Subject: I have found a DVD that I think you would enjoy
|The Lookout |
Actors: Joseph Gordon-Levitt, Jeff Daniels, Matthew Goode, Isla Fisher, Carla Gugino
Director: Scott Frank
Genres: Action & Adventure, Drama, Sports, Mystery & Suspense
Studio: Buena Vista Home Video Release Date: 08/14/2007 Run time: 99 minutes Rating: R
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Member Movie Reviews
K. K. (GAMER2012)
Reviewed on 4/30/2015...
This movie was really hard to watch. Interesting but had some slow dragging parts and it was not the finest hour for Levitt. I like what he has evolved into and I watched this since he was in it but I just was not that impressed with it.
Noir suspense thriller with terrific performances work check
Wayne Klein | My Little Blue Window, USA | 08/19/2007
(4 out of 5 stars)
""The Lookout" got overlooked when it was released earlier in the year. This unusual thriller directed and written by Scott Frank focuses as much on character as it does on the tense, moody atmosphere. Chris (Joseph Gordon-Levitt)had it all; he was a bright kid who also displayed talent in the hockey rink. Chris, his girlfriend and another couple are involved in a terrible car accident that leaves Chris brain damaged. He's unable to do anything more than simple tasks and can't even remember what change he should get back after buying a beer.
When Chris gets sucked into a plan to rip off the bank where he is a janitor by smooth talking slime ball Gary Spargo (Mathew Goode), he finds himself over his head and with nowhere to turn. Initially Chris believes this will provide him with the start up money for a business he wants to start with his blind roommate Lewis (Jeff Daniels)but things spiral out of control and suddenly he has nowhere to turn.
END OF SPOILERS**
The film looks terrific with a crisp and detailed transfer to DVD. Audio sounds solid as well. The main extras we get here are a terrific commentary trackby writer/director Scott Frank discussing the making of the film and a 20 minute featurette that covers much of the same ground with cast and crew interviews. Scott discusses how the script had been shuffled from one studio to another as he watched in frustration eventually deciding he had better do it himself. Frank is rather blunt about his shortcomings as a director in the commentary track but honestly he did a terrific job on his first time in dual roles as writer & director.
We also get a 9 minute featurette with Joseph Gordon-Levitt and director Frank discussing the development of the character of Chris. Gordon-Levitt reveals that he did quite a bit of research prior to shooting the film on the mentality disabled.
You should be on "the lookout" for this fine film which got lost earlier amid some of the other films released at the same time. Although not perfect, "The Lookout" has strong performances and is well made by first time director Frank. I'm not surprised that the film got lost though as it isn't the type to lend itself to the hype machine of Hollywood as easily as, say, "Transformers" or other blockbuster films. "The Lookout" is well worth picking up not only for its well written script and deft direction from Frank but also from the terrific performances of everyone in the cast.
Another impressive effort by Joseph Gordon-Levitt
Cubist | United States | 08/13/2007
(5 out of 5 stars)
"With his adaptation of Elmore Leonard's novel, Out of Sight, Scott Frank demonstrated a knack for crime thrillers with plenty of plot twists and double crosses. Now, he's finally gotten the chance to direct his own movie and the result is The Lookout, a neo-noir that evokes other crime movies like Charley Varrick and Fargo.
Joseph Gordon-Levitt continues his knack for offbeat roles. He does a great job portraying someone with neurological damage and the frustration that comes from not being able to do simple things like opening a can of food or remembering someone's name. He also conveys the guilt his character feels over the car accident that robbed him of a promising future. We see how he tries to hide his disorder and the frustration of not being able to do basic things. It's a performance grounded in realism that is in contrast to this stylized noir world. It doesn't hurt that he is surrounded by cold, detached characters, and this makes him very sympathetic as well.
Jeff Daniels steals pretty much every scene he's in as Chris' genial roommate. The actor displays a dry sense of humour that is very funny to see in action. He and Gordon-Levitt's character make for very unlikely roommates to say the least but the two actors make it work thanks to the excellent chemistry they have together. Along with The Squid in the Whale and Good Night, and Good Luck, Daniels is turning out to be quite an excellent character actor appearing in several well-made independent films.
Frank has a keen visual sense, adopting a predominantly dark colour scheme in keeping with the neo-noir tradition. He has crafted a clever little thriller with a fascinating protagonist at its centre. What could have easily been a forgettable film is anchored by yet another riveting performance by Gordon-Levitt.
"Behind the Mind of Christ Pratt" features an interview with the film's star, Joseph Gordon-Levitt. He was drawn to the complexity of the character and ended up living with the role for almost a year. He talks about how he portrayed Chris and speaks intelligently about his take on the material.
"Sequencing The Lookout" takes a look at various aspects of the movie: the script, casting, the look, and so on in an interesting way. Frank says that he was influenced by European thrillers that emphasized character. He talks about the origins of the story as well.
Finally, there is an audio commentary by writer/director Scott Frank and his director of photography Alar Kivilo. Frank isn't afraid to point out the mistakes he made as a first-time director. With Kivilo, their comments tend to be about filmmaking techniques like the cameras they used, the type of shots for a given scene and locations used. This could come across as kind of dull if you're not into the technical aspects of film."
The Weak Shall Inherit the Earth
MICHAEL ACUNA | Southern California United States | 08/10/2007
(4 out of 5 stars)
"Chris Pratt (a getting better with each role, Joseph Gordon- Levitt) was a golden boy: a high school Hockey star, an entitled child of wealthy parents. And then one night he decides, with 3 other friends, to seek out a shower of fire flies on an empty Kansan highway when tragedy strikes and he is rendered impaired both mentally and physically. His life is now more about "sequencing": ordering his life in such a way so as to recall what he needs to do on a daily basis in order to survive. Chris's golden sheen is tarnished, dented and made worse by the fact that, though his memory is spotty, he unfortunately can recall the high points of his young life: winning the hockey championship, cruising the highway in his convertible Mustang with his beautiful girlfriend, Kelly who survives the accident and appears every so often as a touchstone plunging Chris back to that fateful evening under a clear, Kansan night sky.
Chris works as a night janitor at a bank and it is this job that brings him in contact with some crooks (mainly an amazing, deadly Matthew Goode, heretofore known as eye candy in Mandy Moore movies...as Gary Spargo) who take advantage of Chris' impairments in order to rob the bank: "Whoever has the money, has the power," Gary intones and this mantra will echo throughout the film.
Director/Screenwriter ("Out of Sight") Scott Frank audaciously centers the "action" on the who's/the why's and the where fore's of Chris' search for his basic morality: he's not the man he was before, this much is clear, this much is unassailable. So who is Chris now and more to the point how will he allow the accident to dictate his future: will he let it swallow up all that is good and humane in him...or will he not?
"The Lookout" is an effective, nail-biting at times, little thriller filled with the minutiae of lives well observed particularly that of Gordon-Levitt's masterful Chris: behind a veil made from the opaque cloth of befuddlement and embarrassment, he manages to project vulnerability and the injured remains of an ego he can only periodically recall.