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Giant

Giant

Actor(s): Elizabeth Taylor, Rock Hudson, James Dean, Carroll Baker, Mercedes McCambridge
Director(s): George Stevens
6


Details

MPAA Rating: G
Content Advisory: Suitable for Children
Movie Release: 1956
DVD Release: 06/10/2003
Format: DVD - Enhanced Wide Screen Letterbox for 16x9 TV - Closed Captioned
Audio Tracks: English, French
Subtitles: English, French, Spanish
SwapaDVD Credits: 2
Number of Discs: 2
Run Time: 3 hrs 21 mins
Studio: Warner Home Video
Members Wishing: 13
Genres: Drama, Americana, Modern Western
See Also: Giant

Synopsis

George Stevens' sprawling adaptation of Edna Ferber's best-selling novel successfully walks a fine line between potboiler and serious drama for its 210-minute running time, making it one of the few epics of its era that continues to hold up as engrossing entertainment across the decades. Giant opens circa 1922 in Maryland, where Texas rancher Jordan "Bick" Benedict (Rock Hudson) has arrived to buy a stallion called War Winds from its owner, Dr. Horace Lynnton (Paul Fix). But much as Bick loves and knows horses, he finds himself even more transfixed by the doctor's daughter, Leslie Lynnton (Elizabeth Taylor), and after some awkward moments, she has to admit that she's equally drawn to the shy, laconic Texan. They get married and Leslie spends her honeymoon traveling with Jordan to his ranch, Reata, which covers nearly a million acres of Texas. Once there, however, she finds that she has to push her way into her rightful role as mistress of the house, past Bick's sister, Luz (Mercedes McCambridge), who can't accept her brother's marriage or the changes it means in the home they share. Also working around Reata is the laconic ranch hand Jett Rink (James Dean) -- from a family as rooted in Texas as the Benedicts but not nearly as lucky (or "foxy"), Jett is dirt-poor and barely educated at all, and he fairly oozes resentment at Bick for his arrogance, although Luz likes him and for that reason alone Bick is obliged to keep him on. One thing Jett does have in common with his employer is that he is in awe of Leslie's beauty; another is his nearly total contempt for the Mexican-Americans who work for them -- Jett and Bick may have contempt for each other, but either one is just as likely to dismiss the Mexican-Americans around them as a bunch of shiftless "wetbacks." Luz feels so threatened with a loss of power and control that she decides to assert herself with War Winds, yet another "prize" that Bick brought back from Maryland that resists her authority -- then decides to ride the stallion despite being warned that no one but Leslie is wholly safe on him, and spurs him brutally in an effort to break him, which ends up destroying them both in the battle of wills she starts.

After Luz's death, Jett learns that she left him a tiny piece of land for his own, on Reata, which he refuses to sell back to Bick, preferring to keep it for his own and maybe prospect for oil on it. Meanwhile, Leslie and Bick have their own problems -- Leslie can't abide the wretched conditions in which the Mexican families who work on Reata are allowed to live, taking a special interest in Mr. and Mrs. Obregon and their baby, Angel; but Bick doesn't want his wife, or any member of his family, concerning themselves with "those people." Leslie's humanity and her independence push their marriage to the limit, but Bick comes to accept this in his wife, and in four years of marriage they have three handsome children, a boy and two girls, and a loving if occasionally awkward home life. Meanwhile, Jett strikes oil on his land -- which he's named Little Reata -- and in a couple of years he's on his way to becoming the richest man in Texas, getting drilling contracts on all of the land in the area (except Reata) and making more money than the Benedicts ever saw from raising cattle. Bick is almost oblivious to the way Jett grows in power and influence across the years and the state, mostly because he's got his own family to worry about, including a son, Jordan III (Dennis Hopper), who doesn't want to take over the ranch from him, but wants instead to be a doctor; an older daughter, Judy (Fran Bennett), who wants to study animal husbandry and marry a local rancher (Earl Holliman) and start a tiny spread of her own; and a younger daughter, Luz (Carroll Baker), who's just a bit man-crazy and star-struck by the movies.

