The widescreen, anamorphic transfer of The Antichrist is true to its source, which is not a good thing when the original film is somewhat washed out. The is evidence of enhanced reproduction -- take a look at the awful, untouched TV "Trailer" in the "Extras" menu for comparison -- but the quality isn't anything to write home about. The sound is OK, but the reckless music, which tries to hard to be scary, collides with the sound effects in several scenes. A 10 minute featurette called "Raising Hell" includes subtitled interviews with too-serious director
Alberto De Martino, who at one point confesses to his own discomfort with one of the sacrilegious images in the film (and as he's saying that, of course the image is shown, which is just being honest). Composer
Ennio Morricone is also interviewed, and in his brief segment he credits co-composer, the late
Bruno Nicolai, with doing much of the heavy lifting. The "Poster and Still Gallery" include production shots, lobby cards, theatrical posters and a few frames from the film. ~ Buzz McClain, All Movie Guide