Logan's Run was just about the last science-fiction film of its kind: large-scale, glitzy, and very earnest and serious, without a trace of humor -- the genre's equivalent of a
Dragnet episode. Not even a year later,
Star Wars came along and completely rewrote the book on how to tell a science-fiction/fantasy tale. Badly adapted (and seriously dumbed down) from a much better book, the movie -- a very rare sci-fi production from MGM -- was received with lukewarm enthusiasm in 1976. Yet
Logan's Run has aged slightly better than anyone anticipated it might, mostly because it captures the sensibilities of its era unexpectedly well, and it does feature a decent chase at its core. This accounts for how well the movie has consistently been treated, first on laserdisc and now on DVD. No one in their right mind would ever want to make another film like it, but it's also an easy movie to enjoy in its clunky, glitzy, well-meaning (albeit humorless) way. The DVD transfer runs circles around the earlier, letterboxed laserdisc edition (and that looked damn good), and it has bonus materials that turn this disc into something akin to "The
Logan's Run Experience." Director
Michael Anderson (most closely associated with such films as Around The World in Eighty Days), star
Michael York, and costume designer
Bill Thomas all appear on a commentary track that runs the length of the movie. They spend a little too much time explaining plot elements that are fairly straightforward, but their enthusiasm for one of the biggest film projects any of them was ever involved in is still refreshing to hear. The theatrical trailer is also included, but much more revealing is a 20-minute featurette on the making of the film. It's as serious as the movie itself, and tries desperately to generate some excitement about a gargantuan production that obviously had the studio very nervous. Watching the DVD today, one is struck by how "'70s" the movie's vision of the future looks. The film's 23rd century Utopia looks suspiciously like a mall of the period, and the culture, such as it is, is astonishingly like disco culture in every way but the music. The score, incidentally, was composed by
Jerry Goldsmith -- his first piece of electronic-based film music -- and it is absolutely radiant on the audio track (indeed, the meowing of the cats living in the ruined capitol building with
Peter Ustinov is recreated so vividly that it sent this reviewer's feline racing around the apartment trying to find them). Parts of the music, as well as iconic images from the film, are cleverly integrated into the menu. The Warner Home Video DVD release available since early 2000 is identical in every respect to the prior MGM/UA version except in its packaging. The MGM/UA version had a very good eight-page booklet that isn't in the Warner edition, and it is worth buying the out-of-print version if the booklet is in it. ~ Bruce Eder, All Movie Guide