Cliff Owen's
The Wrong Arm of the Law (1960) was one of the last black-and-white movies (and perhaps the last black-and-white British picture) that played on network television in prime time, back around 1967. At the time,
Peter Sellers was at the peak of his fame, and any reasonably accessible comedy of his had a huge potential audience. The film looks somewhat better than the opening credits (window-boxed and not all that sharp or crisp) promise, with decent detail throughout, but there are also some problems in the opening sequence, mostly having to do with the contrast. The latter seems to be overlit in the whites, and also in some of the flesh tones, making the first sequence in which we see Sellers look much too bright. This problem is alleviated in the subsequent scenes, and the rest of the movie looks good, if not exceptional. The film was shot in the British non-anamorphic aspect ratio of 1.66:1 and is mastered full-frame (1.33:1). Somewhat more impressive is the mastering of the soundtrack, which is set at a good high volume level with lots of detail, making the credit sequence, with its jazzy
Richard Rodney Bennett score, a delight to hear if not to watch. One can practically hear the action on the solo upright bass that bridges the credits into the action, and the horns sound like they're right in your lap. The pity is that there isn't a huge amount of music in the overall picture. The dozen chapters are adequate for the 94-minute movie, well chosen to capture the comic highlights of the plot. There are no special features, and the disc opens automatically on a simple two-selection menu offering "play" (in the default position) and "chapter" options. ~ Bruce Eder, All Movie Guide