How to Stuff a Wild Bikini is an atypical entry in the "Beach Party" series. One can guess that from the delightful claymation opening credit sequence devised by Gumby-creator
Art Clokey, which is a great moment in movie opening credits, and the most inventive material seen in the entire series. The movie itself plays like a mix of
Bye Bye Birdie,
Bewitched, and a bad James Bond rip-off, all built around
Frankie Avalon and
Annette Funicello -- but even that is deceptive, because for all of their importance to the "plot," such as it is,
Avalon is barely in the movie, and Funicello, who was several months pregnant at the time (and doesn't really conceal her condition completely), has so little to do on screen that she's almost a supporting player for the first hour. The film also makes use of music in a more sophisticated fashion than the earlier entries, integrating the production numbers better into the action and building them around songs that refer to and advance the plot, almost in the manner of
Bye Bye Birdie. If the score isn't remotely as appealing as the latter, then at least the late
Harvey Lembeck (playing nutty bike gang leader Erik Von Zipper) had fun doing his number.
Timothy Carey doesn't get a musical sequence, but he has a lot of fun in a totally deadpan, comically sinister role. Frankie (
Frankie Avalon), off in the navy, makes a deal with Bwana, a befuddled witch doctor (
Buster Keaton), to help keep his girlfriend Dee Dee (
Annette Funicello) faithful while he's away, and ends up conjuring up a woman (
Beverly Adams) that no man can resist. This leads to complications when advertising man
Mickey Rooney decides to turn her into the nation's next hot sex symbol. Okay, so we're not exactly dealing with
Citizen Kane here, but
How to Stuff a Wild Bikini is still a '60s pop-culture maven's paradise, as well as entertaining in its own snide way. A good chunk of the plot is a satire of the advertising and television industries, mid-'60s youth culture, and the way the two exploited each other. The film is also a transitional work in the history of American International Pictures, which produced it; made two years after the first
Beach Party movie, it contains motorcycle racing scenes that anticipate elements of the biker movies that AIP and other B-studio rivals began making later in the decade. The pop culture influences go much deeper than that, however.
How to Stuff a Wild Bikini was co-authored and directed by
William Asher, who was also the producer of the television series
Bewitched, and the movie is filled little references to the latter program. Bwana the witch doctor (
Buster Keaton), who keeps popping in and out with spells, is practically the model for Dr. Bombay from
Bewitched, and if the use of little phrases like "witch's honor" doesn't seal the deal, then a certain gag cameo by the director's wife at the end does. The DVD is a marvel on the technical side, especially the letterboxed presentation of the movie in its original 2.35:1 aspect ratio, apparently made from an exceptionally sharp 35 mm print. The photography by Floyd Crosby (father of
David Crosby) looks stunning, the color radiant, so much so that one can enjoy looking at the movie without necessarily "watching" it, and the detail is stunning -- the full-screen version of the movie on the other side of the disc isn't as enjoyable or easy to watch. Equally important, the sound is loud and full, which helps one appreciate the score. The girl-group numbers are pleasing enough in a generic way, and
The Kingsmen show up playing a solid garage punk number, "Give Her Lovin''". Both sides contain the same letterboxed trailer. ~ Bruce Eder, All Movie Guide