, Kristin Scott Thomas, Anne Bancroft, James Fox, Sean Penn
Director: Philip Haas
Genres: Indie & Art House, Drama
PG-13     2008     1hr 50min

Asian pressing DVD (all code/NTSC) of 2000 film which is deleted in the U.S. Directed by Philip Haas (The Blood Oranges, Angels & Insects), starring Sean Penn & Kristen Scott Thomas. AN impoverished English widow, on vacat...  more »


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Movie Details

Actors: Derek Jacobi, Kristin Scott Thomas, Anne Bancroft, James Fox, Sean Penn
Director: Philip Haas
Genres: Indie & Art House, Drama
Sub-Genres: Indie & Art House, Love & Romance
Studio: Mei Ah
Format: DVD
DVD Release Date: 07/01/2008
Release Year: 2008
Run Time: 1hr 50min
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 0
Members Wishing: 3
Edition: Import
MPAA Rating: PG-13 (Parental Guidance Suggested)
Languages: English
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Movie Reviews

Somerset Maugham's Novella comes to life
Cabir Davis | 01/21/2001
(4 out of 5 stars)

"We rented this video based on the legend on the cover, and didn't quite realize it would turn out to be the treat that it eventually was. This brilliant adaptation of a Somerset Maugham novella turns out to be one of the best things about 2000's art-film scene, though it has gone largely unnoticed, and even passed the eyes of critics without so much as a murmur.That is sad, because 'Up at the Villa' features Kristin Scott Thomas in her strongest and most well-written role yet. This is an actress who deserved to pick up an Oscar for 'The English Patient', but her performance in this film beats that hollow. It also stands out because its a faithful reproduction of the character in the novella, making this feature one of the more successful book-to-movie transfers.Sean Penn however, falters. In a role that could well be carried out by anyone from Henry Thomas to Harrison Ford, Penn is dull, lifeless and utterly uninteresting. However, his chemistry with Thomas is fodder enough to keep this film on its feet and the fast pace never slows down, even in the slower conversational segments. Set in Florence, Italy, the cinematography is flawless and the acting superb, though the real scene-stealer could well be Anne Bancroft, in a role that she walks through splendidly.The story is simple : Scott Thomas is a penniless well-bred girl at the Villa of her beau, an aging man soon to be the Governor of Bengal (they are all British, by the way). Shes doing it solely for the money and the sense of security, as her last marriage was a total disaster and she 'doesn't believe in love anymore'. It takes Sean Penn, a smooth talking American to make her see that passion is what makes life worth living, and that one must take ones' chances. This lends the film a predictable and thoroughly plain ending (it even read quite plainly in the book, if I remember) but it works.This film made me realize what a treasure we have in Kristin Scott Thomas. She has one of the most expressive faces and such an excellent sense of timing. She also carries herself with the most regal bearing, bringing to mind the days of Ava Gardner and Audrey Hepburn. No contemporary actress can hold a candle to Thomas - at least not in this film!'Up at the Villa' should be seen for many reasons. One, its not often that an unsung movie of this calibre shows up. Second, the performances of all the female leads are outstanding, and third, the screenplay is the best I have ever witnessed the whole of this year. This is story telling at its' masterful best, and it should not be missed. Compelling, essential viewing."
Fabulous Actors In Good Writing Instead Of Fabulous Writing
carol irvin | United States | 11/15/2000
(4 out of 5 stars)

"I am used to having Sean Penn, Kristin Scott-Thomas and Anne Bancroft completely knock me out in their screen roles. However, I'm also well accustomed to not being one of writer Somerset Maugham's fans. His writing bores me to death on the written page. The era of this work should have inspired impassioned writing. It takes place right before the Fascists take over Europe, before the outbreak of WWII, in Florence, Italy. Since it is Maugham's writing though, it always verges on the strained. Nevertheless, the actors give it all they've got and there is a good night's home viewing for you here. Scott-Thomas's character is attracted to security in the form of possibly marrying a real dullard of an older suitor. Actor Fox seems to embody my idea of Maugham himself as that stuffed shirt. Scott-Thomas is also attracted to adventure and danger in the form of a married man, Penn, and a penniless Austrian refugee. Advising her throughout is Bancroft, who married for money, not love, and now enjoys her well-heeled and titled widowhood. Who does Scott-Thomas choose and what are the problems along the way? You'll have to watch it to find out. My only regret is that these actors didn't have five star material at their disposal. The way hubby put it was, "Well, I guess you can't expect 'The English Patient' or 'Dead Man Walking' every time out." Indeed."
Up At The Villa
mjmilne | vancouver, b.c. Canada | 09/03/2000
(4 out of 5 stars)

"UATV is from a Somerset Maughin novella. It takes place as World War II reaches Italy. Kristin Scott Thomas plays a complex Mary Panton, widowed, in search of romance and a rich husband, who stays at her friend's Florence Villa. Sean Penn plays the catalyst, Rolly Flint, a dashing American playboy out for fun and frolic. But Mary Panton is about to accept a proposal from the older Sir Edgar (played by the worst actor I've seen in years, James, or is it Edward Fox, one of them can act, to quote another reviewer) and she spurns Flint's offer. She has four days to decide to accept the marriage proposal and thus change her life and move to India with Sir Edgar. In the meantime, Flint makes his play for her. But Mary makes a play for a penniless refugee, who is a restaurant Waiter turned terrible violinist. The violinist falls in love with our Mary and kills himself in the process. Why she would jump in the sack with this loser is beyond me and obviously the scriptwriter as well. There's no stisfactory lead-in to action here and the explanation that she wants to do something 'good' is too comical to be believed. But, hey, Penn gets her out of the mess! Anne Bancroft is the light touch with thoughtfully-placed humour. The directing by Philip Haas is amateurish at best and is drastically annoying. A film school dropout could do better! Or perhaps it's the editing and the major continuity mistakes. But--and it's a BIG 'but'--the real pleasure is watching Kristin Scott Thomas in the lead role as Mary Panton. She's almost in every scene. Without her, the picture is a dud, but she raises it up beyond an Oscar Acadamy nod. Her acting is aggressive and carries the accolade of being in the vein of a new artistic style. Her acting/reaction during a possible rape scene is worth the price of admission, as is the scene in the small chapel with lemon trees. See it just for her! I hope the American Academy does give her a nod, a big one!"
Sumptuous but slight
Steven Reynolds | Sydney, Australia | 09/05/2002
(3 out of 5 stars)

"A sumptuously filmed, delightfully old-fashioned, but ultimately rather insubstantial adaptation of W. Somerset Maugham's novella of the same name. Mary Panton (Kristin Scott Thomas) must decide: does she play it safe and marry a stuffy Englishman (James Fox) for position and security, or does she follow her heart and take up with a charming but feckless married American playboy (Sean Penn)? A few days of melodrama involving sex, suicide and the menace of Italian fascism help make up her mind. The performances from Scott Thomas and Penn are solid, with Anne Bancroft, Derek Jacobi and Massimo Ghini delighting in minor roles, though Jeremy Davies is less convincing as an Austrian peasant. It's probably worth seeing just for Maurizio Calvesi's cinematography and Paul Brown's production design - the lavish villa and the ripening tomatoes at the tennis club are a treat. But highest honors surely belong to special make-up artist Joan Giacomin who transforms the talented but rather rough-headed Sean Penn into a veritable `40s matinée idol. Penn continues to shine, in roles like this one, with remarkable versatility."