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Birth Of A Nation
Birth Of A Nation
Actors: Lillian Gish, Mae Marsh, Henry Walthall
Director: D.W. Griffith
Genres: Action & Adventure, Classics, Drama, Military & War
NR     1915     2hr 55min

Classic Black & White / Silent The Civil War divided friends and destroyed families, but that's nothing compared to the anarchy in the black-ruled South after the war. This lavish epic was the very first feature length si...  more »


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Member Movie Reviews

SHIRLEY A. (chelseamom) from INDIANAPOLIS, IN
Reviewed on 1/30/2009...
I loved it. especailly because of the vintage nature
0 of 4 member(s) found this review helpful.
Karen R. from DES MOINES, IA
Reviewed on 1/18/2009...
Both sickening and wonderful. The Birth of a Nation is a study is gross racism touting blacks as creators of a civil war and causing near destruction of the south. That is until the Ku Klux Klan saves the day. Yet this is the first epic film made that introduced many advancements in cinematography. An amazing piece of propaganda and an interesting study into the dubious thoughts of people in the early 1900s. Prepare to be amazed at the gross statements this film makes throughout.

Movie Reviews

This is the SHORT version
Extreme Target Shopper | Avondale Estates, GA United States | 07/19/2004
(2 out of 5 stars)

"This film was one of the assigned viewings for a History of Film class. The professor specified the 180 minute version and specifically described the ending as being important to a complete analysis of the work. My bad for not checking the specifics for this edition, but be forewarned: if you want the full version, this is NOT it. This version ends with Liberation. Several other key scenes appear to have been edited out."
Outstanding example of early cinema
gishfan | Texas | 02/01/2000
(5 out of 5 stars)

"The Birth of a Nation remains one of the giants of motion picture making and one of the most controversial landmarks in film history. As a cinematic achievement the movie was both a stunning commercial and artistic success. No, Griffith did not create such innovations as the closeup, fade-out, irising effect, etc., but it was he under whom these devices were used so successfully and creatively.One of the main arguments against the film is its racist portrayal of the newly freed slaves. Yes, the pre-Civil War South is overly romanticized, the movie is historically inaccurate, and the caricatures are insulting. Nevertheless, the movie is an awesome achievement, and here, viewing the definitive version of the film, restored to its full twelve-reel length at the visually correct speeds and with the original color tints and original musical score performed by a full orchestra, it is engrossing entertainment and it is easy to see why it was so influential both as a film achievement and as an opinion-molder.The Birth of a Nation is often criticized for its racism, but the film is eigthy-five years old this year (2000), and should be viewed with that in mind. As for Griffith, there is ample evidence that Griffith did not hate blacks, but he was a product of his time and the portrayal of the newly freed slaves in the picture reflects this. No, Griffith did not view blacks as equals, but in many ways he did admire them. Yes, his attitude was undoubtedly condescending, but as I said, he was a product of his time.I have read in many reviews of this film anger over the film's inclusion in the AFI 100 list. The film was enormously influential to the industry, and claims that someone else would have or could have achieved what Griffith achieved have no legitimate foundation. There is no way of knowing whether someone else would have achieved what Griffith achieved, and in any event, if someone would have, that does not change the fact that Griffith did it first. The film is in the interesting position of being supremely white-supremecist yet an undeniable landmark at the same time. It should be given a chance and viewed as superior picture making, and not simply as racist garbage. Such an attitude is as simple-minded as is much of the film's haracterizations and romanticizing of history and the silly wording of some of its intertitles. This, the restored and definitive edition (also available on DVD from Image Entertainment) is the ideal way to see this great cinematic masterpiece, and it is a masterpiece. Beware of inferior shortened versions at incorrect projection speeds!A definite silent film fan, I recommend this film to anyone else who can appreciate silent drama and who can keep an open mind. Enjoying this film does not make you a racist.(By the way, the review for this film that someone submitted on January 18, 2000 was copied word-for-word from the VideoHound Golden Movie Retriever review of this film!)"
Always Controversial
Cato | 05/24/2006
(4 out of 5 stars)

"There is no need to comment further on this film because so many people have already done so. What I am troubled by are the number of people who have claimed that the movie is "only controversial to modern audiences." It should be noted that this is absolutely false. It was highly criticized at the time for being extremely racist, caused riots in several major cities, spawned movements to have it banned, and inspired African Americans to begin making films to counter its distortions. The storm of criticism was so intense that Griffith himself was personally terribly hurt and attempted the rest of his career to change the impressions people had of him because of the movie. Even President Wilson (who famously declared the movie to be "history written with lightening") had to respond to the criticism of the film by later denouncing it and its message (a fact that rarely gets mentioned when people use his quote). So let's not think that the film's message has only become controversial in our post-Civil Rights Movement age. The film sparked immediate outrage and critcism that continues to this day."