Colin Farrell and Academy Award-nominee Ralph Fiennes star in this edgy, action-packed comedy, filled with thrilling chases, spectacular shoot-outs and an explosive ending you won't want to miss! Hit men Ray (Farrell) and... more » Ken (Brendan Gleeson, Harry Potter) have been ordered to cool their heels in the storybook city of Bruges (it's in Belgium) after finishing a big job. But since hit men make the worst tourists, they soon find themselves in a life & death struggle of comic proportions against one very angry crime boss (Fiennes)! Get ready for the outrageous and unpredictable fun you will have In Bruges, the movie critics are calling, "wildly entertaining" - Stephen Rebello, Playboy.« less
Kyle T. (KingKong) from KINSTON, NC Reviewed on 7/18/2009...
This film is just so cleverly written that regardless of how offensive some of it might be, you can't help but like it...Farrell is really terrific as Ray, a depressed hitman trying to get over his guilt of accidently killing a child, and his partner, Ken (played by Gleeson), is surely the most likable hitman you're likely to see...things go awry when their boss, Harry (Fiennes), orders Ken to kill Ray for his recent mistake...Can Ken really kill this man he has so much sympathy for?...Anyway, a coc-dealing girfriend, a Canadian jerk and a racist dwarf all get involved in a story with lots of enjoyable twists and turns and realistic action, along with some great shots of Bruges...be warned that the film contains considerable amounts of gore that isn't normal for what one would consider a comedy.
7 of 8 member(s) found this review helpful.
The Odd Couple
MICHAEL ACUNA | Southern California United States | 02/16/2008
(4 out of 5 stars)
"Martin Mc Donagh's "In Bruges" proves at least one thing once and for all: Colin Farrell is a thoughtful, emotionally open, soon to do very great things on the screen, actor...something that anyone who has seen "Tigerland" and "Home at the End of the World" already knows despite evidence to the contrary: "S.W.A.T," "Alexander," "Miami Vice," etc. etc. 'If I'd grown up on a farm, and was retarded, Bruges might impress me. But I didn't, so it doesn't" says Ray (Farrell) to his fellow hit man, Ken (burly Brendan Gleeson): both sent to Bruges, Belgium to cool off after a bloody hit that unfortunately went woefully wrong. This is McDonagh's first film as Director/Writer and it is evident that he has a great eye for detail both in the sparkling, smart-*ss dialogue as well as with the stunning visual vocabulary of movies. Bruges is a beautiful city: ancient, redolent of the many lives lived there with its cobblestone streets, masonry buildings and outdoor plazas. As such, staid, old lady of Belgium Bruges stands in vivid contrast to the Irish duo of middle-aged, seen-it-all, supposedly Gay, interested in the sights and history of the city Ken and the emotionally over-wrought, painfully sensitive Ray: nervous, anxious, wanting to party, sporadically breaking out in sobs...literally an open emotional wound desperate for succor, blatantly remorseful, seeking redemption in all the wrong places. "In Bruges" roils over with goofy, silly dialogue (mostly spoken by Farrell who proves very adept at delivering it in droll, wry, ironic style) and profanity, violent bursts of gunfire, and jokes at the expense of dwarfs and Americans. Screenwriter McDonagh steers his odd couple Irishmen through a series of strange/odd situations in which questions of honor, friendship and mortality are mulled. The older Gleeson also proves to be the grounded one: good at what he does (that is kill people) and able, by his very presence to calm Ray down. Ralph Fiennes is also on hand here and plays Ray and Ken's boss, a mean-spirited bloke who talks in Michael Caine-Cockney cadences and arrives in Bruges to make sure that a hit, assigned to Ken is carried out without fail. "In Bruges" shares many of the surface traits of such films as Tarantino's "Pulp Fiction" but, though great as "Pulp Fiction" is, it doesn't have the heart and soul of Mc Donagh's "In Bruges": a film that satisfies the thriller/action genes of us all but also digs very deep below and reveals the true natures of its very conflicted, ultimately very human characters. "
Hell must be spending the rest of eternity in Bruges (ok, an
H. Schneider | window seat | 07/20/2008
(5 out of 5 stars)
"Another delightful little British black gangster comedy. Think of: Sexy Biest (w Ben KIngsley). Snatch (w Brad Pitt, Benicio dT ...). Layer Cake (w Daniel Craig). These guys have figured it out. Usually high class actors (here R.Fiennes, who is much more convincing as a bad guy than otherwise, and the quite capable Colin F., who had been a bit overrated for a while, but he really is quite talented). A basically simple plot (a hit man has screwed up, causing collateral damage; the boss needs to remove him, orders the partner to get it done, which turns out a problem...) runs into obstacles because the protagonists develop unexpected attitudes. Slapstick with guns. (Disclaimer: let me add that the headline is not my opinion, but a quote from Colin Farrell's character Ray, who thinks that Bruges is a s-hole; I fully disagree with that crass opinion, Bruges is as nice a place as you are likely to find in the whole of Belgium. On Tottenham I am not an expert.)
