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The Asylum
The Asylum
Actors: Peter Cushing, Britt Ekland, Herbert Lom, Patrick Magee, Barry Morse
Director: Roy Ward Baker
Genres: Indie & Art House, Horror, Science Fiction & Fantasy
PG     2006     1hr 28min

When Dr. Martin (Robert Powell) arrives at the Dunsmoor Asylum for the incurably insane, he expects to be interviewed by asylum director Dr. Starr. Instead he is met by Dr. Rutherford (Patrick Magee), who explains that Dr....  more »


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Movie Details

Actors: Peter Cushing, Britt Ekland, Herbert Lom, Patrick Magee, Barry Morse
Director: Roy Ward Baker
Creators: Denys N. Coop, Peter Tanner, Gustave M. Berne, Max Rosenberg, Milton Subotsky, Robert Bloch
Genres: Indie & Art House, Horror, Science Fiction & Fantasy
Sub-Genres: Indie & Art House, Horror, Science Fiction & Fantasy
Studio: Dark Sky Films
Format: DVD - Color
DVD Release Date: 07/25/2006
Original Release Date: 11/17/1972
Theatrical Release Date: 11/17/1972
Release Year: 2006
Run Time: 1hr 28min
Screens: Color
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 0
Members Wishing: 8
MPAA Rating: PG (Parental Guidance Suggested)
Languages: Portuguese

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Member Movie Reviews

Reviewed on 10/16/2021...
Classic Peter Cushing. A must watch!

Movie Reviews

Classic Amicus gem back in circulation
Wayne Klein | My Little Blue Window, USA | 04/21/2006
(5 out of 5 stars)

"Long out of circulation (except in an inferior bad transfer and print) "Asylum" finally reappears on DVD. One of Amicus' finest efforts is told anthology style much like "Tales from the Crypt" and "The House That Dripped Blood" from a screenplay by Robert Bloch (the novel Psycho among many other genre offerings)most fans of the film know the story but I'll briefly recap it here after I mention the new stuff on the DVD.

For this edition from Dark Sky Films has struck a new print from the 35mm negative, transfered it in high definition and presents it in an anamorphic widescreen presentation. The extras include a commentary track by director Roy Ward Baker and Director of Photography Neil Binney, biographies for Baker, Cushing, Lom, Britt Ekland and producers Milton Subotsky & Max J. Rosenberg. There's also a featurette on Amicus entitled "Inside the Fear Factory" as well as liner notes and a still gallery. The only thing I could have asked for that isn't included is a appreciation in the form of a featurette for some of the deceased stars such as Peter Cushing.

Dr. Martin (Robert Powell) arrives at Dunsmoor a hospital for the mentally ill. Martin is challenged by the director of the hosptial Dr. Rutherford (Patrick Magee) to prove his mettle as a doctor; Martin must figure out who of the recently admitted inmates is Dr. Starr the former director of the hospital who's gone insane. Martin listens to the stories of different inmates (played by Barbara Parkins,Charlotte Rampling and Herbert Lom)and tries to determine which of them was the former director. Each has a bizarre story to tell from a reanimated dismembered corpse, suits that bring the dead to life to hand made little "people" that their maker can "will" himself into. Curiously Robert Bloch is credited as Robert Black on the box. Considering all the care that went into the re-release I'm surprised this happened.Also featuring Peter Cushing, Barry Morse and Charlotte Rampling "Asylum" is the gem in the Amicus crown.

The featurette features Max Rosenberg discussing the formation of Amicus and how the first couple of films came to be. For example Rosenberg discusses how he and Milton Subotsky became involved in Hammer's first successful horror production "Curse of Frankenstein". Freddie Francis also appears discussing how he got into direction, working with Peter Cushing and his work for the duo.

The previous edition has been out of print for far too long. It looks as if the plentiful extras and usual care that MPI takes with their releases is here as well. It's taken a while for this gem to become available again but I'm happy it has finally come "back to life". This creepy horror thriller scared the heck out of me as a kid and while some of the edge may have been dulled by the more explicit horror films out there for younger horror fans the subtle direction and storytelling has kept this film vital and makes this film an essential horror thriller to pick up on DVD.

