A fairly early Paramount DVD release (from 2000),
Jerry Lewis'
The Nutty Professor has been issued on a digital disc that's good, at least as far as it goes. The movie comes in an excellent letterboxed transfer (1.85:1), capturing the original theatrical non-anamorphic widescreen image perfectly. There is a smidgen of picture information added at the sides and unnecessary image removed at the top and bottom, and the overall effect is to focus
Lewis' directorial eye with laser-like precision for each gag, when there are gags, and on the intensity of his performance, when he slips into his Sinatra-like "Buddy Love" guise. The color is gleaming -- bordering on radiant -- especially in the laboratory and nightclub scenes (which, curiously enough, are the two arenas in which
Lewis' Jekyll-and-Hyde character operates), and the 5.1 Dolby Surround Sound adds an element of dimensionality to the audio that even comes through on one's monitor speakers -- check out the scene with
Kathleen Freeman in the wrecked laboratory in the opening and see if there aren't lots of different audio textures in play.
The disc opens on a simple two-layer menu, without a trailer but with a rather self-congratulatory documentary short, "Paramount in the '50s" -- it takes a rosy view of the '50s, overall and where movies were concerned (30 percent of the theaters in America had closed by 1955), and offers us enticing glimpses of some of the studio's best productions of that decade. Evidently,
To Catch a Thief was restored a
long time before it got to us on DVD in 2002, and a few of those shown, like
Come Back, Little Sheba and
The Country Girl, have still not made it out on DVD. There is a selection of English subtitles and French mono audio, and the movie has been given 15 well-chosen chapters. All of that is fine, and speaks well for this disc, but there is a lot more that could and should have been done with this movie -- one of
Lewis' greatest achievements. It cries out for a director's commentary track or, barring that, at least a commentary track by someone who appreciates the complexity and daring of this film and its boldness as a comedic achievement, for
Lewis as a performer and a director. In the realm of comedy, this is as singular an achievement as anything that Chaplin, Keaton, or
Lloyd (nevermind
John Landis) ever did in the field, or that Coppola or Bogdanovich have achieved in a dramatic context, and deserves a few extra bells and whistles. ~ Bruce Eder, All Movie Guide