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American Crime
American Crime
Actors: Anna Sciorra, Kip Purdue
Genres: Science Fiction & Fantasy, Mystery & Suspense
R     2005     1hr 34min

When a reporter investigating a serial killer disappears, her colleagues at a syndicated television program attempt to find her and solve the case.
     
     

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Movie Details

Actors: Anna Sciorra, Kip Purdue
Genres: Science Fiction & Fantasy, Mystery & Suspense
Sub-Genres: Science Fiction & Fantasy, Mystery & Suspense
Studio: Lions Gate
Format: DVD - Color,Widescreen - Closed-captioned
DVD Release Date: 02/08/2005
Release Year: 2005
Run Time: 1hr 34min
Screens: Color,Widescreen
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 4
Members Wishing: 0
MPAA Rating: R (Restricted)
Languages: English

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Movie Reviews

A nice sharp indie film
DH Dixon | England | 03/06/2007
(5 out of 5 stars)

"I liked this film a lot. It is not so much a horror film as a satirical spoof about serial killers and mass media intrusion (with the media driving the killers and the killers driving the media) but it still works as a thriller. It has labyrinthine depths and a very very dry sense of humour. This film should appeal to fans of indie movies and art films. It has a great central performance by Cary Elwes with one of the strongest cinema characters of recent years."
"American Crime" Is Criminally Bad (Sometimes The Simple Pun
K. Harris | Albuquerque, NM | 02/25/2007
(1 out of 5 stars)

"In theory, there is an entertaining, and perhaps campy, satiric crime drama buried in "American Crime." At a very minimum, the film setup leaves you expecting a clever narrative device. This would, at least, have distinguished the film from the thousands of other movies that go directly to DVD. But any cleverness is soon forgotten in this blustery, overacted piece of nonsense. Too serious to be real "dumb" fun, too ridiculous to be taken as a straight thriller, and too silly to be seen as a media savvy satire--there really isn't much that works in "American Crime." It's a bit of a shame, too. With this cast and concept, a more focused screenplay and tighter direction could have made an effective little picture.

I thoroughly enjoyed the premise of "American Crime." Shot in the documentary style of "true crime" TV expose shows, the film tracks a possible serial killer. Seeing the film footage being reported on an actual TV program is a great idea and an interesting approach, you are lured into thinking that the film might really have a novel point of view. However, we soon step away from this concept and into "real life" scenarios. What is interesting, though, is that these scenes are also being filmed by characters within them. This movie, then, might have been unique had all the footage used been shot from a camera within the story (ALA the clever filmic technique of "The Blair Witch Project"). This seems to have been too much work, too, and any notions of the interesting narrative device enhancing the story are abandoned when regular camerawork soon takes over everything.

The story itself is a rather overheated bit of fluff. Rachael Leigh Cook, Kip Pardue and Annabella Sciorra play a local TV news crew on the track of a big story--a serial killer no one believes is real. Battling ineffective law enforcement and each other, they start to attract the attention of the killer. Cook becomes so freaked out that she may be targeted, she promptly abandons her job and life and moves away. In steps Cary Elwes as an "American Crime" correspondent to cover the story for national broadcast. Playing somewhat comically (which may or may not be intentional), these three spend the rest of the film seeking the truth and possibly putting themselves into harm's way. Seriously, several times I hoped the professional and intelligent combo of Scooby and Shaggy would help these morons investigate the crime more effectively. That's how silly it is!

Through it all, Elwes overacts (a common trait)--but, at least, it can be amusing at times. And I'll take my amusement where I can in this film. Like I said, the film seems to aspire to comment on the hypocrisy and complicity of TV programs in creating fame-seeking murderers--but the link is not well established (even though it's an easy target). So the film fails at satire, in addition to everything else. A silly disappointment that had the potential to be clever, but was too lazy to follow through with anything original. KGHarris, 02/07."
An American Tragedy
Jonathan Appleseed | 03/23/2007
(1 out of 5 stars)

"The film begins with a scene straight out of any run-of-the-mill horror story. There are three people in a van driving down a dark country road speaking obliquely about their destination and purpose, but making an awful lot of noise while doing so - "hurried" noise, to, one would suppose, thrill us. Soon they discover that another vehicle, then several vehicles are following them. This heightens their intensity significantly and they all yell at each other in a hysterical manner.

Suddenly, a pickup truck appears out of nowhere and they crash head on into it. They climb out of the van (we have learned that they are a news crew by now), and confront the people. Then we find that these kind folks called the news crew. So wait! At first, it seemed that they were hostile towards the crew. But now that we know they aren't, it would make sense that they drop the redneck nonsense. Like I said in the above paragraph: straight out of any run-of-the-mill horror story.

This is our first, of many, indications that the film will not make sense.

They contacted the crew because they found something, and are eager for a monetary award. While leading the crew to the "something", one of the rednecks is flirtatious with the reporter (Rachael Leigh Cook), actually touching and kissing her hair many times while she lamely swatted at him. Their behavior, and her reaction, is unbelievable.

The director lost me with this scene. And I imagine he lost most of his audience as well.

Then came Cary Elwes came on playing a blunderbuss of an "investigative reporter", and the movie spiraled out of control and fairly well collapsed into an ending that made as much sense as the beginning."