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Duane Hopwood
Duane Hopwood
Actors: Daisy Ang, Bill Buell, Dick Cavett, Rachel Covey, Mia Dillon
Director: Matt Mulhern
Genres: Comedy, Drama
R     2006     1hr 23min

(Drama) David Schwimmer stars as Duane, a down-on-his-luck divorced father who works the night shift as a pit boss at Caesars Palace in Atlantic City. Heartsick about the demise of his marriage to Linda (Janeane Garofalo),...  more »

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Movie Details

Actors: Daisy Ang, Bill Buell, Dick Cavett, Rachel Covey, Mia Dillon
Director: Matt Mulhern
Creators: Matt Mulhern, Andrew Lang, Ben Waisbren, David T. Friendly, Ethan Smith, John Tyson, Lemore Syvan
Genres: Comedy, Drama
Sub-Genres: Comedy, Family Life
Studio: Hbo Home Video
Format: DVD - Color,Widescreen - Closed-captioned,Subtitled
DVD Release Date: 04/25/2006
Original Release Date: 01/01/2005
Theatrical Release Date: 01/01/2005
Release Year: 2006
Run Time: 1hr 23min
Screens: Color,Widescreen
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 2
Members Wishing: 0
MPAA Rating: R (Restricted)
Languages: English
Subtitles: English, Spanish, French

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Movie Reviews

A schizo film...
Grigory's Girl | NYC | 01/01/2007
(3 out of 5 stars)

"While I watched this film, it was schizophernic. There were some good dramatic moments, balanced with ridiculously cute montages, badly written supporting characters, and inane dialogue. David Schwimmer is pretty good as the title character. I never watched Friends on a regular basis, so I don't think of Ross like other people might when they see him. He's not a total disaster in this dramatic role, but he doesn't give an Oscar worthy performance. The character of Duane's ex-wife (nicely played by Janeane Garofalo, who does the best she can with her underwritten role) is a good example of what's wrong with the film. At the beginning, she is adamant about her anger and her decision to divorce him. At the end of the film, she's forgiving of him, and they part friends, despite the fact that she is moving to South Carolina with their kids and her new boyfriend. That type of logic plays more like a sitcom than it does a film that supposed to be a realistic depiction of alcoholism. The filmmakers never really give us a clear reason as to why Duane started drinking. He's still in love with his (now) ex-wife, he loves his kids, and he likes his job. Duane mentions his parents with affection, so he wasn't abused as a child. But he drinks nevertheless. There is also awkward comic relief (provided by Duane's roomate, an aspiring standup comic) that really illustrates the two faces of this film. Duane's relationship with a sympathetic bartender seems tacked on. There is an excellent scene where Duane has a breakdown in a casino, but it's nearly ruined by the standup comic's constant yammering throughout it. Overall, it's watchable, but it's not sure what kind of film it really wants to be..."
Just Doesn't Work
Bad Johnny | Los Angeles, CA | 06/03/2007
(1 out of 5 stars)

"Expecting to completely enjoy this movie based on some nice things I had heard, I was stunned by my negative reaction. Wow! This movie wants you to care about alcoholic loser Duane and the serious problems that he faces one minute. The next, it wants you to laugh at weird and completely unrealistic characters and situations. Sometimes it tries for subtle realism, sometimes for the absurd. It just doesn't work. If you think child endangerment is funny, this might be the movie for you. But there was no payoff for me. Every time I was tempted to care, the movie then played a comedy bit to throw things off course again."
Not very believable or interesting
Office Lover | Scranton,PA | 12/27/2006
(1 out of 5 stars)

"I wanted to see this film as a fan of John Krazinski, and he's good. Unfortunately, he's not in it enough. The rest of the movie is an alcoholism story, one that is not particularly new or compelling or believable. Schwimmer has a few good moments, but too much time is spent on crazy subplots and unnecessarily eccentric characters."
Divorce, Addiction, and Other Obstacles in the Path to Happi
Grady Harp | Los Angeles, CA United States | 04/30/2006
(4 out of 5 stars)

"Matt Mulhern is an actor turned writer/director in this amazingly fine first feature film. If DUANE HOPWOOD is any indication of the storehouse of creative and gently profound films housed in Mulhern's mind, we have a major artist being birthed.

Duane Hopwood (David Schwimmer) is a loser: despite the fact that he is one of the most loving beings around, he is plagued by the realities of life - working a testy night job as a pit boss in Caesar's Palace in Atlantic City, failing to be present for a wife and two girls he loves but neglects due to his working hours and that has resulted in divorce, alcoholism, and failure to repair - he just can't make his life work. After a DUI arrest in which Duane has inadvertently jeopardized the life of one of his passenger daughters, is ex-wife Linda (Janeane Garofalo) is driven to prevent visitation rights to a man she recognizes is in truth a loving father who simply can't cope. Duane lives alone until his casino friend Anthony (Judah Friedlander), a would be stand up comic, asks to share Duane's home. Duane's bad luck follows him even when he is trying to give despicable people a fair break at the casino and hence loses his job. He attempts to date a kind Irish bartender Gina (Susan Lynch) but fails that role when he confesses that he still loves his wife. The ultimate blow comes when Linda and her new boyfriend Bob (John Krasinski) decide to move to North Carolina, a fact that means Duane will rarely see his beloved daughters. And his life continues to pall-mall despite all the loving hands offered by the good people around him.

The story has no beginning and no end. It is a slice of life about an Everyman wracked by bad decisions, good at heart but unable to control his propensities, and the effects of addiction, divorce, and loneliness on a kind but bumbling soul. David Schwimmer gives a deeply moving performance, one that is so sensitively rendered that it holds mirrors to us all, making us love him as much as the people around him who stand by helplessly by as he spirals down the hole of self-destructive behavior. Janeane Garofalo likewise steps out of her usual silly chubby mouthy roles and gives us an injured but wholly understandable bruised woman: her acting is the finest she has ever given us. The entire cast (with some surprise appearances by some fine actors) is top notch, but in the end the kudos go to Matt Mulhern for offering us one of the best examinations of divorce and modern marriage with an eye that clearly sees both sides of trauma. This is an underrated, superb film that deserves a wide audience. Grady Harp, April 06"