Ruth Prawer Jhabvala

Jhabvala in 1951 and moved to New Delhi. It was there that she began writing; during the mid-'50s, most of her novels and short stories were published in England -- many of her stories centered on the culture clash between the Indians and the British colonialists. By the mid-'60s, Jhabvala was writing screenplays and had begun a long, productive association with the filmmaking team of James Ivory and Ismail Merchant, who first collaborated with her on their filmed version of her novel The Householder (1962). Her work with the two resulted in a number of distinguished films that focused on post-colonialist life. In 1984, after their usual type of film began to lose popularity, the three changed tactics, and Jhabvala began adapting period novels, particularly those of Henry James and E.M. Forster. This change, exemplified by films such as The Bostonians (1984) and A Room with a View (1985), brought Merchant, Ivory, and Jhabvala acclaim from both critics and audiences alike. The latter film also won Jhabvala a Best Adapted Screenplay Oscar; she also won in 1992 for her adaptation of Forster's Howards End. She was again nominated for the same award the following year for her screenplay for Merchant Ivory's adaptation of Kazuo Ishiguro's The Remains of the Day.Though she primarily works with Merchant Ivory -- by century's end, Jhabvala had collaborated with them three more times on Jefferson in Paris (1995), Surviving Picasso (1996), and A Soldier's Daughter Never Cries (1998) -- she has also written for others, as evidenced by her screenplay for John Schlesinger's Madame Sousatzka (1988). ~ Sandra Brennan, All Movie Guide