Subject: I have found a DVD that I think you would enjoy
|Dawn of the Dead |
Widescreen Unrated Director's Cut
Actors: Sarah Polley, Ving Rhames, Jake Weber, Mekhi Phifer, Lindy Booth
Genres: Action & Adventure, Drama, Horror, Special Interests, Mystery & Suspense
Packed with more blood, more gore, and more bone-chilling, jaw-dropping thrills, Dawn of the Dead Unrated Director's Cut is the version too terrifying to be shown in theaters! Starring Mekhi Phifer, Ving Rhames and Sarah P... more »
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Member Movie Reviews
Chad B. (abrnt1) from CABERY, IL
Reviewed on 6/24/2011...
This is one of the best remakes I've ever seen. It homages the original while being it's own film (something that the majority of remakes fail to do resulting in pale imitations that fail). The main changes r the type of zombie and the overall pace of the film. In the original the zombies were the classic slow moving type. The zombies in this film run like track stars on a speed binge. Decent performances from the cast, black humor, well handled gore EFX and an entertaining story.
3 of 3 member(s) found this review helpful.
Great Modern Horror Flick!
CreepyT | Colorado, United States | 03/29/2004
(5 out of 5 stars)
"Let me begin by saying that I am a huge fan of the Romero trilogy, and believe that those movies are irreplaceable. Every fan of the horror genre should own those films. However, this does not mean that I was not able see this remake without an open mind. In fact, I loved this movie. Rather than try to completely re-do the Romero film, and in so doing step on Romero's toes, the filmmakers went for a different spin on Romero's basic concept. For those of you who are familiar with the original Romero version of Dawn of the Dead, you know that Romero was not going for the full-fledged horror movie effect. Sure, the movie had some jumps and some gore, but for the most part Romero's film was a satire. Romero did a great job of combining social commentary with some horror elements, which is, in itself, a statement. This remake, however, merely goes for the thrills and chills. The 2004 version of Dawn of the Dead throws you immediately into the horror/gore, and right from the onset of the opening credits you know that this film is no satirical statement. Sarah Polley plays a nurse who wakes up one morning to find herself in the middle of a nightmare...only, it's not merely a nightmare but a waking reality. Her neighbors and husband have been turned into walking (running) corpses (more similar to those in 28 Days Later than Romero's slow-moving, rigor mortis ridden zombies) and she must seek escape before thinking twice. She meets up with a few other lucky survivors, and they all find shelter in a shopping mall (aptly named "Crossroads Mall"). This safe haven seems almost too good to be true with all the supplies they need to last until more help arrives, and it is. When the "safe haven" in which the survivors are staying is compromised, they must devise a plan and again escape the horrors of the bloodthirsty walking dead.Overall, I think this was a great film that all fans of horror should be able to enjoy. The acting was good, the effects were great, and the plot was cohesive. Though the movie maintained some of the elements from the original Dawn of the Dead (the shopping mall setting, some cheesy mall music playing in the background, some lines of script that served to epitomize the blase routines many people continue to follow throughout their blase consumer-driven lives), for the most part this was an entirely different film. I really liked the fact that the filmmakers chose not to cut and paste Romero's script, but rather make a new film based on his great idea. I think that anyone who enjoys jumping in their seats at the theater, and intense horror films in general, will love this movie. I, for one, will anxiously await the DVD release!"
P. B Rubalcaba | Redlands, CA USA | 04/23/2004
(5 out of 5 stars)
"Just when I thought no film on the planet could ever scare the &^%$ out of me, the remake of "Dawn of the Dead" comes along and proves me horribly wrong (no pun intended). I have seen just about every horror flick that was deemed so-called "Scary" in recent years, but this one tops them all. I may honestly have nightmares, something I've only had over my failed marriages in those same recent years - LOL. This blood bath is so frightening I held my own hand throughout the film. It didn't help. I jumped out of my skin so often I felt like a 50-year-old iguana.
Loosely based on the original film by George Romero back in 1978 (26 years ago), this is a must for every horror fan. I don't think a film has taken me on this type of ride since "Silence of the Lambs" and "The Exorcist". Even then, "Lambs" could be considered a "slow" movie when compared to the "Dead". I had never heard this quote before today's feature. It explains so well the true nature of zombies: "When there's no more room in Hell. The dead will walk the earth." And they do...
Many of my colleagues have seen this film. Two of them told me they walked out of the theatre...1) for the non-stop gore 2) for the scene with the pregnant girl. Trust me my buds, if you like flesh-crawling terror, this one is for you. I will be first in line to buy this DVD when it hits the market. It is so well done (considering the source), I was actually looking over my shoulder during the screening. This was a lunchtime treat at my local theatre and there were only three people in the audience (it's been out for four weeks).
