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Another Brilliant Ealing Satire

Richard M. Rollo Jr. | Montebello, CA USA | 03/22/2008

(5 out of 5 stars)

"The Man in the White Suit seems to me to be partially a satire on Ayn Rand's the Fountainhead. Alec Guinness plays Sidney Stratton deadpan in the role of the lone, mad scientist of the British clothing industry. Stratton is on a mission to create a new fabric that never gets dirty and never wears out. His bizarre quest gets him fired from one after another jobs as a scientist as he diverts (or as the British would say, cadges) equipment and supplies from companies to his projects. He then works as a janitor still cadging supplies and hiding his experiments until he is discovered and promoted by the daughter (Joan Greenwood) of one of the captains of industry.

After he is promoted, he is given full support for his bizarre idea. Then, another of the elements of satire is the mad scientist of the horror films of the late 40's, with suitable lights flashing, "boops....beeps" and water gurgling sound effects, and a few explosions of the works.

This leads to curiosity...what is he up to? Then, word leaks out that he is working on a cloth that never gets dirty and never wears out. At first it sounds like a good idea but soon the Schumpeterian creative destruction implications of this invention for jobs, businesses, and industries, becomes clear to the industry leaders, the unions, and the ordinary workers. Then, another object of satire in this movie proceeds as all the groups go to battle against each other and then eventually against this man and his invention.

Then the movie goes into a chase scene with Guinness wearing this incredibly luminous white suit..... but you'll have to watch the movie to find out how it ends."

One of Alec Guinness's best comedic films of the fifties

Robert Moore | Chicago, IL USA | 10/31/2002

(5 out of 5 stars)

"Although Alec Guinness had already achieved a fair degree of fame on stage and on screen by the time he made THE MAN IN THE WHITE SUIT, this is, in fact, one of his earliest starring roles. Strictly speaking, although he had portrayed eight characters in 1949's KIND HEARTS AND CORONETS, this was his first comedy in which is played the lead. Playing inventor Sidney Stratton, Guinness further cemented his burgeoning reputation as one of England's most interesting and versatile actors.The film features a marvelous though, to early 21st century film fans, largely unknown cast. Joan Greenwood, who is one of my favorite actresses in the history of film--beautiful, effortlessly sexy and sensual, enormously talented, and possessed of one of the great voices in the history of cinema--plays Guinness's romantic counterfoil. Cecil Parker, who while never a star, seemed to populate dozens of successful films without ever calling attention to himself. The film also features a typical performance by Ernest Thesiger, who played ancient-old-man parts for over forty years in films and is one of the most unique looking actors in British film history. The story involves a quirky scientist inventing cloth that never gets dirty and never wears out, but which comes out of the lab pure white. This was at a time when a whole range of new synthetic fabrics were hitting the market, so the subject was very topical at the time. The plot revolves around the anticipated effects such material would have on the textile industry. The film is a comedy, but it is the kind of comedy that creates more smiles than laughs. It is not less delightful for that."