Search - The Hitcher (Full Screen Edition) on DVD

Derek B. from LINDSBORG, KS
Reviewed on 8/29/2011...

This movie could have been a lot better if there weren't so many what in the hell moments. I understand that it's a movie and I need to suspend my disbelief but some of it was just to much. The soundtrack also didn't fit in a couple spots either. One thing that deserves credit is the acting was actually pretty good. Usually horror movies are not packed with actors that make you go wow, but this one was actually very respectable. Overall the movie isn't anything great but it a lot better then some.http://moviegrabbag.blogspot.com/

Just when you think you've seen the worst movie ever...

JD | Provo, Utah USA | 06/14/2007

(1 out of 5 stars)

"...Here comes "The Hitcher"!

This movie is bad. Not even awesomely bad, just complete and total garbage. Nothing really makes any sense whatsoever and everyone but Bean was just so incredibly dumb you couldn't help but feel like they deserved to die."

Road-Killer

Mark Eremite | Seoul, South Korea | 05/26/2007

(3 out of 5 stars)

""The Hitcher" is a so-so film that desperately wants to be a killer music video. Starring Sophia Bush (that One Tree Hill girl who is so pretty it makes my eyes water) and Zachary Knighton (I'd never heard of him before, but he looks like the type who'd date Sophia Bush), the film wastes no time with pleasantries. The two lovers hit the road, and then the road hits back.

The road in my oh-so-clever analogy turns out to be John Ryder, the hitcher, a man with a grudge against life. Literally. In one of his first lines of the film, Ryder admits that the reason he tortures, maims, and kills people is because he wants someone to stop him. This sort of Swiftean take on nihilism is often used by scriptwriters to give a character license to indulge in flat-eyed melodrama (emotive beef jerky, I call it), but Sean Bean -- as the unflagging madman -- lets his desperation and his senseless rage simmer without boiling over into false theatrics. Bean is really the reason to watch this film.

It's too bad he's not in it more than he is. Most of the time we are forced to watch Bush and Knighton wander around making typically bad decisions and then griping or whining about it to each other when there's a break in the action.

I don't blame the actors. These sorts of brash bonanzas of violence and destruction don't really need much in the way of plotting to do their job, but they do need some kind of decent writing. I mean, take a look at Spielberg's Duel. For a movie with such a minimal plot and perhaps two pages of dialogue, this film works macabre magic. "The Hitcher," in lieu of compelling characters and a solid build-up of tension has, instead, the rat-a-tat-tat subtlety (and pace) of a semi-automatic. Short bursts of loud chaos, interspersed with brief moments of silence. You don't want that barrel to melt.

I give the film a thumbs up for its dervishes, for the car chases (set to blaring Nine Inch Nails), the near-misses, and the bold direct hits (I'll admit that I was shocked and surprised by the scene with the semi-truck and the chains). But, just like the (lack of) beliefs of the title character, the movie doesn't seem to care about much of anything, making it easy for the viewer to feel likewise."

Lethal And Jolting - One Of The Year's Top Horror Movies

Stephen B. O'Blenis | Nova Scotia, Canada | 07/13/2007

(5 out of 5 stars)

"An improved version of the already high-caliber 1986 "Hitcher" starring Rutger Hauer, this new incarnation casts Sean Bean ("Lord Of The Rings", "The Dark", "Silent Hill") as an even deadlier and more twisted title villain, and Sophia Bush ("Stay Alive") and Zachary Knighton ("The Prince And Me") as young lovers Grace and Jim, who on a road trip encounter the hitcher in the middle of a rainstorm, and become the prime targets of his obsession.

The Hitcher has been upped to where he's about as dangerous as a human being can be without raising the question of the supernatural. No remorse, apparantly no fear of death or pain, disturbingly with no apparant motivation, indisputably evil, and yet retaining an undeniable charismatic edge, as well as a huge air of mystery (his background, and even his real name, are never revealed) the character slashes and shotgun-blasts his way into the upper tier as one of the most instantly memorable killers to rampage across the screen in recent years. Zachary Knighton and the smolderingly gorgeous and cute-as-a-button Sophia Bush are likable and believable as the main couple of the film. Strong performances are turned in by the rest of the cast as well, and the tight flow of the movie encompasses psychological terror and suspense, up-close visceral carnage, and some of the most intense and high-octane highway chase/battle action ever seen, way above that seen in many higher profile action blockbusters with five times the budget. It attains a highly active tension and tightness the likes of which have not quite been reached by many of its more famous horror-thriller hybrid peers.

"The Hitcher" delivers on all counts it takes on, and is highly recommended for fans of such movies as the '86 original, "Highwaymen" (by original "Hitcher" director Robert Harmon), the "Hills Have Eyes" movies, and "The Vanishing"."