Tay Garnett's
Stand-In, produced by
Walter Wanger, is one of the more enduring screen entertainments of the 1930's.
Stand-In is refreshing as a satire of the business of the movie business, and also gives out a surprisingly collectivist slant on the industry and its problems. Sharp-tongued and often cynical, it was produced independently by
Walter Wanger and distributed by United Artists. The film has mostly turned up on channels like AMC in recent years -- it was never on home video or laserdisc, and so this DVD is really the first opportunity that audiences have to find the film in a home viewing format. The transfer is good but unspectacular, drawn from a source that shows a certain limited degree of fading but which is otherwise clean and intact. It misses the mark set by Warner Bros.' releases of such 1930's titles as
The Thin Man or
42nd Street, or Kino's issue of
Counsellor-At-Law. There's detail in the picture but not a lot of richness in the image -- on the other hand, this is such a fast-moving film, that one doesn't have much of a tendency to dwell on shots or the details of images, as the screwball-style satire of Hollywood unfolds before us at a breakneck pace. The movie has been given 12 chapters with no extras of any kind, not even a trailer. The producers are evidently counting on the fact that
Humphrey Bogart and
Leslie Howard are the stars of the movie (along with
Joan Blondell, who is very good but no longer a major marketing point) to sell it, and the two actors are appealing in their roles as well as their scenes together. Even if one didn't know that it, in fact, was the case, it is clear from their scenes together that Bogart and Howard were very good friends, and obviously enjoyed the chance to work with each other again, a year after The Pretrified Forest and in the wake of their work in the same piece on Broadway. Moreover, Bogart and Howard were sufficiently outsiders to the Hollywood system that they seem the revel in their roles, in this savage burlesque of the film mecca. It's that chemistry, along with the mix of Hollywood roman-a-clef and Capra-esque comedy/drama that makes this disc worthwhile and, indeed, special -- after all, how many really good Bogart or Howard titles are there out there that most of us haven't seen to death, much less any with unusual stories or subjects? On the technical side, the disc opens automatically to its menu, an extremely easy to maneuver single frame offering chapters and the "Play" option as a default setting. ~ Bruce Eder, All Movie Guide