Jonathan Winters

His TV career began on CBS' daytime The Garry Moore Show, where he introduced such imperishable characters as freewheeling senior citizen Maudie Frickett and doltish Elwood P. Suggins. He was a regular on the 1955 summer series And Here's the Show, and in 1956 landed his own 15-minute NBC series (the first network program to be regularly videotaped). Though never less than side-splittingly funny on camera, Winters was plagued by severe emotional problems in real life, not the least of which was his reliance on what he called "the sauce." After a highly publicized sanitarium stay, a clean and sober Winters returned to TV, though it would be 1967 before any network would take a chance on his headlining a regular weekly show (during the 1964-1965 season, he starred in a group of well-received specials, and was also a frequent guest on The Tonight Show, The Jack Paar Program, and The Andy Williams Show). During the early '60s, Winters' recorded bits began frequently popping up on the NBC radio series Monitor, and in 1963, he made his movie debut in the all-star It's a Mad, Mad, Mad, Mad World (1963). In answer to critics who felt that Winters was tied down by scripted material, the comedian starred in the two-season syndicated weekly The Wacky World of Jonathan Winters (1972-1973), which was completely ad-libbed. Many young comics of the 1970s and 1980s have declared that Winters was a prime influence in their choice of career. No comedian was more vocal in his praise of Winters than Robin Williams, who in 1981 arranged for Winters to be cast as overgrown baby Mearth on Williams' popular sitcom Mork and Mindy. Jonathan Winters remained as funny and active as ever into the 1990s, making uproarious appearances on Jay Leno's Tonight Show and co-starring in such big-budget theatrical films as The Shadow (1994). ~ Hal Erickson, All Movie Guide