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Viking Funerals and Hollywood

Jeffrey Leach | Omaha, NE USA | 06/06/2003

(4 out of 5 stars)

"Blake Edwards's filmography is quite impressive. This is the man who brought us the Pink Panther films, The Great Race, Victor/Victoria, and 10. Edwards was the king of the 1970s, creating films that blended adult themes with memorably comedic moments. The filmmaker carried this approach into the early 1980s with S.O.B., a black comedy about the backbiting, cynical world that is Hollywood. This 1981 film fields some heavy hitters in its cast: William Holden, Richard Mulligan, Robert Vaughn, Julie Andrews, Robert Preston, Larry Hagman, Loretta Swit, Robert Webber, Stuart Margolin, Shelley Winters, and Robert Loggia all play parts, both big and small, in this movie. Look for a young Rosanna Arquette as one of the hitchhikers Culley (William Holden) picks up on the highway.S.O.B. is a movie within a movie. Felix Farmer, played with brilliant alacrity by the late Richard Mulligan, never lost money on a picture until "Nightwind" came out starring his wife Sally Miles (Julie Andrews). Now Felix is on the outs with his studio head David Blackman (Robert Vaughn), his wife is divorcing him, and he just tried to kill himself. Since this is Hollywood, a whole host of publicists, agents, and advisors try to shield Felix and Sally from the critical backlash. As Felix stumbles around his beach house in a dazed stupor, his friends Tim Culley, Dr. Irving Finegarten (Robert Preston), and publicist Ben Coogan (Robert Webber) all arrive on the scene to lend a hand. Nothing seems to bring Felix out of his funk until he arrives at the realization that the only way to save his career is to reshoot his stinker by having wife Sally, who is a G-rated film queen, bare her all. When it looks like Felix might be on to something, everyone jumps on the bandwagon to make a buck or take some credit for the success.I had hopes that this film was as funny as it was when I first saw it in the mid 1980s. It isn't, but there are still some great performances along the way. Mulligan is electricity as Farmer, adding even more gusto to his character here then he did as Bert Campbell in "Soap." Holden always does a good job as the weary soul that must witness the slow decay of those around him. Preston is great too as Finegarten, whipping out one-liners with great aplomb. The problem I had with the film is that it is almost too sad to watch it. Here are all these great actors giving one last gasp before passing into the great beyond. S.O.B. was Holden's last film, made before he hit his head and bled to death during a drunken binge. Preston died a few years later from lung cancer, and Mulligan died in 2000 from colon cancer. It is difficult, nay impossible, to forget this as you watch the film. The habits of the characters do not make it easier, either. Holden actually plays a drunk in the film, so knowing that he was one in real life makes it a tad painful to see it here played for laughs.Another problem more noticeable with repeated viewings years later is the schizophrenia of the film. Edwards starts out with a bang, introducing the characters and establishing their quirky traits. After Felix buys the rights to "Nightwind," however, the movie morphs into a farce with slapstick elements. The latter half of the film still delivers laughs (Felix's last words concern bringing in another ten million at the box office, hardly what a normal person would think during their last seconds of life), but it doesn't mesh as well with the scathing first half. Add to this a mediocre DVD transfer, with some haziness and sunburns on people who shouldn't have them, and this adds up to a good, not great, film.I would have liked to see more extras on this film. While Holden, Preston, and Mulligan are dead and therefore unavailable for comment, Julie Andrews and Blake Edwards are still alive and could have contributed many insights on a commentary track. Hearing Andrews discuss her topless scene would have been worth the price of the movie in and of itself. As it stands, there is a filmography of Blake Edwards plus the trailer for the film and that is about it in the way of treats. Taken as a whole, S.O.B. falls strictly into the "rent, not buy" category."