Norman Reedus

After a bit part in the Mira Sorvino horror film Mimic, Reedus captured critical attention as a creepy hitman in the independent black comedy Six Ways to Sunday. Playing off the sharply scruffy good looks that simultaneously made him the male face for ultra-fashionable clothing designer Prada, Reedus again took a walk on the wild side as a mysterious stranger in the indie Dark Harbor (1998) and as a prisoner in Joel Schumacher's reviled snuff film thriller 8MM (1999). Lead roles in the independent cop movie Boondock Saints (2000), opposite Willem Dafoe, and in the teensploitation movie Gossip (2000), as a malevolent college student, subsequently landed Reedus on Vanity Fair's April 1999 cover featuring young stars to watch. Gossip's poor reception, as well as the low profile of Boondock Saints and Reedus' other indie films -- including I'm Losing You (1999) and Preston Tylk (2000) -- did not make good on the Vanity Fair promise. And although Reedus followed up with three more films with similarly dismal returns, his re-teaming with Mimic director Guillermo Del Toro found Reedus back in blockbuster territory with his turn as a vampire hunter's technical assistant in Blade II (2002). Reedus has a son with Danish supermodel/companion Helena Christensen. ~ Lucia Bozzola, All Movie Guide