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Lost in America
Lost in America
Actors: Albert Brooks, Julie Hagerty, Sylvia Farrel, Tina Kincaid, Candy Ann Brown
Director: Albert Brooks
Genres: Comedy, Drama
R     2001     1hr 31min

Disappointed with his job prospects, David Howard (Brooks) and his wife sell their home and stocks and buy a Winnebago to roam the USA. Genre: Feature Film-Comedy Rating: R Release Date: 3-APR-2001 Media Type: DVD


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Movie Details

Actors: Albert Brooks, Julie Hagerty, Sylvia Farrel, Tina Kincaid, Candy Ann Brown
Director: Albert Brooks
Creators: Albert Brooks, Eric Saarinen, David Finfer, Herb Nanas, Marty Katz, Monica Mcgowan Johnson
Genres: Comedy, Drama
Sub-Genres: Albert Brooks, Drama
Studio: Warner Home Video
Format: DVD - Color,Widescreen,Anamorphic - Subtitled
DVD Release Date: 04/03/2001
Original Release Date: 02/15/1985
Theatrical Release Date: 02/15/1985
Release Year: 2001
Run Time: 1hr 31min
Screens: Color,Widescreen,Anamorphic
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 0
Members Wishing: 8
MPAA Rating: R (Restricted)
Languages: English, French
Subtitles: English, Spanish, French, Portuguese

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Member Movie Reviews

Frank I. (Dad-Dad-Daddy-O) from LAWRENCEVILLE, GA
Reviewed on 5/22/2010...
Please disregard the previous review of this movie. Obviously this person has no sense of humor.
Funny, funny movie.
Check Rotten for reviews by people who know what they're talking about.
3 of 4 member(s) found this review helpful.

Movie Reviews

Lost In America
Malcolm Lawrence | 02/16/2000
(5 out of 5 stars)

"Papa Villone asserts that "If you can manage to find more than four memorable quotes in a film, it's a classic of some sort." Well, Albert Brooks' 1985 film Lost In America is so stocked with great quotes that it's off Papa's meter: "MERCEDES leather? What's MERCEDES leather?" "I've seen the future and it's a bald man from New York!" "I like Wayne Newton. Are you saying I'M a schmuck?" "You can't even SAY the word `egg' any more. When you go into the woods you see a bird's round stick. For breakfast you have THING'S with ham." "I'm losing my right eye." "What?" "I'm losing my right eye." "What?" "An adult should NOT get a bloody nose." This film is hysterical. I watched it over at Casey's house for the first time a few days ago. Casey said he'd already seen it five or six times and now I know why. Director, writer and star Albert Brooks has created the perfect yuppie comedy. An advertising executive in his thirties who is on the verge of buying a new house for he and his wife, which he's hoping to coincide with his long-awaited promotion to vice president, is called into his bosses office and learns that not only isn't he getting the promotion, all he's getting is a lateral transfer (from their LA office to their New York offices). In probably the finest job- quitting scene in the history of film, Brooks explodes in the most acerbic, articulate way everybody has always dreamed of when realizing all their years of hard work mean nothing. He leaves his job, talks his wife (Julie Haggerty) into quitting hers, and they decide to "find themselves" on the open road "just like Easy Rider." They sell EVERYTHING, buy a Winnebago and STILL have about 150,000 dollars to their name and head to Vegas. Brooks qualifies himself every time he has to deal with someone: "Hi, uh, my wife and I have dropped out of society, and..." They have enough money, he conservatively estimates, to stay on the road for the rest of their lives. That's before she loses their nest egg at the roulette table. Brooks the adman tries to talk the casino owner (Garry Marshall) into giving back the money. It doesn't work, but Brooks keeps pushing, trying to sell the casino on improving its image. ("I'm a high-paid advertising consultant. These are professional opinions you're getting.") There are other great scenes, as the desperate couple tries to find work to support themselves: An interview with an unemployment counselor, who listens, baffled, to Brooks explaining why he left a $100,000-a-year job because he couldn't "find himself." And Brooks' wife introducing her new boss, a teenage boy. The funniest aspect of the film, though, is the element of materialistic panic Brooks is able to squeeze out of his character. He's a typical A-type, potential heart-attack victim: he makes a lot of money (80K! ), but not enough; who lives in a big house, but is outgrowing it; who drives an expensive car, but not a Mercedes-Benz; who is a top executive, but not a vice president. In short, he is a desperate man, trapped by his own expectations. See this with your friend from Microsoft who got hired fresh out of high school."
This Is My #1 Favorite Comedy Of All Time!
(5 out of 5 stars)

"Albert Brooks is the thinking man's comedian. And he proves it with "Lost In America". This movie is written, acted and directed with impeccable precision. The casting is perfect. Somehow this dated 80's yuppie film is just smart enough and just down to earth enough to entertain almost everyone. Albert Brooks has a whimsical intelligent paranoia about life, Julie Haggerty is his invincibly sweet wife, and every other character in this film is tangibly interesting. This movie is full of sarcasm, human honesty, and laughter for the mind. "Lost in America" is full of subtle humor and interesting ideas. If you have a brain and if you like to laugh, this is the movie for you. Albert Brooks deserves some kind of an Oscar for this one. Please get lost in America!"
A Classic From the Master
Reviewer | 03/20/2000
(5 out of 5 stars)

"Without question, Albert Brooks is the absolute master of subtle humor. In "Lost In America," the writer-director-star weaves an hilarious tapestry that is no less than a paean to an entire generation of Yuppies. When David Howard (Brooks), the creative director for one of the largest advertising agencies in the world, fails to get the promotion he's "waited his whole life for," he quits his job ("Well, I got fired, but it's the same thing-"), then convinces his wife, Linda (Julie Hagerty), to do the same. They then proceed to sell their house, liquidate all their assets ("We got a ride on the inflation train you would not believe,"), buy a thirty-foot motor home and drop out of society in order to "find" themselves. Patterning himself after the guys in "Easy Rider," David's plan is for them to set off across America, to "Touch Indians, see the mountains and the prairies and all the rest of that song," and they leave Los Angeles with a new motor home, a substantial nest egg and an anxious sense of adventure. It all soon goes awry, of course, and what follows are some of the funniest scenes you'll ever see in an intelligent comedy. Among the most memorable are the ones with Michael Greene (As David's boss), when he informs David that instead of a promotion he's being transferred to New York to work on their latest acquisition, Ford ("We got trucks, too."); one with Garry Marshall (As a casino manager in Las Vegas); and finally, the scene in which David explains the concept of the "nest egg" to Linda, which has to be, historically, one of the classic comedy scenes of all time. The solid supporting cast includes Tom Tarpey (Brad Tooey, the "bald-headed man from New York"), Ernie Brown, Art Frankel, Charles Boswell and Joey Coleman. Written by Brooks and Monica Johnson, "Lost In America" is a timeless comedy classic that can be enjoyed over and over again."