Based on the stage comedy by
Charles W. Bell and
Mark Swan (previously filmed in 1920),
Parlor, Bedroom and Bath is a curious mixture of all that was good and everything that was bad in
Buster Keaton's talkie features. Keaton plays Reginald Irving, a dimwitted bill-poster who finds himself the pawn in a scheme cooked up by wealthy Jeffrey Haywood (
Reginald Denny). It seems that Jeffrey will not be permitted to marry Virginia Embrey (
Sally Eilers) until a suitable husband is found for Virginia's older sister Angelica (
Dorothy Christy). Since Angelica has rejected all the available suitors, Jeffrey schemes to offer Reginald as an eligible mate. First, however, he has to transform our dopey hero into a gentleman --
and a great lover. Somehow or other, poor Reginald innocently ends up in a compromising situation involving vampish Polly Hathaway (
Charlotte Greenwood) and the very married Nita Leslie (
Joan Peers) at a posh no-tell hotel. Keaton is permitted a few choice pantomimic moments in Parlor Bedroom and Bath, notably his scenes with the aggressive
Charlotte Greenwood and a spectacular sight gag "borrowed" from his 1920 silent classic
One Week. On the whole, however, Keaton is lost in a sea of unfunny dialogue and tired farcical situations -- a not untypical pitfall of his MGM talkies. Long unavailable due to legal complications,
Parlor, Bedroom and Bath can be purchased from any of the public-domain video companies proliferating in the U.S. (Incidentally, that baronial "upstate New York" mansion in the film's early scenes was actually
Buster Keaton's Beverly Hills home) ~ Hal Erickson, All Movie Guide