The American entry into the Second World War and the resulting need for oil forces Bick to go into business with Jett and allow him to drill on Reata, and suddenly the Benedicts are wealthy enough to be part of Jett Rink's circle, which includes the governor of the state and at least one United States senator at his beck and call -- and Luz develops a serious crush on Jett, who likes his women young and is especially attracted to her, as Bick's and Leslie's daughter. Young Jordan marries Juana, a Mexican-American nursing student (Elsa Cardenas), and his father accepts it begrudgingly, with help from Leslie. The war kills Angel Obregon (Sal Mineo), a death that even affects Bick, but the Benedict family gets through it wealthier than ever and grows some more with the birth of Jordan IV to Jordie and Juana. When the family attends a gala opening of Jett Rink Airport, which concludes with a dinner honoring Jett's success, however, young Jordan's wife is humiliated by Jett's racist edicts, and he is beaten up by Jett's men after punching the oil baron. Seeing this, Bick challenges his old rival to the fight that's been brewing for a quarter of a century and wins by default, Jett being too drunk to defend himself or to hit; he's also too drunk to make the grand speech that was to climax the celebration, and he ends up alone in the ballroom. The Benedicts have it out with each other, young Jordan accusing his father of being as much a racist as Jett, and Leslie caught in the middle between her husband and her son. It looks like the Benedicts may lose each other, until an encounter with a racist diner owner forces Bick to stand up and get knocked down (more than once) defending his daughter-in-law and his grandson.

Seen today, Giant seems the least dated of any of James Dean's three starring films, in part because it addresses issues that remain relevant more than 50 years later, and also because it has the best all-around acting and the best script of any of the three. Taken in broader terms, it's even better, with two of the best performances that Elizabeth Taylor and Rock Hudson ever gave, and perhaps the second best of Hudson's whole career (after Seconds) -- the only unfortunate element at modern theatrical screenings is the tendency of younger viewers, who only know him in terms of the revelations late in his life of his being gay, to laugh and snicker at elements of Hudson's characterization; but his work is so good that the titters usually fade after the first 30 minutes or so. ~ Bruce Eder, All Movie Guide

Cast

Elizabeth Taylor - Leslie Lynnton
Rock Hudson - Bick Benedict
James Dean - Jett Rink
Carroll Baker - Luz Benedict II
Mercedes McCambridge - Luz Benedict
Jane Withers - Vashti Synthe


Awards

1956Best Director (nominee)Golden GlobeGeorge Stevens
1956Best Actor (nominee)Academy of Motion Picture Arts and ScieJames Dean
1956Best Actor (nominee)Academy of Motion Picture Arts and ScieRock Hudson
1956Best Adapted Screenplay (nominee)Academy of Motion Picture Arts and ScieIvan Moffat
1956Best Adapted Screenplay (nominee)Academy of Motion Picture Arts and ScieFred Guiol
1956Best Director (winner)Academy of Motion Picture Arts and ScieGeorge Stevens
1956Best Editing (nominee)Academy of Motion Picture Arts and ScieWilliam W. Hornbeck
1956Best Editing (nominee)Academy of Motion Picture Arts and SciePhilip W. Anderson
1956Best Editing (nominee)Academy of Motion Picture Arts and ScieFred Bohanan
1956Best Picture (nominee)Academy of Motion Picture Arts and ScieHenry Ginsberg
1956Best Drama or Comedy Score (nominee)Academy of Motion Picture Arts and ScieDimitri Tiomkin
1956Best Supporting Actress (nominee)Academy of Motion Picture Arts and ScieMercedes McCambridge
1956Best Color Art Direction (nominee)Academy of Motion Picture Arts and ScieBoris Leven
1956Best Color Art Direction (nominee)Academy of Motion Picture Arts and ScieRalph S. Hurst
1956Best Picture (nominee)Academy of Motion Picture Arts and ScieGeorge Stevens

Editorial Review

The 1956 classic film Giant comes to DVD on Warner Home Video with a widescreen transfer. This two-disc special edition set contains soundtracks in Stereo English and Mono French. Subtitles are available in English, Spanish, and French. The nearly three-and-a-half-hour film is contained on two discs with around 30 scenes each, along with an optional feature-length audio commentary track by film critic Stephen Farber, screenwriter Ivan Moffat, and the director's son George Stevens Jr. The featurette "George Stevens: Filmmakers Who Knew Him," contains insight from such directors as Warren Beatty, Frank Capra, and Robert Wise. Both "Memories of Giant" and "Return to Giant" recall production stories, casting the leads, and the response to James Dean's death. "Behind the Cameras" offers on-location information and a visit with composer Dimitri Tiomkin. Other special features include television specials of the premieres, stills, documents, trailers, filmographies, awards, and more. This disc is highly recommended for viewers with a healthy interest in learning about classic Hollywood films, especially the final work of showbiz icon James Dean. ~ Andrea LeVasseur, All Movie Guide

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