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Then She Found Me
Then She Found Me
Actors: Matthew Broderick, Colin Firth, Helen Hunt, Bette Midler, Salman Rushdie
Director: Helen Hunt
Genres: Comedy, Drama
R     2008     1hr 40min

An all-star cast with memorable performances by Helen Hunt, Matthew Broderick, Bette Midler and Colin Firth powers this smart, funny drama about love and destiny. Desperate to start a family, schoolteacher April Epner (Hun...  more »

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Movie Details

Actors: Matthew Broderick, Colin Firth, Helen Hunt, Bette Midler, Salman Rushdie
Director: Helen Hunt
Genres: Comedy, Drama
Sub-Genres: Romantic Comedies, Bette Midler, Love & Romance, Family Life
Format: DVD - Color,Widescreen - Subtitled
DVD Release Date: 09/02/2008
Original Release Date: 01/01/2008
Theatrical Release Date: 01/01/2008
Release Year: 2008
Run Time: 1hr 40min
Screens: Color,Widescreen
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 6
Members Wishing: 0
MPAA Rating: R (Restricted)
Languages: English
Subtitles: Spanish
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Member Movie Reviews

Callie K. (ballofglitter) from GRAND ISLAND, NE
Reviewed on 8/27/2014...
I didn't not care much for this one. It's extremely boring. The only good thing I found in the whole movie is the story is cute, it's got it's comical times (thanks to Bette Milder) and Bette Milder. She was awesome and funny! The only thing that didn't keep me from falling asleep.
2 of 2 member(s) found this review helpful.
Julia W. from HONOLULU, HI
Reviewed on 3/18/2011...
The plot of _Then She Found Me_ is intriguing and the production is well done, but I find the film unsatisfactory on two levels. First, why does it matter if the main character is Jewish? The quest to forgive God for one's circumstances is a theme that transcends any particular religion, so I don't argue with that as the main motivation of the protagonist. But the performance would have been more nuanced and powerful if the story did actually delve into how being Jewish (and, an adopted Jew, so character with an even more significant need to find one's spiritual origins) conditioned the character's quest.

Gripe number two: I didn't believe Helen Hunt's performance. She much too serious in a role that requires not only high defensive walls, but also a willingness to be open, vulnerable, and silly when it counts. Colin Firth fills his role wonderfully, as always, but this movie has way too much potential to settle for being mere CF eye candy. Rather, the audience shouldn't settle for that pleasing, but unsatisfactory, level of quality.
6 of 6 member(s) found this review helpful.
Robin R. from IONIA, MI
Reviewed on 12/5/2010...
I had seen it before but it was nice to see again - an enjoyable movie - probably not a classic but good.
2 of 3 member(s) found this review helpful.
Carole J. (mrscdoc) from BLANDON, PA
Reviewed on 1/14/2010...
good movie, for an appropriate audience. Not suited for children.
1 of 1 member(s) found this review helpful.

Movie Reviews

Another Biological Clock Ticks...But Hunt Provides Heart and
Ed Uyeshima | San Francisco, CA USA | 08/07/2008
(4 out of 5 stars)

"Released earlier this year, Baby Mama covers the same emotional territory but in much broader slapstick terms, while this 2008 serio-comedy is driven far more by character than situation. In this case, the protagonist is 39-year-old April Epner, a New York kindergarten teacher who was raised in a close-knit Jewish family and desperately wants the biological connection of a birth child before her alarm clock goes off. She marries fellow teacher Ben, an inarticulate schlub with a terminal case of the Peter Pan Syndrome. After a brief time, he wants out of the marriage, and at almost the same time, April's adoptive mother Trudy dies. Not even a month goes by before April's biological mother suddenly shows up in the form of the brazenly overbearing but genuinely likeable Bernice Graves, a cable talk-show hostess who is something of a local media celebrity. If life was not complicated enough, April also finds herself drawn to Frank, the single father of one of her pupils. Unlike Ben, he feels the same about April but is fighting his own bitterness about his own recent divorce.

