George Sidney's
Kiss Me Kate was one of the more successful screen adaptations of
Cole Porter's musicals, not surprising, given its appealing cast from top to bottom, the choreography by
Hermes Pan and
Bob Fosse, and the fact that, for the first time, a movie version of a
Porter musical kept most of the score intact (and even added a key number from another
Porter stage vehicle). The only flaw in the original filming was the decision to shoot in Ansco Color, a German-based color process that was less expensive than Technicolor but didn't hold up well over time and, in fact, also had a tendency to interact with the soundtrack element. Coupled with the poor preservation of the Technicolor prints,
Kiss Me Kate did not retain its brightness or luster terribly well into the 1960s. That problem was solved through various restoration efforts over the ensuing decades (including a retrieval and restoration of the 3-D version of the movie), which resulted in a very handsome early '90s laserdisc edition, and now this DVD.
The disc isn't loaded up with as many extras as one would have liked -- a full-length commentary track by surviving stars
Kathryn Grayson,
Howard Keel,
Ann Miller,
Tommy Rall, and
James Whitmore, and perhaps music director
Andre Previn, would have been ideal. As it is, there's a ten-minute documentary about the making of the movie, "Cole Porter in Hollywood: Too Darn Hot," produced by
Peter Fitzgerald, in which all of those mentioned participate, except for Previn. The recollections are enjoyable and enlightening, especially those by Miller, Rall, and Whitmore, and the short does fill in some gaps. The other major bonus feature is a short documentary entitled "Short Mighty Manhattan, New York's Wonder City," which offers color visions of the city from the end of the 1940s, including glimpses of such lost features as the Third Avenue El, Fifth Avenue as a two-way street, the Metropolitan Museum of Art when admission was free, the old Central Park Zoo (since redesigned to be more animal friendly), and
Ann Miller at the Starlight Roof, with
Xavier Cugat leading the band. (The documentary also includes outsized praise for Mayor William O'Dwyer, a man so corrupt and such an embarrassment that midway through his term he was appointed ambassador to Mexico in order to get him out of the country and beyond the reach of a subpoena to testify at hearings into his administration.)
Some serious restoration work had been done on the movie
Kiss Me Kate almost a decade before the Broadway revival of the original show at the end of the 1990s, and it's a bit difficult to complain of the image or sound here. The detail and resolution are good; however, compared to the '90s restored print of the movie, the color doesn't quite hold up overall, especially in the opening sequence of the film. There are still moments of uneven tinting within certain shots during the scenes set in the Graham apartment. The close-ups are a good match for the theatrical presentation, and
Ann Miller's "Too Darn Hot" sequence is close, but a proper theatrical showing still has it over this disc, at least for the first 15 minutes. Once the film moves to the theater setting, the tints bloom and fill up somewhat, like dye being poured in, and the rooftop sequence (featuring
Tommy Rall's still-awesome dance solo) is gorgeous. When the actual musical-within-the-movie takes to the boards, the whole screen explodes in color. This disc is, in fact, the next best thing to a theatrical showing, capturing the most lustrous sections magnificently, and the sound is the most beautifully mastered in a home viewing version yet.
Kiss Me Kate used stereo about as well as any MGM musical, and, in fact, is one of the earliest extant stereo releases by the studio; that element of dimensionality is beautifully represented here, in a dozen vivid musical spots. It all pulls together in Chapter 33, which encompasses the denouement of the musical and the song "From This Moment On," the one major addition to the original theatrical score and one of the most celebrated dance sequences in the history of musical films -- it's even better in 3-D, but until a disc with that attribute comes along, the mastering here on that scene is worth the price by itself.
Among the more pleasing bonus options on this disc is the ability to watch the movie with just the music score running -- the producers went back deeply enough into the elements to isolate the Oscar-nominated score by
Saul Chaplin and
Andre Previn, and it's delightful to hear their work, shorn of dialogue and sound effects for the first time. The only flaw in that plan is that not all of the musical numbers start at the beginnings of the chapters in which they appear, so one has to sit through some silence upon punching up each song title. Other than the placement of the chapter starts, the movie has been treated to a well-designated 36 chapters. The disc opens to a triple-layered menu that is easy to navigate, including a selection of special features that advances automatically at the end of each selection. And the original trailer, which is comprised of what look like alternate takes of many shots, is also included. ~ Bruce Eder, All Movie Guide