"Of the two versions I saw, I preferred the German version with English subtitles. Garbo's performance as well as that of the supporting cast was more inspired. I will keep looking for that version before I buy!"
A GARBO MILESTONE.
scotsladdie | 11/12/2001
(4 out of 5 stars)
"The once highly esteemed script-writer, Frances Marion, faithfully followed the text of the famous Eugene O'Neil play which starred Blanche Sweet on Broadway in the early twenties. Bette Davis, who was a devout "Garbomaniac" (as Garbo fans were called in the thirties), once stated about Garbo's acting: "What Garbo did on the screen was sheer witchcraft... I cannot analyze this woman's acting". In her first sound film, after what seems an eternity, Garbo finally comes into view, weary and cynical, she says to the bartender: "Gif me a viskey - chinger ale on the side. And don't be stingy, baby!". Her voice was blissfully right on target! This 1930 antique is very talky and reminds one of a silent movie with dialogue. If it were not so well-acted, it would be very tiresome indeed. Garbo's voice was noted as being in strange and beautiful accord with the Garbo personality of the silent pictures. Garbo had, more than than any other actress on the screen in the early thirties, the ability to emit the power of suggestion, and, in infinite degrees, expose the isolated mysteriousness of the human soul. Charles Bickford does quite well as the Irish seaman, and as the the old waterfront hag, Marthy Owens, Marie Dressler put an infinite amount of detail in her excellent (albeit a bit hammy) characterization; Garbo was so impressed by Dressler's performance that she personally brought a bouquet of chrysanthemums to Dressler's home in appreciation. On both the stage and screen, George Marion seemed destined to be old Chris; his remarks about "Dat old davil sea" has made audiences laugh for over 70 years."
Garbo speaks....and speaks.......and speaks!
Douglas M | 07/06/2007
(3 out of 5 stars)
""Anna Christie" is most famous as the film which released Greta Garbo from the silent era, the last major star to make the transition. The marketing of the film ensured that this was a major cinematic event and the film was a box office smash but it does not really stand the test of time.
Based on a depressing Eugene O'Neill play, this is an unusual piece for Garbo because she plays a contemporary figure surrounded by 3 character actors in demanding parts. She suffers by comparison. George Marion as her father and Marie Dressler as the mistress create incredibly real people. The scenes with Dressler are wonderful; Garbo, the mistress of underacting, with Dressler, the mistress of overacting, and meeting in the middle with genuine rapport. Charles Bickford as the boorish Irish lover is good too but he has no charisma, no screen magnetism. It is just not convincing that Garbo could fall for him.
The film has endless talk, little action, a static camera and a soundtrack which is often hard to understand. Garbo's unease with the Amercian slang is obvious with some of her line readings emphasing the wrong words. The story has a poor ending, flicking from hysteria to rationalisation in the flick of an eye and with what has gone on before, it is easy to speculate that this motley group have got lots of bad times ahead.
The print of the film is surprisingly good and far superior to other Garbo DVDs of later talkies. The DVD comes with the German version of the film too. This version is shorter and darker. Garbo looks more seedy and it is obvious that she is more comfortable with the German language.
The DVD is best purchased as part of one of the Garbo collections because only then will you obtain any extras which will tell you more about the star and the film."
When she tells the truth, they all want her to 'beat it'...
K. Oleszczyk | Tarnowskie Gory, Poland | 12/27/2005
(4 out of 5 stars)
"ANNA CHRISTIE is a wonderful film, beacause its stylistic clumsiness doesn't make in any less touching than it is. Garbo's performance is simultanousley ridiculous and terrific, her Anna being lost in the world a little bit less than Greta is lost in the English pronountiation. She swifts perfectly between radiant expressions of hope and innocence, and the sad knowledge of being 'doomed' by her past.
The shortest possible synopsis would be this: Anna Christie admits to her father and fiance-to-be that she 'was in the house'. 'Yes, in that kind of house'. And when they hear this, they all want her to 'beat it'. I wouldn't spoil much by revealing that there actually is a happy ending. It involves a very funny moment, when Anna is making an oath upon the catholic cross, and suddenly admits that she isn't catholic. Poor Matt's eyes at this very moment express all the anguish of pre-modern heterosexual man, who wanted his 'beloved' to be not only virgin, but also an eunuch.
Great fun--as long as you don't treat it too seriously.
Michal Oleszczyk, Tarnowskie Gory, Poland"
"Garbo talks." In essence, a Eugene O'Neil play.
Michael Cunniff | Hollywood, California | 05/25/2007
(4 out of 5 stars)
"This film is the great Eugene O'Neil in all his dark glory. Moody, dark, slow-paced, and bearing his intense psychology, it is not a film for all audiences or tastes. In addition to the great Garbo, is a magnificent perfomance by the silent film legend Marie Dressler. Before her death, she would make 3 classics with Wallace Beery, one of which was FDR's favorite film of all time: "Tugboat Annie." Her banter with Jean Harlow in "Dinner at Eight," was peerless and hysterical. This film is a one of those "transition" pieces from the silent to the talking era, and as such, carries aspects of both periods. Well worth seeing and having in one's collection. "