Absolutely brilliant dark dramedy
Devyn Quinn | Texas | 07/04/2008
(5 out of 5 stars)
"How to describe this deceptively simple film is the hardest place to begin. The plot's fairly simple: Two Irish hit-men, Ray (Colin Farrell) and Ken (Brendan Gleeson), are sent to Bruges (in Belgium) to wait out the consequences of an assassination gone terribly awry.
The younger of the two, Ray, is bored and angtsy with the whole place. He's got a guilty conscience, having been the bloke who totally screwed up the hit. Ken, older and more sanguine about the whole matter, is the total opposite. He's enjoying the sights and quiet cadence of the city, seeing it as a brief respite from what he knows is a powder keg about to blow up in both their faces.
Without giving away key plot points (all brilliantly revealed as the beginning of the end begins to play out toward its tragic conclusion), all I can say is WOW! Though I have never been a huge Colin Farrell fan, I found the actor to be an absolute revelation. The man can actually act, excellently conveying Ray's guilty conscience with a manic, twitchy angst that practically sets the screen on fire. When Ray's mistake is finally revealed in all its heartbreaking glory, Farrell manages to portray Ray's guilt and attempt at redemption in a scene that awes as well as chills the viewer. This is definitely an Oscar caliber performance, and one would hope the actor will continue to make such smart choices in future roles. The fact that Farrell gets to use his actual Irish accent is definitely a plus for the character. His Ray is a charming, annoying, childish, totally screwed up nut about to crack.
Gleeson, too, is equally convincing in his quiet, calm portrayal. His Ken, world weary and tried of the whole business of death, nevertheless knows he's got to pull back his shoulders and soldier on--even if it means he has to face the bad end of a gun himself from mob boss, Harry (an excellent Ralph Feinnes channeling an evil more vicious than even Lord Voldemort). Harry's riff on the Uzi he is offered by a gun supplier is hilarious, as is Ray's in run with a racist dwarf, among others as he ambles through Bruges seeking a solace neither drink nor drugs, or even a pretty girl, can offer.
The end for these three men is tragic, but totally fitting. I thoroughly enjoyed In Bruges and watched it several times just to soak in the early subtle clues leading up to Ray's mental meltdown. I admit that I had to watch the film with English subtitles on as I couldn't understand the actor's thick accents, but that wasn't any distraction or detriment.
It's a fairytale town, isn't it? How's a fairytale town not
Cherise Everhard | Michigan, USA | 08/26/2008
(5 out of 5 stars)
"Two hit men, Ray (Colin Farrell) and Ken (Brendan Gleeson) are on a sort of makeshift holiday in Bruges, Belgium after a hit gone wrong. While awaiting word from their boss, Harry (Ralph Fiennes), Ken is interested in sightseeing and the history of the place, while Ray couldn't be more unimpressed and can't wait to escape.
After hearing so many wonderful things about this film I was absolutely prepared to be let down. Movies rarely live up to the hype for me, but I am happy to say this one did and then some.
In Bruges had me laughing out loud, hard and repeatedly, as the political incorrectness and the way Ray and Ken play off each other is hilarious. It had me sobbing big ugly girly tears as the emotion that pours from Ray, his guilt, his sadness, is absolutely palpable and heartbreaking. This movie had me gasping at the violence, on the edge of my seat and on an emotional roller coaster from one minute to the next. It was great.
The performances are grand by all three main characters and the supporting cast lends equally wonderful and interesting performances. I found this to be a multi-dimensional and complex film filled with irony, humor, action and sadness. I was really stunned at the power behind Colin Farrell's performance. He goes from a sort of spazzy, funny, slightly inept and combustible sidekick to a sensitive, deeply tortured soul in about 2 seconds and every facet of his character is believable and brilliant.
In Bruges is one of those quotable films with a billion awesome one-liners and moments. This is easily one of my favorite movies this year and definitely upon my list of all time favorites. I loved every fricken minute of it.
Cherise Everhard, August 2008"
From the ashes of disaster...
Keith Zabalaoui | Texas | 07/07/2008
(5 out of 5 stars)
"I have to come down on the side of those who love this movie. Yes, there is violence, there is racism, there is drug use, and there is LANGUAGE, but honestly, these guys are not Smurfs. They're hired killers for cryin' out loud.
Two assassins are hiding out in Bruges on the orders of of their boss. They've just killed a priest and quite by accident have also killed a young boy in prayer. That scene is brief and shocking, but is 100% required for the rest of the movie to make sense. So they're hiding in Bruges, waiting for the boss to call. And they start to wonder, why Bruges? The answer is surprising on a couple of levels and is typical of what makes this movie different from the rest.
The older assassin is able to spend his time savoring Bruges and coming to love it. The younger one never will and seems to enjoy finding new ways to insult the medieval town.
And then the call comes and then the boss comes and all hell breaks loose. But even then, the movie has style and a humanity that sets it apart from the rest. The ending can be described in one word - Fellini. Except it's completely understandable.
As I said, I really liked this film. The language was appropriate to the characters, the violence was necessary for the story, and the comedy was dark and funny. But do keep in mind that it is British and British comedy is not for everyone. Fortunately, I was reared on it."