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The Outlaw
The Outlaw
Actors: Mimi Aguglia, Jack Buetel, Bob Callahan, Frank Darien, Dick Elliott
Genres: Westerns
NR     2003     1hr 58min

A fast-paced, entertaining lark of a film, The Outlaw is known today mostly for the buoyant performance of Jane Russell, whose career was engineered by the film's director, Howard Hughes, otherwise infamous for his reclusi...  more »

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Movie Details

Actors: Mimi Aguglia, Jack Buetel, Bob Callahan, Frank Darien, Dick Elliott
Genres: Westerns
Sub-Genres: Westerns
Studio: Alpha Video
Format: DVD - Black and White
DVD Release Date: 10/07/2003
Original Release Date: 01/01/1943
Theatrical Release Date: 01/01/1943
Release Year: 2003
Run Time: 1hr 58min
Screens: Black and White
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 2
Members Wishing: 0
MPAA Rating: NR (Not Rated)
Languages: English
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Member Movie Reviews

James R. (mnjimmy) from FOREST LAKE, MN
Reviewed on 4/8/2015...
I would have liked to have more speaking parts for Jane Russell.
Interesting what concerned the censors in 1944 compared to today.
It was a good story.

Movie Reviews

Just Short of the Mark
CodeMaster Talon | 03/30/2004
(4 out of 5 stars)

"There's no need to recap the plot's synopsis, therefore I'll focus the bulk of my observations on the DVD itself, since this is the information I look for in Amazon reviews of items of this type.
This review covers the edition released by The Roan Group. The disk does fulfill its promise of a 117 minute running time, including credits. A running time of two hours is cited in the trailer, but I don't know that I'd call this an accurate indication of the existence of a more complete version; 117 minutes is awfully close to 120. I don't see any evidence of the extras mentioned in Amazon's editorial, including the letterboxing of credits, although I had no trouble reading them all on my TV set. I suspect the reviewer is referring to a different release, although I can't imagine which one.
Roan mastered this release from what must have been a very high-quality print because it shows very few signs of age. The sound is fine--very clear with no need of volume cranking (often the case on older films, in my experience). The movie is an entertaining male-bonding romp with great performances all around and Miss Russell looks fabulous. Frankly, there wasn't a boring moment in the whole film--no complaints there. Another nice touch is its keep case; I'm really annoyed with the cheesy snap cases in which so many new releases are packaged.
The lack of extras, however, is very disappointing, even for a budget release. One has the option to view the trailer or the film by means of a barely visible prompt, PERIOD. There's no menu, so one can't navigate the specific chapters (although they're numbered on the back cover of the case), and there are no subtitles ("Japanese?"). There's NOTHING but the movie and the trailer. At least one can fast-forward and reverse; I understand that even that option's not available on some disks.
Despite this movie's being lots of fun, it rates fewer stars for being a little too bare-bones in this release. 3.5 stars would be perfect but since I can't assign halves, I decided to err on the side of generosity based on its being a really good transfer of an entertaining film. (Yeah, yeah--we all KNOW it's not historically what?) A shame Roan didn't go the extra mile; so little more is needed."
"What, no kiss?" "Nah, he doesn't like mush."
CodeMaster Talon | Orlando, FL United States | 01/11/2003
(4 out of 5 stars)

"What can I say about "The Outlaw"? It's really, really silly and I really, really like it. The acting is bad, the music is worse, and the camera angles are downright hilarious. I'm not sure how much of the dialogue was intended to be funny, but I'm sure a lot of the bigger laughs were unintentional. Nevertheless, it's a goofy, friendly little movie that moves along at a brisk pace and is nothing if not entertaining.The plot? Well, you see, Pat Garrett and Doc Holliday used to be best friends, that is until Billy the Kid rode into town, and now Doc spends all his time hanging out with Billy which makes Pat pretty darn jealous. There's also Rio (played by the scantily clad Jane Russell) who used to be Doc's girl before Billy stole her, although neither Doc nor Billy care much about that. They do argue a lot about who owns Doc's horse, but otherwise they're pretty tight, riding around together, humilating Pat, and just generally having a good time. All good things must come to an end, however, and after a couple of shootouts and almost shootouts our hero(?) rides off into the sunset, proud possesor of both the horse and the girl."The Outlaw" isn't a classic by anybody's standards (unless you count the classically silly "Gun Switching" scene), but it is fun in a weird kind of way. Gazillionare Howard Hughes tried for years to have it released while he battled the censors (unlike some other reviewers, I do think the film is pretty racy for its time) and there's still about five minutes missing. You can sometimes tell where footage was cut, such as a scene where Doc goes to hug Billy (really) and after a jump they're suddenly talking about something else. Uh huh. Anyway, check this out if you're a fan of Jane Russell or over the top cheese. If you do see it, watch for my favorite part: Billy strings up Rio and leaves her for dead, has second thoughts, and comes back to find the sheriff waiting for him. "Why didn't you tip me off?" he irritably asks the still strung-up Rio. Great stuff.
"Don't, Billy!"
Robert S. Clay Jr. | St. Louis, MO., USA | 03/06/2003
(2 out of 5 stars)

"This movie regularly appears on local PBS stations struggling with a cash-strapped budget. Doc Holliday (Walter Huston) is a friend of Sheriff Pat Garrett (Thomas Mitchell). When Billy the Kid (Jack Beutel) rides into town, Doc spends time schmoozing with the Kid, and Garrett gets upset. Jane Russell's 44s show up with Jane right behind them. Doc and Billy vie for her love, when they are not arguing over a strawberry roan horse. I kept waiting for a logical plot to materialize. I was still waiting when the movie ended. This film tells us of the vision of Howard Hughes. Mainly that Hughes wanted to feature the natural assets of a young Jane Russell. He succeeded, points taken. Speaking of the white hills of Arizona, there is a weak attempt to tell a gunfighter vs. gunfighter story. There is even some Western-type action. At one point, Indians on the warpath suddenly appear and then proceed to get lost in a cloud of dust. Only in Hollywood. Howard Hawks assisted with the director task, but he just told the camera guy to focus on Jane's cleavage and left the set. Wearing a low-cut top, she leans over the neck of a galloping horse, and the camera angle is full frontal. This is not Shakespeare. The movie had a notorious reputation in its day. Obviously, standards have changed. This is only slightly adult material. Be careful of the "so bad, it's good" label. Sometimes, we overuse it. There is no accounting for taste. ;-)"