Alan Smithee

While it seems unfair that one filmmaker should bear the brunt of so many lousy films, let it be known that Alan Smithee is not a real person at all, but rather a perverse fiction designed for those refusing to own up to the results of their actions. It is not just directors who invoke his name. Producers and screenwriters, even actors, occasionally, hide behind Smithee.
Smithee was created in the late '60s, during the making of the Western Death of a Gunfighter (finished in 1967, but not released until 1969). A fight between the film's first director, the respected Robert Totten and star Richard Widmark resulted in Totten's replacement by filmmaker Don Siegel. Neither director wanted credit for the film, but the Directors Guild stipulates that every film must list a director. However, allowing that Totten and Siegel's reasons for having their names removed was legitimate, Guild members created Alan Smithee as a shield for those who felt their productions were abused or destroyed by studios.
The origins of the name Alan Smithee (aka Allen Smithee) are debated. There is a camp that maintains it is an anagram of "The Alias Men." On the other hand, it's also been said that Smithee's creators originally were going to name him the more common Smith but then decided to add the double-e so as not to defame any real-life Allen or Alan Smiths.
Since Death of a Gunfighter, which actually received many favorable reviews, over 24 features have borne the moniker Smithee. The name has been used in broader circumstances than those outlined by the Director's Guild and Smithee's illustrious name also occasionally pops up on television.
In light of his notoriety, it was perhaps inevitable that some smart aleck in Hollywood would actually make a film about Alan Smithee. Screenwriter Joe Eszterhas was that man. The result was An Alan Smithee Film: Burn, Hollywood, Burn (1997), an alleged comedy starring Eric Idle as a real filmmaker named Alan Smithee, who has a mental breakdown after he makes a terrible film and realizes that the only name he can affix to the credits is his own. In what is either a great irony or a carefully orchestrated publicity stunt, the movie's director, Arthur Hiller, supposedly unhappy over Ezsterhas' cutting of the film, removed his name from the credits. In either case, the quality of the resulting film remains true to the original spirit of Smithee's inception and it appears that critically speaking, Hiller made a wise decision. ~ Sandra Brennan, All Movie Guide