Without question one of the most shocking and controversial features in cinema history, director
Tod Browning's
Freaks arrives on DVD with some revealing extras. Presented in 1.33:1 full-frame, the image is crisp and clean -- free of debris or digital artifacting. Blacks are universally solid, and whites remain vivid without becoming too bright or washed-out. One notable exception is the film's brief coda, which appears much more washed-out and overblown than the majority of the film. Audio is rendered in closed-captioned English Dolby Digital Mono with optional English subtitles (a welcome addition even to English-speaking audiences, as a few key lines of dialogue are virtually indecipherable) and is likewise bold and clean. Though fans who have been eagerly anticipating a DVD release for
Freaks may lament the loss of key footage mentioned in both the commentary and featurette (the film originally ran at approximately 90 minutes before terrifying unsuspecting audiences and subsequently being trimmed down to just over 60), the generous extras as presented here may soften the blow of knowing that nearly a half-hour of Browning's masterpiece is likely lost forever. Commentary by Browning biographer
David J. Skal explodes out of the gates by christening the film one of "the strangest and most controversial films ever produced by a major studio" before the title card is even displayed, and remains an informative and exciting feature before losing some steam toward the end of the film. Clocking in at just over an hour, the supplemental documentary "Freaks: Sideshow Cinema" offers an absorbing look into the lives of Browning and his unusual cast through interviews with such figures as Skal, sideshow performer/historians
Todd Robbins and Johnny Meah, and actors
Mark Povinelli and
Jerry Maren. A special scrolling prologue will help to prepare unsuspecting viewers for the physical anomalies they are about to witness, and after giving a tantalizing look at the long-lost original ending, commentator Skal walks viewers through three alternate endings that are little more than slight variations of the ending viewers have grown accustomed to over the years. One could only hope that some day Browning's "lost" footage will emerge and pave the way for a more definitive cut of his original vision, but until then, Metro-Goldwyn-Mayer's fantastic release will likely stand as the definitive version of this one-of-a-kind film. ~ Jason Buchanan, All Movie Guide