Subject: I have found a DVD that I think you would enjoy
|City of the Living Dead|
Actors: Janet Agren, Adelaide Aste, Enzo D'Ausilio, Carlo De Mejo, Daniela Doria
Genres: Indie & Art House, Horror, Science Fiction & Fantasy
The Seven Gates of Hell have been torn open, and in three days the dead shall rise and walk the earth. As a reporter (Christopher George) and a psychic (Catriona MacColl) race to close the portals of the damned, they encou... more »
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Member Movie Reviews
Keith A. (Keefer522)
Reviewed on 3/28/2014...
In Lucio Fulci's semi classic gore fiesta (also known as "The Gates of Hell"), the suicide of a priest opens a doorway that allows the undead to rise and munch upon the living. Typical Italian-made zombie nonsense that doesn't make a lick of sense and is full of plot holes and WTF moments, but the splattery carnage effects (which includes brain drilling, intestinal vomiting and a rain of maggots) are creative and stomach turning in equal measure. Not for the faint of heart.
Jefferson N. from BLAIRSVILLE, GA
Reviewed on 2/12/2010...
This Lucio Fulci classis is based loosely on the works of H.P. Lovecraft. In the story, a priest has hanged himself in the town of Dunwich, and this has opened a gateway to the "other side". The dead start to rise and an evil force invades the peaceful little town.
The story itself is nothing new or special. It's kind of a typical haunted town story, with zombies thrown in for good measure. What IS special about this film are the gory special effects. Heads are crushed and the brains ooze out. A woman throws up her intestines. People are buried alive. This movie has tons of classic gross-out scenes. So if you're a fan of Lucio Fulci's, you can't miss this one. One of his better grisly classic films.
5 of 5 member(s) found this review helpful.
Extreme, Effective Fulci Gorefest
M. Nichols | West Chester, OH United States | 08/19/2000
(5 out of 5 stars)
"CITY OF THE LIVING DEAD is a beautiful Fulci film, expertly directed and gorgeously photographed. The performances are top notch considering the genre and foreign origins of the film.
Also known as GATES OF HELL, CotLD opens revolves around the suicide of a priest which opens the gates of Hell. A woman with a link to the beyond and a reporter (Christopher George from PIECES!) are drawn into the bizarre happenings surrounding this turn of events and the blood begins to flow. And does it ever flow: from the eyes of those who are unfortunate enough to stare down the undead, from the mouths of those vomiting their entrails, from the brains of those who don't mind their head when the zombies are around, and from the cheeks of poor old Bob who was just in the wrong place at the wrong time, specifically between a huge drill and a very angry man.
Needless to say, these images amount to some of the most unforgettable Fulci imagery, topping even the eyeball-piercing gore of ZOMBIE. And even better, this film is well-paced and the viewer never grows bored or distracted. Even better, CITY OF THE LIVING DEAD is genuinely frightening. The gore is disgusting, of course, but this film is remarkable in that it effectively marries the gore with true fear - these zombies are scary. They're not the dull-witted, slow-moving zombies like those in Romero films, but instead creatures of pure evil who don't give you time to run away.
In summary, CITY OF THE LIVING DEAD is one of those rare, delightful films that sticks with you a long while after it's ended. A Fulci masterpiece that ranks among the best of his films - probably one of the best horror films ever made and definitely one of the top five zombie films of all time. I can't wait to watch it again."
LUCIO = MAESTRO
Cap Poobins | New York, NY | 10/27/2004
(5 out of 5 stars)
"the negative reviews are missing the point as usual because this is one of Fulci's Golden Greats. of course there's some plot holes and cheesy moments but they are few and far between, and the majority of movie is all guts and gory. all good Fulci movies establish hellish creeping dread that is punctuated by beautiful women, a few laugh out loud moments (some intentional, some not) and many gorious glorious death setpieces natch
although it's not a patch on The Beyond, I love this movie from start to finish, conceding that yes the last 15 minutes of this film is somewhat sketchily presented. howver the end scenes are in keeping with the logic of the narrative to that point, and really, if you've paid attention to a relatively (for Fulci) unconvoluted plot then the last 15 seconds shouldn't leave you "scratching your head". City of the Living Dead is masterful with several classic scenes, and there's few horror directors that have such a deft and entertaining touch when it comes to conveying a sense of encroaching godless doom"
Stephen Gladwin | USA | 05/27/2000
(4 out of 5 stars)
"Yes, this is the Fulci gore classic, now given the long overdue DVD treatment by Anchor Bay. Throw out those ancient dupes and tapes riddled with print damage and artifacting, this DVD is superior! But first, the story (what little there is): The Gates of Hell have been opened by a Dunwich priest who has hanged himself in a cemetary. That's it. What follows is typical Fulci mayhem and gory goodness. Yep, here on the DVD we get to see the ultra savage head drilling, the girl puking her guts up (look fast for future Italian horror director Michele Soavi as her boyfriend) and plenty of scalping and brain ripping, all in their uncut gory glory! As you might have guessed, the plot is secondary to the gore and atmosphere. As a result, many viewers will be turned off by the minimal (and convoluted) plot, and the atrocious dubbing. But for the real Fulci fans who are already primed in his style, they will eat this up. Anchor Bay's DVD treatment truly adds to the enjoyment of the film. It truly is great to see this film (and HEAR it) in digital quality, COMPLETELY UNCUT! Nevertheless, "City of the Living Dead" does have it's share of problems. Obviously the plot is nothing to write home about (like you care anyway) and Fabio Frizzi's score seems tacky (to me anyway). But once again, Gino De Rossi's amazing gore effects and Fulci's keen eye for gory detail (and some stylish direction, to boot) keep things humming. Finally, compared to the other entries in Fulci's "horror quartet" , I'd rate this light years ahead of "Zombie", and just behind "The Beyond" (his best in this genre) and "The House by the Cemetary.""