Based on the usual attributes that one would look for in a movie -- good acting, inspired (or, at least, competent) direction, involving plot --
Road to Nashville would be a waste of time and money, even at a ten-dollar list price. It has virtues, however, that allow it to transcend the amateurish level at which most of the acting and directing is pitched, principally in the form of well over two-dozen country acts from the mid-'60s, captured in performance clips in full color.
Marty Robbins' name shows up ahead of the title (he's also listed as the associate producer) and he is featured in clips of the songs "Count Me Out," "Devil Woman," "Working My Way Through a Heartache," "Begging to You," and "El Paso." Also included are
Webb Pierce,
Waylon Jennings,
Dottie West,
Johnny Cash,
The Carter Family, and much more. Surprisingly,
Waylon Jennings, doing the gorgeous ballad "Anita," is one of the better performers here when it comes to playing to the camera effectively. He and his band seem comfortable in ways that some of the older performers, such as
Webb Pierce and
Kitty Wells, simply don't. Another highlight of the film is comic-relief clip of Quinine Gumstump and Buck and the Carter Family's rendition of "I Walk the Line."
Connie Smith, who does some acting in the movie as well, seems static even when she moves across the screen, while
The Carter Family, standing stock-still and singing, seem much more connected with the proceedings. The DVD is mastered in full-screen, which is unfortunate, since the movie was shot in Techniscope. The cropped image naturally focuses on the featured performer, usually at the expense of the supporting bandmembers. The source looks like a clean 16 mm television print, and it's been transferred well, and each song has been given a chapter marker of its own. It's a very handy disc, as one can skip to one's heart's content around the various artists, from traditional country singers such as Lefty Frizzell to bluegrass players like the Osborne Brothers to the beginnings of the outlaw movement in
Waylon Jennings. The menu is simple and easy to manipulate. The sound has been mastered at an acceptable level, and is very clean given its film-track origins. ~ Bruce Eder, All Movie Guide