Furthermore, if you are a Quentin Tarantino fan (Kill Bill, Pulp Fiction, Jackie Brown and Reservoir Dogs), then you must know what he said in a recent issue of "Entertainment Weekly". When asked, "So what recent movies have you enjoyed?", Tarantino responded, "I can't believe it, but I really liked the remake of "Dawn of the Dead". It was terrific. I don't really expect to see much better film-making in any set piece this year than that. I was almost offended when (they announced) a remake - I mean, the idea of remaking a George Romero film without George Romero!. And there are things about the new "Dead" that don't compare favorably at all. In the original, Romero used mostly amateur actors from Pittsburgh and they're giving their all, and you just completely buy into these characters in this world gone wrong. They become your friends. It wasn't like a character in a movie just got killed, it was like, Oh, this is horrible. It had the most intense character study of almost any pure genre movie. Even the zombies had personalities."
Right on, Quentin. I couldn't agree with you more. A horror fan??? Ya' gotta see it! 10 is written all over it. And, like I said, trust me. I've seen them all and this one honestly scared (...)me."
You've woken up the demon in me
!! Ravenova Majere !! | Zombie Nation | 08/01/2008
(5 out of 5 stars)
"Imagine. A clam peaceful morning. A promise of a new day. A promise of love, of hope, of joy and prosperity. A promise shattered. A new dream takes over . . .
Welcome to this brave new world, teaming with the hungering legions of the damned and demented. An inexplicable virus has taken over the barren husks of those who have died and has risen them as new beings - - - beings who must sate themselves on the gory, writhing remains of the living. And, in the soulless eyes of these macabre creatures, a new world takes form - - - a world filled with the wails of the tormented dying, a world drenched in the blood of innocents, a world where corruption and decay rule all, a world where hope has died and been buried. In this Stygian realm, the few survivors must make a new way of life, must lock themselves in a fortress of solitude for their physical safety. They must, regardless of the consequences, band together against the gruesome hordes that await their warm flesh. However, will the slow onset of mental imbalances, unrequited loneliness, and barren heartedness eat them alive before their loved ones do? Only time will tell. The clock is ticking. The dead are waiting. Step up to the gallows. . .
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A Film to Die for:
While the horror genre has long been home to the musings of the demented, Dawn of the Dead takes depression and loneliness to a whole new level creating a film that, simply put, is to die for. The aura is suitably, almost entrancingly, morbid as the film delves into not only the gory rampages of the newly turned, but on the all too real emotions experienced by the few survivors as they struggle to remain alive and, even harder, sane. While Dawn of the Dead is by no means a deep film, it does have that certain something, that inexplicable magic, that makes the viewer care. Yes, indeed, this is one those films that you will spend yelling at the screen, warning the unwitting characters to turn around, or not go down that creepy corridor, or even better, not to hover near those that have just died, indulging in long moments of anguish without remembering just what happens to the corpses of the infected victims. Yes, the characters lack that certain brain power, but, unlike most zombie flicks, it's believable. They reside in a world that rotates around death, not life. A world that overnight turned into a carnal house stacked with the bodies of those they once loved so it is acceptable, even believable, that the characters would have trouble grasping the ramifications of some of their actions, including their "daring" plan in the conclusion.
Of course, the best story in the world is only as good as its telling. How many times have we, the exalted viewers of America, been presented with an interesting movie concept that despite the ingenuity has failed on every level (Aeon Flux comes to mind). And, conversely, how many times have we been presented with a simple, unadorned story that for some reason spellbinds the entire audience (think of Paper Moon.) Dawn of the Dead most certainly falls into the later category. Like most George Romero films (with the exception of that travesty Land of the Dead) the acting is brilliant and emotional, the special effects are surprisingly (and sometimes upsettingly) realistic, and the entire aura of the movie from beginning to end is dismal yet somehow, strangely appealing. Dawn of the Dead creates a horrible world, yet the viewer will want to visit it again and again.
As the movie gains force, the conclusion rushes forward and although, as briefly mentioned above, the characters' daring scheme does present the viewer with major qualms, it is believable and even suitable. Unlike those "cliff hanger" movies that misconstrue intrigue with irritation and decide to end with no revelation or meaning Dawn of the Dead ends dramatically, poignantly, and memorably satisfying the viewer and rounding out the entire movie nicely, leaving no room for complaints or questions. Also, one word of advice, be sure and watch the ending credits because an important event is actually portrayed as the credits role. This is part of the conclusion and is highly important.
Extra Information and a Note to Potential Viewers:
The version of Dawn of the Dead that I viewed was the unrated director's cut (which I highly recommend). The film was originally rated R in theaters. Since this movie contains extreme gore, violence, bad language, and brief scenes of nudity, viewer discretion is advised (and yes, I got that from TV). For those who are interested in the actors/actresses these are some of the names of the outstanding cast: Sarah Polley, Ving Rhames, Jake Weber, and Mekhi Phifer. Also, Dawn of the Dead boasts an excellent soundtrack especially the concluding song, so don't miss it!