There aren't ten movies in the whole history of Hollywood that are as haunting, beguiling, and delicately textured as
William Dieterle's
Portrait of Jennie. Shot primarily in New York during 1947 and part of 1948, the 86-minute movie -- based on
Robert Nathan's novel of the same name -- cost nearly as much to make as
Gone With the Wind; it seemed pure folly, except that it did solidify the romance between producer
David O. Selznick and its star,
Jennifer Jones, culminating in their marriage. And while not a success on its initial release, this romantic ghost story has aged beautifully, mostly by virtue of the performances by the entire cast and the gossamer-textured mood invoked by director Dieterle and cinematographer Joseph August, who captured New York City through a dreamlike mist by way of extraordinary location shots.
Joseph Cotten plays a destitute artist in 1934, who finds his inspiration and the great love of his life in a series of encounters with
Jennifer Jones, who appears to him in steadily older guises, from a little girl to a grown woman, and proves to be the ghost of a girl who died unloved decades earlier. Scored to the music of
Claude Debussy (as adapted by
Dimitri Tiomkin, the story takes on a hauntingly romantic, dreamlike quality, essentially a modern-day fable set in New York. The DVD is the first disc-format appearance of the movie -- a planned laserdisc in the late '80s was cancelled because the existing master materials were inadequate. No such problem exists on the Anchor Bay DVD. The master materials are a match for the best 35 mm theatrical print that this reviewer has ever seen (and he has seen many, including archival prints). The cinematography displays a beguiling chiaroscuro effect, as though one were watching a painting in motion in many of the most enchanting sequences, while shots of a more literal nature glow with the silvery sheen of a fine nitrate print perfectly transferred. The final 12 minutes of the movie are the first in any home-viewing format (including television broadcasts) to properly capture the tinting in the storm sequence, and the final shot -- the visual and emotional capstone to the entire picture -- never looked better. The audio quality is also superior to any video version of the film previously released, with the richness of Tiomkin's rescoring of Debussy's music coming through in all of its details. These technical virtues allow one to appreciate the vision that Selznick was striving to realize, as well as the beauty of
Jennifer Jones and of the performances, especially the work of
Ethel Barrymore in one of her very best roles. The disc is programmed to start without going to the menu, and the film is broken down into 28 well-selected chapters. The trailer is also fascinating as a demonstration of just how difficult this movie was to synopsize in a couple of minutes -- it emphasizes more comedy than the film actually had, while hinting at the strange and mysterious ghost story that it actually was. ~ Bruce Eder, All Movie Guide