Search - Buffalo Bill and the Indians, or Sitting Bull's History Lesson on DVD


Buffalo Bill and the Indians, or Sitting Bull's History Lesson
Buffalo Bill and the Indians or Sitting Bull's History Lesson
Actors: Paul Newman, Joel Grey, Kevin McCarthy, Harvey Keitel, Allan F. Nicholls
Director: Robert Altman
Genres: Westerns, Comedy
PG     2001     2hr 3min

From director Robert Altman (M*A*S*H, The Player) comes an uproarious, high-spirited look at "Buffalo Bill" Cody, the legendary Western adventurer. With a fine cast that includes Paul Newman, Harvey Keitel, Burt Lancaster,...  more »

     
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Movie Details

Actors: Paul Newman, Joel Grey, Kevin McCarthy, Harvey Keitel, Allan F. Nicholls
Director: Robert Altman
Creators: Robert Altman, David Susskind, Dino De Laurentiis, Jac Cashin, Alan Rudolph, Arthur Kopit
Genres: Westerns, Comedy
Sub-Genres: Westerns, Comedy
Studio: MGM (Video & DVD)
Format: DVD - Color,Widescreen,Anamorphic - Closed-captioned,Subtitled
DVD Release Date: 05/08/2001
Original Release Date: 06/24/1976
Theatrical Release Date: 06/24/1976
Release Year: 2001
Run Time: 2hr 3min
Screens: Color,Widescreen,Anamorphic
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 0
Members Wishing: 2
MPAA Rating: PG (Parental Guidance Suggested)
Languages: English
Subtitles: Spanish, French
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Member Movie Reviews

K. K. (GAMER)
Reviewed on 8/9/2022...
Seems to be a loved classic but we could not get into this especially Newman's role.

Movie Reviews

Misunderstood
Matt Thompson | Brooklyn, NY | 06/27/2000
(4 out of 5 stars)

"Robert Altman's "Buffalo Bill and the Indians (or Sitting Bull's History Lession)" has largely been forgotten while his other films from this period have been rediscovered as classics. While maybe its time for this one too.The "Why" of why this film such a critical bomb is not hard to decipher, Altman is continuing his critique of the West that started with "McCabe and Mrs. Miller". Yet this film is even more scathing. Bufflo Bill is an illiterate buffoon and President Cleveland works as a reminder that there were politicians back then. What I think really worked against Altman here, wasn't his treatment of this historical period but the changing of his own. In 1976, audiences were getting tired of these self-conscious films that were popular just five years eariler. "Buffalo Bill" stuck between "Jaws" (in '75) and then "Star Wars" (in '77) was a hard sell as the country was getting more conservative.Beside this, "Buffalo Bill" like a lot Altman films is a great film. He continues his pioneering use of overlapping dialogue and widescreen cinematography. And oh, did I mention it was funny, a second viewing really helps catch all of Altman's wry wit. Newman fooling around with ballet dancers is hilarious. And you can't tell me that the extra "Or Sitting Bull's History Lession" isn't a homage to Kubrick."
A stunning blast against the fraudulence of America.......
Brooke276 | Denver, CO | 06/21/2000
(4 out of 5 stars)

"While not approaching the level of "Nashville" or "McCabe & Mrs. Miller," this film employs all of the Altman tricks (overlapping dialogue, a cast of thousands) to bring forth a scathing attack on America's reliance on myth and the need to rewrite the past with lies and hypocrisy. At every turn, Altman gives us images of a culture so immersed in show business and deception that it is no longer able to distinguish between reality and fantasy. While that in itself is hardly an original concept (especially for Altman, one of our greatest satirists), it works here because the film was released in 1976, the very year America was congratulating itself for a job well done. The best image remains the last, a reinforcement of America's need to dominate and win at all cost, even though such victories might be tainted by cheap shots and blatant unfairness."
"Truth is Whatever Gets the Most Applause!"
Todd and In Charge | Miami, FL | 02/07/2006
(4 out of 5 stars)

"Altman has made some very good movies, and some very bad ones, often right next to each other. Viewing this film right after the highs of "Nashville" will surely lead to a serious Altman letdown. Historically, of course, coming out during the Bicentennial and right after that great film, expectations that were very high were mostly dashed, and this film quickly joined other Altman stinkers in the "not good" Altman film repository, right next to "H.E.A.L.T.H."

But time has been very kind to this Altman sleeper. I found Newman's performance exhilarating and comic, and Joel Grey hilarious and knowing. Like many of Altman's films, this one is about the mythmaking of contemporary pop history, and the "necessary illusions" required by the audience to buy into and celebrate these myths. Although the particular target here is western pop history, Altman's aims are much broader: the legacy of Native America abuse, the need of the audience to create and celebrate "hero myths," and the schematic critique of star-worshipping history, written by the "winners." Frank Kaquitts plays the critical role of truth-teller, and is understated and very funny as Sitting Bull, who joins Buffalo Bill's troupe with his interpreter, attempting to add some reality to Cody's wildly distorted (and wildly popular) western shows.

While the script of Altman and Alan Rudolph has some typical Altman flaws, fat, and excess, the benefit of time and careful reflection has served this little gem well."