Not only does Helen Hunt star as April, but she also co-wrote the screenplay with Alice Arlen and Victor Levin and makes her big-screen directorial debut. Granted she's more impressive as an actress than a filmmaker, but as a director and writer, she makes the most of a storyline that stacks the deck a bit like a Lifetime TV-movie. There are enough realistic surprises that take the plot off the rails in a good way. Looking gaunt and avoiding much make-up, Hunt is really playing a variation of the beaten-down waitress she played in As Good As It Gets, as she carries that same constantly pained expression of disappointment and looks about to explode during moments of emotional duress. However, a decade later, Hunt inhabits the character more naturalistically this time and with a deeper sense of vulnerability and haggard exhaustion. Perhaps to minimize any unnecessary dramatic risk, Hunt cast the other principal roles with actors playing familiar parts. Matthew Broderick effectively portrays Ben as the perpetually dazed man-child he is, while perennial love interest Colin Firth gives texture to the seemingly ideal suitor Frank, especially as he edges toward the breaking point in tolerating the sum of April's foibles.

In one of her increasingly rare screen appearances, Bette Midler gives a scene-stealing performance as Bernice. She lights up the movie with the character's unfettered sense of abandonment while gradually exposing the secrets that threaten to undermine her newly found relationship with her daughter. Other parts are played with minimum fuss - Ben Shenkman as April's physician brother Freddy feeling put-upon for having a biological tie to their mother, and Salman Rushdie (yes, the controversial author of The Satanic Verses which brought him a death sentence from the Ayatollah Khomeini in 1989) as April's doctor. Hunt provides the principal actors, especially herself, plenty of good, meaty scenes with opportunities for bravura moments, and they do deliver. It just doesn't quite come together as a whole by the end, and that may be that Hunt is so used to the sitcom format of the long-running series, Mad About You. The incomplete result is that some laughs feel a bit contrived, some scene transitions seem jarring, and some expected character revelations are given short shrift. Nonetheless, the dramatic developments toward the end carry the emotional impact necessary to make the movie truly affecting, and Hunt should be given full credit for a most auspicious debut as a filmmaker."
Horrible. Hated it.
JD | Provo, Utah USA | 10/31/2008
(1 out of 5 stars)

"I didn't like this movie at all. It had a cast of actors that I normally enjoy but the way they were cast and the dialogue they were given made me dislike their on-screen characters. Hunt herself looks practically elderly and she is supposed to be an attractive 39 year old. Broderick is as whiny and creepy as everything I've seen him in lately. Colin Firth was erratic and outright ugly most of the time as if they told him to just act as angry and frazzled as possible. The actors only flesh out their roles briefly here and there and are cardboard cutouts most of the time - especially Helen in the lead role. Only Bett Midler's character had any actual life and energy in her. She brought some fresh air, even some heart, to her scenes but it wasn't enough to cast off the gray that hung over this film. If you want to see what it looks like to have life dump on shallow people then watch this film. If you want to see a strong character push through the challenges of life and rise above their circumstances you may be, like me, disappointed. I do think this is one of those love it or hate it films and for me it was the latter."
How can Elinor Lipman not mind this?
Tara Lohman | Knoxville, Tennessee United States | 10/24/2008
(2 out of 5 stars)

"Ok, I tried. I really, really tried not to compare the movie with the book. I loved the book, a tender, poignant journey of love in which April, albeit unwillingly, learns to accept the difficult person who gave birth to her and slowly learns the devastating truth of her past. But Elinor Lipman says she does not mind the fact that Helen Hunt basically took her book and scissored away everything but a few names and the center plot of the book, and came up with this idiotic film about ticking biological clocks instead.

But I have to wonder, how can she not mind? This hash of a movie bears little resemblance to what it was based on, so why did Helen Hunt not just find someone to write a new screenplay about a woman who wanted to have a baby? Why did she take a brilliant story, with fabulous characters, and turn it into this really rather dumb movie?

In the book, Bernice is difficult but ultimately complex and suprisingly sympathetic by the end, but Bette Midler's Bernice is just a cardboard cutout of the same person. And it's a shame, because Midler would have played the "real" Bernice beautifully if she had had a decent script to work with. And in the book, April is a bit uptight, but not the brittle, haggard neurotic that is portrayed here. And while Colin Firth is, as usual, great to look at, his character is poorly written as well. The male "hero" of the book, Dwight, and his relationship with April, are so appealing, that I cannot believe these two annoying men and their shallow interactions with the main character are supposed to replace that.

I did give this movie two stars because I liked Salman Rushdie playing the part of the doctor and I liked the sweet little twist at the end. But the whole time I watched it, I couldn't help thinking of the wonderful book at home on my shelf and asking, "Why, oh why, did someone have to screw it up so very badly?""