Search - The World of Apu on DVD

A criminal treatment of a classic film

A. Roy | san francisco | 10/30/2003

(3 out of 5 stars)

"i'm questioning whether they did anything at all but take the existing vhs edition and simply transfer it to dvd. compared to the vhs edition, one can still find the same scratches and grainy picture quality, the same sub-par sound, and the same embarrassingly inaccurate subtitle translations.regardless of anything and everything, however, one should walk the desert and cross the seven seas to see this movie. 'the world of apu' is a complex study of the artist, the role of economic conditions on the artist's life, and a commentary on india's traditional marriage system. and yet, with all these topical distinctions, the movie rarely fails to do anything but touch the heart - in light or in break - in the most primitive and simple way possible. to put things into perspective, this movie encapsulates the most beloved director, actor, actress, and musician of the bengali speaking world in 1959. and in 2003, it is one of the most beloved movies of anyone and in anywhere in the world. 'the world of apu' is not only my personal favorite of the apu trilogy, but along with the stars, the moon, and the air that i breathe - it is one of my favorite things in the world. criterion, are you out there?"

Fantastic film!

D. Pawl | Seattle | 03/22/2007

(5 out of 5 stars)

"THE WORLD OF APU is the third in the "Apu Trilogy," by the late, great Indian filmmaker, Satyajit Ray.
This film follows the title character, Apu, as a young, un-employed writer (Soumitra Chatterjee), who is searching for work, all the while aspiring to write his first novel. Pulu (Swapan Mukherjee), Apu's best friend from secondary school, has a beautiful young cousin, Aparna (Shamila Tagore), who is engaged to be married. Pulu invites Apu to attend the wedding, only to discover the day of the ceremony that the groom is a madman. Apu is asked to marry the bride, since the wedding day is auspicious and if she doesn't get married at the decided day and time, she is destined to have a life filled with bad luck and unhappiness. Though Apu has never even been in a relationship with a woman, he agrees to marry Aparna to do (as he says) "the honorable thing."

This film takes a look at Apu, his life's struggles and hard deck of cards that life has cast his way. I don't want to ruin the plot details, so I won't elaborate. I will say that the performances are beautiful and the story is wonderfully told. It is at once heartbreaking and inspiring. Highly reccomended......"

Emotionally strong and eloquent movie

Bomojaz | South Central PA, USA | 03/14/2006

(5 out of 5 stars)

"
The third and final installment of Satyajit Ray's Apu trilogy, it's about a young idealistic man who learns about reality and responsibility. Apu is a writer living (and starving) in Calcutta. With a friend he attends a wedding, but when the bridegroom goes insane, the wedding is called off. Apu, thinking he's doing a noble deed, marries the girl. Things between them look dubious at first, but they grow to love each other very much. When she dies in childbirth he sinks into deep depression and spends five years wandering around India like a hermit. But he has a son and though he thinks of abandoning him, he comes home finally to raise him. It's a very touching and moving film, and in it's quiet way, very emotional. Soumitra Chatterji is wonderful as Apu, and Sharmila Tagore is openly expressive as his wife. Seeing Apu with his son on his shoulders at the end of the movie is powerfully uplifting. One of the great movies in world cinema."

Satyajit Ray concludes the his beautiful Apu Trilogy

Lawrance M. Bernabo | The Zenith City, Duluth, Minnesota | 02/05/2004

(5 out of 5 stars)

"Having lost his sister and his parents in the first two installments of "The Apu Trilogy," I made the mistake of thinking there was no one left for Apurba Roy (Soumitra Chatterjee) to lose, but Satyajit Ray proves in Apur Sansar ("The World of Apu") that such expectations are foolishness. At that start of this 1960 film Apu has left school before graduation, dreams about being a writer, and is three months behind in his rent, which forces him to sell some of his beloved books. Then Pulu (Swapan Mukherjee), an old college friend, convinces Apu to attend a village wedding. When the groom turns out to have gone insane because of the fasting and meditation in preparation for the wedding, Apu's friend suggests he become the groom so that the wedding can continue and the family's honor maintained. At first Apu dismisses the idea out of hand, but then relents because he does not want the young woman to be cursed forever, and gets married to the beautiful Aparna (14-year-old Sharmila Tagore). The middle of the film shows the happy time when Apu and Aparna get to know each other and fall in love. Two people who were complete strangers become incredibly close as we see a simple romance that rings true in a way few in cinema ever have before or since. However, after all of the suffering and hard times we have endured to this point in the trilogy it is hard to believe that Apu has finally found happiness, and indeed tragedy follows. We are suddenly confronted with the sense that we have come full circle and that once again our hopes in this story have come down to the fate of one small boy.Even after three films Ray's genius is in using the camera to show character. What is memorable in these films are always the moments, and not the dialogue. It is the look that characters give each other than communicates much more than the words. For those who would complain that they do like to watch foreign film because it involved reading subtitles, these films should not be a problem. Ultimately it is the cinematography of Subrata Mitra and music of Ravi Shankar that are the chief mediums of communication (the only other time I have been struck this much by a similar combination was in "Road to Perdition," where the late cinematographer Conrad L. Hall won his final Oscar and Thomas Newman was nominated). Although "The World of Apu" can stand on its own, you would be foolish not to go back and start with "Pather Panchali" ("Song of the Road") and "Aparajito" ("The Unvanquished"). Satyajit Ray is one of the greatest directors of the world, whose impact on the film industry in India was monumental, and deservedly so. When you are working out the short list of "foreign" directors with whom you need to become familiar Ray is right there with Akira Kurosawa and Ingmar Bergman."