"For the subject of a neutral country, aren't you being belligerent?" a character asks
Deborah Kerr's Bridie Quilty, a naïve would-be Irish patriot, in an early scene of
I See a Dark Stranger. "There's nothing belligerent about it -- it's entirely a question of which side I'm neutral on." It's a line worthy of a good Hollywood thriller, but it's also almost too clever in its mix of defiance and semantics for a Hollywood movie of its era, and it sets the delicately balanced tone -- equal measures of seriousness and knowing humor -- that carries this movie.
Frank Launder and
Sidney Gilliat's
I See a Dark Stranger (originally released in America as The Adventuress) comes to DVD courtesy of Home Vision Entertainment in a very crisp-looking edition. Although the Rank Organization, which financed it, has justifiably achieved renown for the color films that were generated from its studios in the mid-'40s, it was the finely photographed black-and-white features such as this that made up the vast bulk of its output, and they were not to be dismissed. Among them are such excellent works as
Brief Encounter,
Green for Danger, I Know Where I'm Going.
A clever thriller with comedic elements made by the same two writer/producers who wrote Hitchcock's
The Lady Vanishes and
Carol Reed's Night Train to Munich,
I See a Dark Stranger arrives on DVD with a clean, sharp image, so much so that every strand of
Deborah Kerr's hair seems visible in high resolution in her close-ups. Overall the disc isn't a match for the very best black-and-white restorations of the period -- there are very mild visible flaws in the film elements, principally very light staining in a few spots -- but it is transferred so cleanly and has such rich contrast that one can even pick out details in the dark, natural half-light of the train-boarding scene nine minutes into the movie, and it runs circles around television presentations of the movie from as recently as the 1980s. Furthermore, the sound is a marked improvement over any prior home-viewing version of the film: every nuance of
William Alwyn's delightful score is presented cleanly and in sharp relief, along with the softest parts of Kerr's voice-over narration on the train ride. The audio is so crisp that even those who have an intimate knowledge of Alwyn's work could find details in the music that they have previously missed. The film has been given 22 chapters, of which the only point worth disputing is the combining of the train ride and Bridie's arrival at the museum into a single chapter. The only bonus feature is the original British trailer, which tries to emphasize the thriller aspects of the plot and bypasses the comedy -- one imagines that audiences were surprised and delighted by all of the plot elements that they found surrounding Kerr's delectable form. The disc opens automatically onto a simple menu that is very easy to maneuver around. ~ Bruce Eder, All Movie Guide