Search - The Saddest Music in the World on DVD

Michelle M. (mishkaness)
Reviewed on 1/26/2012...

Guy Maddin's films are all style and no substance. He's constantly compared to David Lynch, a comparison which I find insulting to the great American surrealist director (Lynch...Maddin is Canadian). Maddin's films have an interesting visual style and he draws heavily from silent cinema. They look great, but they're boring as films and the inferior stories, such as they are, get buried under the visual content. I want to like Guy Maddin, as someone who loves arthouse cinema, experimental film, and surrealism. I really want to like him, but I just can't. The Saddest Music In the World may actually be, in this context, The Saddest Film In the World.

Mollie M. from COLUMBIA, SC
Reviewed on 1/7/2012...

The copy stated that it was original, funny, astonishing, etc.
My sense of humor was not touched.
That film, even tho' I like isabella rossellini, was one of the most unappearling things I have ever seen. I don't even wish to put it back on the swap.

2 of 2 member(s) found this review helpful.

A rare cinematic treat, visually and aurally

LGwriter | Astoria, N.Y. United States | 09/18/2004

(5 out of 5 stars)

"Guy Maddin just gets better and better. In this, his latest film, he's outdone himself. The fusion of content and style is so brilliant, clever, and emotional, the film has to rank as one of the best of 2004 even with the year not yet over.

Set in 1933, "the depths of the Great Depression", the location is Winnipeg, Canada, home of Lady Port-Huntly (Isabella Rosselini), the astoundingly wealthy beer baroness of Canada, who decides to hold a contest to select the saddest music in the world--for business reasons, of course. Among the entrants are her former lover, Chester Kent (Mark McKinney), his current lover Narcissa (Maria de Medeiros), Chester's estranged brother Roderick (Ross McMillan)--separated from Narcissa, and the men's father, Duncan (Claude Dorge). Duncan represents Canada; Chester, America; and Roderick, Serbia (of all places).

The prize is $25,000, a fortune in those days, so naturally there are entrants from all over the world--among which are Mexico, Siam, and Africa. The music is inspired, but eventually converges on the lilting popular American tune The Song is You, for which there are diverse renditions in the course of the film. The show-stopper is the version by Chester near the end, a big band production that fuses influences, in typical American fashion, from all over the world.

Familial tensions converge with unrequited love, and with the most peculiar prostheses anyone has ever seen--either in real life or on film. Lady Port-Huntly is a double amputee, and he whose reckless mistake resulted in her unfortunate current condition fashions for her a pair of legs that must be seen to be believed.

The entire film is shot using a blue-haze filter, with a faux stereopticon effect that narrows the viewing screen to that resembling what one would see from the early days of film, and with the faintest, subtlest and tiniest of lags in action-speech synchronization that makes this uncannily resonate as a work fusing a 30s setting, a pre-20s style, and a contemporary sensibility that knows how to combine these elements in the first place. This is a truly brilliant--I would even call it genius--approach to filmmaking that noone else in the known world even remotely approaches. Maddin is one of the contemporary masters of cinema and this is the proof.
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A Unique Film From A Rare Talent

Martin A Hogan | San Francisco, CA. (Hercules) | 12/17/2004

(3 out of 5 stars)

"If you know that Isabella Rossellini is married to David Lynch, you will have no problem understanding why she chose to star in this film. Director Guy Maddin tells a bizarre story, filmed through a snowy, distorted lens in black and white, making for a truly surreal vision. The story itself is simply about a Baroness in Canada who recrutes musicians from around the world to promote the worlds "saddest" music for a large sum of money. However, instead of gut wrenching sorrowful music, the audience is treated to a unique collage of `cold' characters seeming to come from the 19th century. The cinematography is fantastic, but the characters don't bring much life to the story. They are all stilted, bland inventions plucked straight from a silent film. At best the film is a study in film cinematography and style. There is love, tragedy and all the elements of true cinema, but it never fully evolves. However, the film is an advanced version of what David Lynch might have done if he chose this story, time and place. This film is for the real film buff who will not be disappointed.

The extra featurettes are truly amazing and spark enough interest in what a filmmaker will do to make his dream come true.
"

A Bit of Whimsy and Farce Delivered with Panache!

Grady Harp | Los Angeles, CA United States | 11/20/2004

(5 out of 5 stars)

"THE SADDEST MUSIC IN THE WORLD is much more than just director Guy Maddin's exercising his talents. Though the story of a Winnipeg bilateral amputee beer hall baroness Lady Helen Port-Huntley (Isabella Rossellini) staging a world competition for the saddest music may sound a bit silly, watch this film for a competition to beat all competitions, a grand spectacle where a Thai flautist competes with a Mexican Ranchero band, Russians, Chinese, Serbians etc.

Add to this the personal tragedy of Lady Helen facing her lover Chester Kent (Mark McKinney) who watched while his father Dr. Fyodor Kent (David Fox) mistakenly and drunkenly amputated both of her legs after a car accident while Chester's brother Roderick (Ross McMillan) exiles himself to Serbia over the loss of his wife Narcissa (Maria de Medeiros) and child, constantly playing his sad music on his cello!

All this may sound a bit over the top, but it is actually WAY over the top and happily so. Maddin has shot the film primarily in black and white in the just-out-of-focus manner of the earliest of movies (the story, after all, takes place in the Great Depression).

But despite the emphasis on 'artiness', the story is not mere parody or wedge of surrealism: there are many cogent social comments here - enough to keep you thinking. This film may not be for everyone, but for those who enjoy something different, it is highly recommended! Grady Harp, November 2004"