Amicus horror gem!!
Deborah MacGillivray | US & UK | 12/01/2003
(5 out of 5 stars)

"During Hammer's Hay-day, they had competition with from Amicus. Amicus' productions tended to be lush productions with an eye to detail and costumes, with solid directing, scripting and acting. This one is no exception. You have the marvellously talented Robert Powell (Jesus of Nazareth) coming to an old Gothic mansion that has been converted for a home for the criminally insane. He is applying for a job there as a doctor, and he soon find himself proving his worth in a test. He is presented with three different patients. He most go in, interview them and learn why they are there. One of them is a former doctor at the institute, but has flipped out and has been confined. Powell's task is to determine which one is the former doctor.It's the frame works for some nifty horror tales, with fine directing by Roy Ward Baker and script by Robert Bloch.A great fun evening with a super cast of Powell, Peter Cushing, Patrick Macnee, Herbert Lom, Barry Morse, Barbara Parkins, Charlotte Rampling, Richard Todd."
An absolutely brilliant horror movie
Daniel Jolley | Shelby, North Carolina USA | 02/04/2003
(5 out of 5 stars)

"As one who has often panned for gold in the stream of little-known horror delights, I have discovered much more fool's gold than gold dust, but Asylum is a magnificent gold nugget. Produced by Amicus, the British equivalent of Hammer Studios, this classic film features a remarkable cast bringing to life a compelling, delightfully shocking tale which comes straight from the pen of none other than Robert Bloch. I think the whole idea of the movie is brilliant, especially the way everything is put together, meshing four largely unrelated tales into one overall and amazingly successful story. We begin with Dr. Martin's arrival at the asylum in pursuit of a position. He is surprised to learn that Dr. Styles, the asylum director and the man he expected to speak with about the job, is now one of the incurably insane inmates housed upstairs. Dr. Rutherford is willing to hire Dr. Martin, but only if he passes a certain test. There are four inmates upstairs, and he must determine which one is actually Dr. Styles (who has assumed a brand new identity for himself). As Dr. Martin makes the rounds, accompanied by the doctor posted upstairs, we are presented with each individual's story as to how they came to be institutionalized. The first story, that of Bonnie, is a wholly remarkable one. Her lover, having finally agreed to kill his divorce-denying wife and run off with her, chops his wife into several pieces and stows everything in the freezer, including her voodoo-ish protective bracelet He is quite shocked shortly thereafter to see the head, wrapped in butcher's paper, roll into view upstairs, and he is even more surprised by what happens next. When Bonnie arrives, she finds herself menaced and attacked by the separate body parts of the seemingly undead murdered woman. Next we have the story of Bruno the tailor. Facing economic ruin, he is offered two hundred pounds to make a suit for a rather strange gentleman named Mr. Smith (played magnificently by Peter Cushing). The suit must be created under the unusual conditions specified by the customer and must be made from the remarkable fabric Smith has provided Bruno. This metallic, strangely glittering coat is actually an instrument of magic, Bruno finds out upon delivering it. Supposedly it has the power to give or restore life to whoever wears it. Cushing's performance helps make this the strongest of the four stories, in my opinion. Next up is Barbara, who denies having committed the murders that resulted in her institutionalization. It was her friend Lucy, she says. The story plays pretty well until the end, when whatever mystery lingered concerning the truth about Lucy is rather unnecessarily done away with. Finally, we have Dr. Baron, maker of robotic men; actually, he says, the creatures are quite human on the inside, and he claims to have the power to will his own mind into one such creation and essentially make it come alive with his own consciousness. This tale has its weaknesses, but its effect on Dr. Martin is profound and sets in motion the thrilling conclusion of the movie. This conclusion, I must say, is remarkably good, treating me to a wonderful surprise and devilishly good twist. The plot of Asylum does have a weakness or two in it, but the film's overall effect on the viewer is so gripping that minor questions cease to matter very much. Frankly, I have never seen an anthologized movie such as this succeed so well. Few movies can combine separate tales and succeed as a unified whole, but Asylum accomplishes this feat quite easily. This is an intelligent horror movie that fans of the genre can point to with great pride."